Arts and Humanities Commons^™

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Beyond Rigidity: The Unfinished Semantic Agenda Of Naming And Necessity, By Scott Soames, Heimir Geirsson

Heimir Geirsson

n Naming and Necessity Saul Kripke criticized descriptivist theories of proper names and suggested a ‘better picture’ as a replacement. But while the ‘better picture’ that Kripke provided was very interesting and stimulating, it was little more than a sketch of a theory that needed much work and refinement. While Kripke argued that proper names are not synonymous with definite descriptions or clusters of definite descriptions, he was silent on what the semantic contents of names might be. Further, he even speculated in the introduction to his book that the apparatus of propositions might break down given his arguments, thus …

Confucian Role Ethics: Issues Of Naming, Translation, And Interpretation, Sarah Mattice

Sarah Mattice

This chapter explores the arguments behind considering Confucian ethics as a kind of "role ethics", as articulated by Roger Ames and others. I see at least three sets of concerns that animate the reasoning behind Confucian role ethics: naming, translation, and interpretation. In terms of naming, I discuss this project as an example of zhengming 正名, or proper naming, which is a common Confucian ethical project. Confucian thinkers are often preoccupied with appropriate categorization, one species of which is naming. The naming of Confucian ethics as role ethics, I argue, is not only consistent with but is situated in a …

Justification And Ways Of Believing, Heimir Geirsson

Heimir Geirsson

One of the issues that has been hotly discussed in connection with the direct designation theory is whether or not coreferential names can be substituted salva veritate in epistemic contexts. Some direct designation theorists believe that they can be so substituted. Some direct designation theorists and all Fregeans and neo-Fregeans believe that they cannot be so substituted. Fregeans of various stripes have used their intuition against free substitution to argue against the direct designation theory. Some direct designation theorists have used the same intuitions to argue against the view that belief reports of simple declarative sentences can be accounted for …

Negotiating For The Environment: Lbj’S Contributions To The Environmental Movement, Nancy M. Germano

Nancy M. Germano

No abstract provided.

Youth Activism, Art And Transitional Justice: Emerging Spaces Of Memory After The Jasmine Revolution, Arnaud Kurze

Arnaud Kurze

This chapter explores the creation of alternative transitional justice spaces in post-conflict contexts, particularly concentrating on the role of art and the impact of social movements to address human rights abuses. Drawing from post-authoritarian Tunisia, it scrutinizes the work of contemporary youth activists and artists to deal with the past and foster sociopolitical change. Although these vanguard protesters provoked the overthrow of President Zine El Abdine Ben Ali in 2011, the power vacuum was quickly filled by old elites. The exclusion of young revolutionaries from political decision-making led to unprecedented forms of mobilization to account for repression and injustice under …

Gender-Based Perceptions Of The 2001 Anthrax Attacks: Implications For Outreach And Preparedness, Christopher Salvatore, Brian J. Gorman

Christopher Salvatore

Extensive research dealing with gender-based perceptions of fear of crime has generally found that women express greater levels of fear compared to men. Further, studies have found that women engage in more self-protective behaviors in response to fear of crime, as well as have different levels of confidence in government efficacy relative to men. The majority of these studies have focused on violent and property crime; little research has focused on gender-based perceptions of the threat of bioterrorism. Using data from a national survey conducted by ABC News / Washington Post, this study contrasted perceptions of safety and fear in …

A Socio-Demographic Analysis Of Responses To Terrorism, Gabriel Rubin, Christopher Salvatore

Christopher Salvatore

Extensive research has found that there are differences in reported levels of fear of crime and associated protective actions influenced by socio-demographic characteristics such as race and gender. Further studies, the majority of which focused on violent and property crime, have found that specific demographic characteristics influence fear of crime and protective behaviors. However, little research has focused on the influence of socio-demographic characteristics on perceptions, and protective actions in response to the threat of terrorism. Using data from the General Social Survey, this study compared individual-level protective actions and perceptions of the effectiveness of protective responses to the 9/11 …

Review Of Women Who Fly: Goddesses, Witches, Mystics, And Other Airborne Females By Serinity Young, Nancy Schultz

Nancy Lusignan Schultz

Third Time's The Charm: The History Of The Merger Between The University Of Louisville And Jefferson Schools Of Law, Marcus Walker

Marcus Walker

The daytime University of Louisville School of Law and evening Jefferson School of Law existed as separate programs from the latter school's founding in 1905 until their merger in 1950. This article highlights two earlier attempts at combining the legal programs and highlights some perhaps lesser-known details of the successful attempt that extend the history of the "Ben Washer School" a bit farther than it might otherwise seem.

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Understanding 5 Different Types Of Essays, Natalie Strong

Natalie Strong

Keluaran Togel Singapore(Sgp) Dan Hongkong(Hk) Hari Ini, Naga Sembilan

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When The Smoke From The Battle Has Cleared, T. Fulton Burns

T. Fulton Burns

I can recall the time that followed my first national workshop. All of the excitement of new friends and new skills still went through me like a child on Christmas morning considering all of the possibilities of fun with my new toys. I thoroughly enjoyed having my college friends ask me to show them what I had learned. Eventually I was approached by a former professor to choreograph the fights for a production of Hamlet at my undergraduate program. With excitement and great pride I happily accepted.

What A World – What A World: Scene/Script Analysis For Fight Plays, T. Fulton Burns

T. Fulton Burns

“While perfection is a wonderful goal, there comes a point where you have to let your creation out into the world or it isn’t worth a tinkerer’s damn.” This is a fantastic quote by Twyla Tharp from her book The Creative Habit: Learn It and Use It For Life: A Practical Guide. So what does this have to do with you, the stage combatant? Well you are working hard but you are being told not to strive for perfection because perfection can never truly be achieved in the arts, so naturally itwarrants the question “then for what exactly do you …

Throwing Down The Gauntlet: Finding The Best Partnership For Fight Scene Work, T. Fulton Burns

T. Fulton Burns

Over the past few years I have written my perspective on the Skills Proficiency Test process. Earlier this year I thought that my process was complete but then an issue continued to creep up in my mind over and over again. It was that I had not addressed how best to find a partner for one's scene work. The reason for finding a good partner relates to my first workshop in stage combat. Discovering with whom to partner and with whom not to partner for scene work was the most valuable lesson I learned. Rather than focusing upon the ones …

The Games People Play: Rehearsal Games & Approaches For Fight Scenes, T. Fulton Burns

T. Fulton Burns

There are as many approaches to the rehearsal period as there are directors, actors and acting texts combined. Rehearsals are the time that we all look forward to because we truly get to do what we do best in theatre, which is “play.” The games and approaches in this article are intended to spice up the life of your stage combat scene and enhance the time spent in rehearsal; following the initial time period of learning choreography and discovering initial acting choices. Many people see the rehearsal process as the time to work. I couldn’t agree more but, as stated …

Review Of Physical Theatres: A Critical Introduction, And: Physical Theatres: A Critical Reader, T. Fulton Burns

T. Fulton Burns

Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at the London Metropolitan University Undergraduate Centre) offer the theatre world two movement analysis texts. These well written books, which focus on techniques from the Western world of physical theatre, would serve graduate level or highly focused classes in movement pedagogy or practice. With their identical six-chapter breakdowns (“Genesis, Contexts, Namings”; “Roots: Routes”; “Contemporary Practices”; “Preparation and Training”; “Physicality and the Word”; “Bodies and Cultures”), the books may be used in relation to one another or stand alone as individual texts.

Just Before Dawn: Pre-Test Rituals And Preparation For Test Day, T. Fulton Burns

T. Fulton Burns

In Asian martial arts films there are usually beautiful moments that reveal the fighters in deep meditation before they are to meet on the field of battle. The process appears to center and calm the individual while preparing them for the final moments of their lives. The day of a skills proficiency test (SPT) can feel the same way. The day of the test can be frustrating for the testers as well as those around them. Nerves can run high during this stressful time. I can still recall the excitement and nerves of my first test day at the 2000 …

Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns

T. Fulton Burns

The concept of chance utilized by John Cage is a frightening, exciting, and liberating process for any artist. It was so effective that other musical artists such as Morton Feldman, Earle Brown and Christian Wolff used it. In the world of theatre these concepts are constantly used today by the Neo-Futurists in Chicago and New York in their production of Too Much Light Makes The Baby Go Blind and by Improv Troupes throughout the country.

Dueling With Spt Questions: Members Of The College Of Fight Masters Share Their Ideas For Skills Proficiency Tests, T. Fulton Burns

T. Fulton Burns

As the rehearsal process grows closer and closer to the Skills Proficiency Test (SPT) common questions arise regarding what is needed in order to pass. Many of these questions involve the same basic idea – “What are the Fight Masters looking for so that I can pass the test?”, but the most important question that is asked is – “Do you think I will pass?”

...And Scene: A Guide To Locating Fight Scenes, T. Fulton Burns

T. Fulton Burns

It is one of the most daunting tasks: trying to find a strong fight scene for a Skills Proficiency Test or even a class project. The truth of the matter is that your main focus is to pass your skills test while hopefully leaving an impression on your peers(especially the adjudicator!). Passing, and hopefully receiving an Examiner’s Award for Excellence, is the best result; or if you are at a National Stage Combat Workshop, you could possibly receive a Certificate for Best Actress or Actor. At the very heart of the issue, you need a scene that will work for …

Beating The Punches: Scene And Fight Break Down Techniques, T. Fulton Burns

T. Fulton Burns

As a fight choreographer it is my responsibility to sit down with the director and discover her/his vision for the production. Similarly, actors need to serve the script and work with the choreographer in connecting the action to the playwright’s words. Each preceding article, relating to the exploration of the skills proficiency tests (SPTs), has offered tools for connecting the scripts, stories, and characters with the language of the choreography. We are now ready to move deeper into directly linking fight choreography with the script and vice versa.

Some actors see pre-planning objectives for a scene and rehearsal as an …

Fighting The Elements: Determining The Best Scenes For Skills Proficiency Tests, T. Fulton Burns

T. Fulton Burns

In the last edition of The Cutting Edge I provided tips for locating fight-specific scenes. Now let’s narrow our search from the vast quantity of scenes to a playing field of only the best quality. For a Skills Proficiency Test (SPT), choreography comes first to ensure that the proper techniques are included within the fight. Following these lessons in technique and choreography, the scene selection process begins. In a traditional acting class, the scene selection occurs first and is followed by the explored action. So even though the cart may be before the horse, as it were, with an SPT, …

I Can’T – I Have Rehearsal: Rehearsal Guidelines And Techniques With Fight Scene Work, T. Fulton Burns

T. Fulton Burns

The rehearsal process often contains excitement, uncertainty, and, at times, stress for all involved. It is at this stage of the process where the culmination of skills acquired (research, character study, and embodying choreography) all come together. The following guidelines and techniques are aimed toward helping the actor address and conquer both acting and fight needs during the rehearsal process

A Violent Character: Stage Combat Character Analysis, T. Fulton Burns

T. Fulton Burns

It is so deceptively easy stating who your character is but it is over looked more often than you may think. A good character analysis is important in the actor/character relationship and here we will look at the key elements of character research and their specific relationships to the stage combatant.

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Data And Identity: Notes Toward A Theology Of The Digitally Enhanced Self, Michael J. Paulus Jr.

Michael J. Paulus, Jr.