Arts and Humanities Commons^™

Boundaries., Elizabeth Trabue Gorham

Electronic Theses and Dissertations

The photographer discusses the work in Boundaries, her Master of Fine Arts exhibition on display at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 31 to November 4, 2011. The exhibition consists of 20 black and white photographs, the main subject of which is the photographer's son. The photographs and supporting thesis explore the idea of boundaries real and implied, and how confinement can prompt a variety of behaviors. Topics include the process and evolution of the work and the artists who have influenced it, the importance of light and the challenge of photographing family. Included is …

A Perceptual Metric For Photo Retouching, Eric Kee, Hany Farid

Dartmouth Scholarship

In recent years, advertisers and magazine editors have been widely criticized for taking digital photo retouching to an extreme. Impossibly thin, tall, and wrinkle- and blemish-free models are routinely splashed onto billboards, advertisements, and magazine covers. The ubiquity of these unrealistic and highly idealized images has been linked to eating disorders and body image dissatisfaction in men, women, and children. In response, several countries have considered legislating the labeling of retouched photos. We describe a quantitative and perceptually meaningful metric of photo retouching. Photographs are rated on the degree to which they have been digitally altered by explicitly modeling and …

Writing The Ruins: Rhetorics Of Crisis And Uplift After The Flood, Doreen Piano

Doreen M Piano

No abstract provided.

2011 Sioux County Oratorio Chorus Poster, David Versluis

Pro Rege

No abstract provided.

The In-Between, Derrick Logan

All Theses

This body of work explores my perception of the landscape. I traverse spaces that exist in the in-between. My work functions on a personal level in that I am seeking a reconnection with my surroundings through a physically intense interaction with the land. It is an attempt to reengage the land, to form knowledge, awareness, and a sense of belonging.
Through performance I explore transcendent potential within the landscape. These performances of slow walks through the landscape are documented through video. Viewing of the documentation grants points of projection for the viewer. The videos both engage and undermine how people …

Flotsam & Jetsam, Nicolas S. Shake

CGU MFA Theses

My work is pastoral and post-apocalyptic with one foot firmly planted in historical painting and the other in traditional still-life, so it is entropic and sanguine, gleeful, despondent, and matter of fact. It comes at a point in time when the fiction of Nature as a refuge is no longer viable, persuasive or convincing. But rather than rehash this fact, my work celebrates the pastoral’s everyday ordinariness, the capacity for the viewer to experience something wondrous amidst decline. I focus on the cast-off household and utilitarian items that show up in the desert on the outskirts of Los Angeles. The …

Wedding Albums, Jim Gabbard

Jim Gabbard

Awarded two blue ribbons for wedding albums.

Homage To Everyday People, Sang Ja Chun

Theses and Dissertations

Influenced by an ever-growing sense of alienation with my homeland, I have been determined to discover through my art practice an ability to challenge conventional notions of home, identity, communication and miscommunication. Exploring these themes, I became increasingly aware of the parallels between everyday life and art practice. By creatively connecting with a diverse amount of local people and their communities, I fulfilled desires to discover a sense of belonging and generated opportunities for others to break through traditional social boundaries and roles.

Alghe Mist, Jeffrey Kenney

Theses and Dissertations

This is an overview of the source material, methodologies, artistic influences, and conceptual decisions that inform the sculptural and the photographic means of production that characterize my art practice. Research topics include model-making, the indexical relationship of the photograph and object, and a brief phenomenology of accidents, alchemy, and ambivalence in relation to specific artworks.

The State Of Being Single: Justyna Badach's Bachelor Series, Pamela Warner

Pamela J. Warner

No abstract provided.

Seven Seas Without, Ambereen Siddiqui

Masters Theses

In my work I explore dislocation within a diasporic experience. I use personal and familial accounts of migration, assimilation and reverse culture shock to examine and add to the collective narratives that underlie national as well as individual identities. In reconciling my own sense of loss in having moved away from Pakistan, I appropriate histories, recreate memories and envision futures to mould the present. Investigations of personal experiences inform an analysis of the larger social, political and historical contexts. In my practice I use video, animation and new media technologies to “re-view” archives. My sources include audio and text from …

Back From Port-Au-Prince, Kerry L. Rodgers

CGU MFA Theses

In this body of work I aim to bring the possibility of intimacy and empathy to a city reeling from recent devastation. Before last year’s earthquake, Port-Au-Prince had been famous for its bright splashy colors; vibrant shades coated the homes, shacks, buildings and buses. But everything lost its color when it crumbled. The ubiquitous gray rubble is a constant reminder of the immense human suffering that the quake set into motion: death, displacement, and disease. Please see Download button in top right corner for the full statement.

Plex, Jon-Phillip Sheridan

Theses and Dissertations

This thesis explores the evolution of my practice as it developed over my two years of graduate school. I entered school interested in the built environment and how structures helped create subjectivity and provided sites for material and phenomenological transformations. Early in graduate school, I developed a photography series that investigated these issues. However, an awareness of a conversation occurring in the larger art world that questioned the efficacy of photography drove me to consider ways to extend my practice into sculpture and installation. Over the next two semesters, I developed my ideas of light, form and structure into video …

Eulogy., Megan Renee Levacy

Electronic Theses and Dissertations

The artist discusses the search for identity which underlies her Master of Fine Arts exhibition, Eulogy, hosted by the Carroll Reece Museum on the campus of East Tennessee Sate University, Johnson City, Tennessee, from March 8 to May 6, 2011. This exhibit contains works which explore the artist's relationship with the natural world, ornithology, philosophy, psychology, poetry, and related personal influences.

The artist's thesis work consists of paintings, drawings, and photographs. The artist references her own investigation of poetry, philosophy, psychology, and personal history which have shaped a private sense of awareness. Also reviewed are the influences of artists …

Shirin Neshat: A Contemporary Orientalist, Mojgan Khosravi

Art and Design Theses

This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a Western audience, Neshat’s consistent use of the Muslim veil, illegible Persian …

Mythic Narratives: The Chronicling Of Conceptual Art, Ana A. Iwataki

Pitzer Senior Theses

An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world. These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for future generations.

Tygr 2011: Student Art & Literary Magazine, Jill Forrestal, William Greiner, Kate Mansfield

TYGR: Student Art and Literary Magazine Archives (1985-2017)

TYGR is the student art and literary magazine for Olivet Nazarene University.

[Historical Muse] The Tyger -- William Blake

Liat Smestad, Amy Dosen

Asian American Art Oral History Project

Artist Bio:

"Coming from a family of architects, I saw how closely related the functions of fashion and architecture are. I wanted to explore the function of fashion further and began my coursework in fashion design, focusing on the protective aspect of clothing. My focus on the protective function of clothing led me to a 25+ years career in fur design. My artistic explorations have led me in some interesting directions. I continually reshape my idea as an artist and the boundaries of my art. I've recently branched out into photography and also returned to my childhood passion: painting. I …

Alice Brill's Sao Paulo Photographs: A Cross-Cultural Reading, Danielle Jean Hurd

Theses and Dissertations

In this thesis I consider the influence of Alice Brill's transnational background on her photographs of 1950s São Paulo. Brill was born in 1920 to a Jewish-German family. In 1934 she immigrated to São Paulo where she involved herself in local artistic circles. From 1946-47 she received a grant to study at the University of New Mexico and with the Art Students League in New York. Brill learned photography during her time in the United States, hoping to create documentary photo-essays in Brazil which she could send to American illustrated magazines. None of Brillss works were published in the United …

Rewrite, Jamie Lawyer

Theses and Dissertations

“Rewrite” is a photographic project that utilizes the domesstic space as a stage for emotional projection of a traumatic memory. The work considers the relationship that exists between an individual and the rooms and objects within a home space in an attempt at understanding an individual’s mental state. “Rewrite” explores the ways in which we exist through our home and how a juxtaposition of objects and materials can create meaning. The photographs are a visual interpretation of the emotions surrounding sexual abuse/assault/rape as they have related to my own personal history and conversations I have had with women close to …

The Foundation To Photographic Success, Samantha Strykowski

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Strykowski's Photographic Artwork.

The emergence ofthe digital camera has made photography less expensive, faster, and easier to share. Technology and material upgrades aside, many self-described photographers do not have the slightest idea about what goes on beyond the obvious. What I am referring to is the design and compositional elements of photographs. What makes a shot and its' editing successful? Why? How do you follow the rules and mix in personal touch? As a young aspiring artist on the verge of entering the cut-throat world of photography I feel the need to express my knowledge of design …

Between The Camera And The Gun: The Problem Of Epistemic Violence In Their Eyes Were Watching God, Katherine Ann Rich

Theses and Dissertations

Since the 75th anniversary of the 1928 Okeechobee Hurricane in 2003, a growing number of journalists and historians writing about the disaster have incorporated Zora Neale Hurston's 1937 novel Their Eyes Were Watching God as part of the official historical record of the hurricane. These writers often border on depicting Their Eyes as the authentic experience of black migrant workers impacted by the hurricane and subsequent flood. Within the novel itself, however, Hurston theorizes on the potential epistemic violence that occurs when a piece of evidence—a photograph, fallen body, or verbal artifact—is used to judge a person. Without a person's …

Zephyr: The Twelfth Issue, Zephyr Faculty Advisor, Angelena Pepe, Constance Glynn, Rachel Audibert, Cassandra Britton, Laura Carter, Elena Kalioras, Jocelyn Koller, Samantha Lyman, April Mroz, Wang Yu

Zephyr

This is the twelfth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Jane Gillespie Pryor Mfa Thesis Statement, Jane Gillespie Pryor

CGU MFA Theses

Please see Download button in top right corner for the full statement.

Fiction Fix 09, Mark Ari, Kate Kaiser, Alison Bergblom Johnson, Jewel Beth Davis, Margarita Meklina, Mathieu Asselin, Chris Mccann, Sanjukta Shams, Jane Hertenstein, Alysha Hoffa, Alexis Wilson, Jeff Baker, Geri Lipschultz, Leslie Tucker, Robbie Knopf, Justin Toole, Lis Anna

Fiction Fix

No abstract provided.

Modernity, Multiples, And Masculinity Horace Poolaw's Postcards Of Elder Kiowa Men, Laura E. Smith

Great Plains Quarterly

Many Indians in the late nineteenth and early twentieth century commodified aspects of their cultures in order to make a living and sometimes present their identities, history, and artworks in ways that were satisfying to them. Ten vintage postcards from the Oklahoma Historical Society by Kiowa photographer Horace Poolaw (1906-1984) indicate that he recognized popular tastes for Plains Indian male imagery while both participating in that production and working independently of it. Poolaw printed some of his photographs on postcard stock to sell at local fairs in the early to mid twentieth century. In order for the postcards to appeal …

Taking In: The Best Of Aib Photography 2011, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication. and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2011. The book in your hands is the end result of a collective effort by those in the class.

Since 1980, Sookyung Bae

CGU MFA Theses

Please see Download button in top right corner for the full statement.

Promoting A Benefit Concert With Digital Media, Aubrea Felch

Graphic Communication

The introduction of digital media in mass communication and advertising had a powerful impact on the event planning industry, specifically in the promotion of benefit concerts. Not only can digital media promote an event, but it can also help event coordinators establish an image for themselves, be used as a means of benefiting those who have donated to the cause, and enhance the event itself. All digital media can be put into several different classifications: digital audio, digital video, digital photography, Internet technology, and interactive Internet applications. This study asks the question: In what ways can an event planner use …

Erin Payne Mfa Thesis Statement, Erin B. Payne

CGU MFA Theses

Please see Download button in top right corner for the full statement.