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Theses and Dissertations

Language

Virginia Commonwealth University

English Language and Literature

Publication Year

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Full-Text Articles in Arts and Humanities

“Rampant Signs And Symbols”: Artifacts Of Language In J.D. Salinger’S “For Esmé—With Love And Squalor” And Glass Family Stories, Courtney Sviatko Jan 2014

“Rampant Signs And Symbols”: Artifacts Of Language In J.D. Salinger’S “For Esmé—With Love And Squalor” And Glass Family Stories, Courtney Sviatko

Theses and Dissertations

This thesis explores the use of language in J.D. Salinger’s “For Esmé—With Love and Squalor,” “A Perfect Day for Bananafish,” and Raise High the Roofbeam, Carpenters. It establishes a narrative pattern in which sensitive individuals such as Seymour Glass and Sergeant X are isolated by the insensitivity of the superficial modern world, attempt to communicate their concerns to others through an exchange of language in material forms, and ultimately find relief in silence. By analyzing various examples of linguistic artifacts and the impact they have on both sender and receiver, this thesis identifies criteria for successful communication as well as …


Signifying Ruins: The Wreck And Rebirth Of Modernity, Language, And Representation, Audrey Farley Apr 2011

Signifying Ruins: The Wreck And Rebirth Of Modernity, Language, And Representation, Audrey Farley

Theses and Dissertations

This study explores formal and thematic representations of ruins in twentieth century literary texts, including James Joyce’s Ulysses, T. S. Eliot’s The Waste Land, Salman Rushdie’s Midnight’s Children, and Adrienne Rich’s “Diving into the Wreck.” Analyzing these texts and concepts of ruins in the theoretical work of Jacques Derrida, Walter Benjamin, and Julia Kristeva, I argue that ruins underscore the arbitrariness—and, thus, the fragility—of symbolic systems of signification. Ruins, by virtue of their fragmentation, invite nostalgic projections of totality only to betray totality as an illusion. Thus, the imagination of wholeness that the ruin incites allows—only to disallow—meaning. Modernity and …