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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
University Commencement Ceremony, Elisa Fraser Wilson
University Commencement Ceremony, Elisa Fraser Wilson
Elisa Fraser Wilson
Dr. Elisa Fraser Wilson became the first woman to conduct the UTEP orchestra when she led the ensemble at the December, 2004 Commencement Ceremonies.
"Soaring" For Concert Band, Dominic Dousa
"Soaring" For Concert Band, Dominic Dousa
Dominic Dousa
A performance of my original composition by the UTEP Wind Ensemble, conducted by Ron Hufstader.
"Aedh Wishes For The Cloths Of Heaven" For Satb Choir And Piano (South Bend, In), Dominic Dousa
"Aedh Wishes For The Cloths Of Heaven" For Satb Choir And Piano (South Bend, In), Dominic Dousa
Dominic Dousa
A performance of my original composition by the Vesper Chorale, conducted by Robert Briggs.
Faculty Jazz Combo Recital, Elisa Fraser Wilson
Faculty Jazz Combo Recital, Elisa Fraser Wilson
Elisa Fraser Wilson
Dr. Wilson performed with UTEP faculty jazz colleagues, including works by Monk, Parker, Jobim, Carter and Cole.
University Choirs Concert, Elisa Fraser Wilson
University Choirs Concert, Elisa Fraser Wilson
Elisa Fraser Wilson
The University Chorus, Chorale and Jazz Singers performed an evening of choral music, conducted by Dr. William McMillan and Dr. Elisa Fraser Wilson.
Libretto Y Canto, Elisa Fraser Wilson
Libretto Y Canto, Elisa Fraser Wilson
Elisa Fraser Wilson
The Music Theatre Company performed an evening of new music composed by Department of Music students in collaboration with students from the UTEP Bilingual Creative Writing Department. This well-received production explored pressing border issues and cultural diversity in the Southwest.
Rosenzweig's Messianic Aesthetics, Jules Simon
Land, Labor, And Leadership: The Political Economy Of Hualapai Community Building, 1910-1940, Jeffrey P. Shepherd
Land, Labor, And Leadership: The Political Economy Of Hualapai Community Building, 1910-1940, Jeffrey P. Shepherd
Jeffrey P Shepherd
Increasingly, scholars are exploring the complex interplay between economic change and cultural identity, in which native communities and individuals respond creatively to the challenges post by captialism and wage labor. Utilizing political economy as an interpretive framework, this essay explores the ways Hualapais incorporated changes around them into their worldviews and agendas. In doing so, it moves beyond questions of agency and adapptation, persistence and innovation, to suggest that scholars consider how "incorporation," frequently seen as a unidirectional, not to mention wholly destructive, phenomenon, can in fact me multifaceted and constructive.