Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Writing Scotland's Future: Speculative Fiction And The National Imagination, Timothy C. Baker
Writing Scotland's Future: Speculative Fiction And The National Imagination, Timothy C. Baker
Studies in Scottish Literature
Explores the fictional treatment of future Scotlands in the wake of the 2014 Referendum, through discussion of varied speculative novels or stories by Graham Dunstan, Paul Johnston, Ken Macleod, Matthew Fitt, Julie Bertagna, Momus, Andrew Crumey, A.L.Kennedy, Michael Faber, and Sarah Hall, arguing that "the relation between Scottish literature and Scottish politics is more complex than is often thought," that "rather than simply commenting on current political situations, much contemporary Scottish fiction offers a rethinking of politics entirely," and that "Scotland’s future is not, and cannot be, confined to a single narrative."
Recovering The Reformation Heritage In George Mackay Brown's Greenvoe, Richard Rankin Russell
Recovering The Reformation Heritage In George Mackay Brown's Greenvoe, Richard Rankin Russell
Studies in Scottish Literature
Suggests that attitudes to Presbyterianism and the Scottish Kirk in much 20th century Scottish literary criticism have been too negative, and explores the religious heritage and selected writings of the Orcadian poet and novelist George Mackay Brown (1921-1996), a Catholic convert, to argue that Brown's best-known novel, Greenvoe (1972), draws not only on Catholic, and older pagan, symbolism, but also on aspects of the Reformed or Calvinist tradition.
James Hogg's The Brownie Of Bodsbeck: An Unconventional National Tale, Barbara Leonardi
James Hogg's The Brownie Of Bodsbeck: An Unconventional National Tale, Barbara Leonardi
Studies in Scottish Literature
Discusses James Hogg's historical novel The Brownie of Bodsbeck (1818), set in the time of the religious Covenanters in late 17th century Scotland, with particular attention to the central woman character, Katharine Laidlaw; traces contemporary comment on the novel; and contrasts Hogg's distinctive portrayal of marriage with its use by other writers (particularly Scott) to plot national (and historical) reconciliation, arguing that Hogg uses the marriage plot to critique the emergent ideology of the national tale.