Arts and Humanities Commons^™

From Debussy To Duke: A Look At The Role Of Music, Race, And Sexuality In The Works Of Dany Laferrière, Kendall Smith

Celebration of Learning

Music is used every day as a way of expression. Dany Laferrière, a Haitian born author, uses music in his works to give the reader an idea of racial stereotypes of the black man and white women. The two books that will be the focus of this paper are Comment faire l’amour avec un Nègre sans se fatiguer (How to Make Love to a Black Man Without Getting Tired) and Vers le Sud (Heading South), which use jazz and classical music, respectively. Jazz music, specifically Duke Ellington, is used to show men’s and women’s sexuality through the lyrics and history …

Music In India: An Overview, Anna E. Evans

The Research and Scholarship Symposium (2013-2019)

Music is fundamentally connected to culture, providing a mirror that reflects a culture’s philosophies, religion, social standards, and history. Unfortunately, this unique relationship is lost to the typical consumer of western contemporary music. Refreshingly, the vast culture of India is intricately woven into the fabric of the rich diversity of the music that nation has produced in the past and continues to produce today. India’s music, therefore, with even the briefest understanding of its heritage, provides the listener with a panorama of India’s resplendent culture. This paper attempts to give a terse overview of those philosophies and structures found within …

Life-Like: American Society And The Early To Mid-Twentieth Century Musical, Kaleigh M. Kenney

The Research and Scholarship Symposium (2013-2019)

While entertainment is usually seen as a distraction from people’s everyday lives, it is actually more accurate to see it as a reflection of the society and culture from which it came. This is especially true for the genre of musical theatre, which has been known to be both shaped by culture and a commentary on it. This presentation seeks to examine the interaction between the culture and mindset of America from the early to mid-twentieth century and the musicals of that time period. This can be seen especially when it comes to the subjects that the writers of these …

Swing It Sister: The Influence Of Female Jazz Musicians On Music And Society, Kirsten Saur

The Research and Scholarship Symposium (2013-2019)

Female jazz vocalists, both as soloists and in groups, and instrumentalists, both as solo artists and in ensembles, of the jazz era influenced music and society in their own times and in later times. They added new musical concepts, added new vocal styles, worked to change the society they lived in, and worked hard to find their place in music no matter what got in their way, making them inspirations for future generations of women striving to succeed in the world. This paper looks at how these women of jazz influenced music, society, and future generations of women through their …

Music And Athletics: An Inseparable Bond, Alisha Symington

The Research and Scholarship Symposium (2013-2019)

Music is so deeply ingrained in nearly every part of our culture, it sometimes passes by unnoticed. However, if one were to remove music from its typical appearance, the resulting silence can be deafening. For example, in a film, such as Star Wars, if the main theme did not exist, the anticipation of the film and the overall reaction to the plot would be far less appealing. If clothing stores did not play spunky electronic music, would consumer’s shopping habits be altered? A strongly universal and historic aspect of culture that a lack of music would dramatically is the world …

From Sin To Sensation: The Progression Of Dance Music From The Medieval Period Through The Renaissance, Jillissa A. Brummel

The Research and Scholarship Symposium (2013-2019)

This research paper explores how dance music has been part of the foundation for musical art in world history and the key to unlocking information concerning societal atmospheres throughout history. With each age and progression of music came new genres, instruments and social beliefs that were woven through religious and secular culture, each of which impacted the production of dance throughout the centuries. As dance music infiltrated the social and religious scenes of the medieval period, the sacred value of dancing was questioned which are presented through historical sources on pagan culture in the medieval period. Further research on improvements …

Musica In Tempore Belli: An Analysis Of “Black Angels”, Calvin D. Hitchcock

The Research and Scholarship Symposium (2013-2019)

Described as “…extraordinarily haunting” and “[the] intoxicating magic of…sound,”(Steinitz, 1978) the music of George Crumb is some of the most evocative and expressive music of the 20th century. His extensive use of extended techniques (many of which he pioneered) is in part what makes his music so memorable. Also known for its liberal use of theatricality, Crumb’s music has become a standard of the 20th century, as well as in the contemporary music canon overall.

“Black Angels” for Electric String Quartet, subtitled “Thirteen Images from the Dark Land” was written as a response to the Vietnam War and is one …

From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons

The Research and Scholarship Symposium (2013-2019)

The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ increased in …

Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley

The Research and Scholarship Symposium (2013-2019)

Playing the horn has become not only more sophisticated and accurate, but simpler and more efficient for the horn player than what it was three hundred years ago. The natural horn, used in a variety ways in early history, demanded an incredible level of skill and precision, more than our valved horn today in some ways because it required a more accurate ear, more embouchure dexterity, and the necessity of wrangling crooks for different keys. Thus, it required many practiced skills of the player that are no longer as necessary as they once were. This paper discusses each of these …

Identity In Music, Josiah D. Keith

The Research and Scholarship Symposium (2013-2019)

Whether consciously or not, every person answers the question, “Who am I?” Every mundane action, every syllable spoken, and even every event that affects someone, contribute to the realization of “who I am.” The answer to this question is always an individual’s identity. Identity helps a person achieve a desired social acceptance or success in a certain field. Much of the same can be said for the identity of a group. Different groups throughout history have constantly been fighting for their place in history. The identity of a group is based on the values that they hold, their ideals, actions, …

A New Song. A Skillful Song., Sandra Mccracken, Greg Scheer, Adam M. L. Tice

Symposium on Worship Archive

Those of us who feel Psalm 33’s call to write new songs must remember that the Psalm also tells us to play skillfully. In this seminar we will focus on the skills of songwriting for congregations, digging into what it means to balance inspiration and perspiration. Join critically-acclaimed singer-songwriter Sandra McCracken and widely-published hymn writer Adam Tice as they speak with Greg Scheer about their approaches to creating new texts, new tunes, and the combining of texts and tunes. The afternoon will be spent discussing participants’ song submissions. Attendees of all levels and musical styles will benefit from this seminar.

Do You Know Where You're Going To? A Glimpse Of The Next Generation Of Congregational Song, Swee Hong Lim

Symposium on Worship Archive

This workshop will explore the next generation of congregational song. This emerging genre occupies a soundscape of music-making where its character is postmodern in the West and postcolonial in the Global South. It seeks to revitalize local, cultural traditions in a myriad of communities’ efforts of meaning-making in the 21st century. This is a guided conversation time where participants are encouraged to share their perspectives and observations. Musical examples will be shared.

Singing The Great Fifty Days, Zebulon M. Highben

Symposium on Worship Archive

Easter Sunday is the beginning of the church’s longest festival: the Great Fifty Days of Easter. Yet it can be a musical challenge to connect the exuberance of Easter Sunday with the season’s culmination at Pentecost. This workshop presents ideas for musically and liturgically unifying the Easter season while highlighting each Sunday’s individual lessons and themes. Hymns, canticles, and choral repertoire from several publishers will be featured.

Singing With Martin Luther And The Lutherans, Worship Symposium 2016, Mark Noll

Symposium on Worship Archive

This workshop is designed to explore the riches of Lutheran hymnody for those, like Professor Noll, who are not themselves Lutherans. We will take a quick historical journey to note important landmarks. The rest of the session will take advantage of one of the recently published American Lutheran hymnals to explore the contours of contemporary Lutheran song. The hope is to help those outside the Lutheran tradition appreciate its historical richness and think about exploiting those riches to enliven worship in all traditions.

Sing The Peaceful Kingdom, Adam M. L. Tice

Symposium on Worship Archive

No abstract provided.

21 Spirituals For The 21st Century, Raymond Wise Phd

Symposium on Worship Archive

The Negro Spiritual has been hailed as American’s first authentic folk music. Spirituals have served as a primary musical source from which many sacred and secular musical genres have stemmed. The “Spiritual” itself has evolved into many forms. There are oral, concert, art song, congregational, and gospel spirituals, and each has its own unique musical characteristics that have helped to preserve the Spiritual as a musical form. Come learn more about Spirituals, hear and sing some traditional spirituals and experience contemporary spiritual arrangements from Raymond Wise’s collection of 21 Spirituals for the 21st Century.