Arts and Humanities Commons^™

Salt At Dawn, Salt In My Veins, Cecilia Hankyeol Kim

Theses and Dissertations

A contemplation on expanded time, over generations along my maternal lineage;

on being on the borders, embodying homeland;

on inheritance and shared labor;

occupying a void that is dense;

looking towards dawn.

≥I++ Wayward Self, Space, And Language, Mystie Do, Thu Tm Do

Theses and Dissertations

Having crossed different geographical and cultural borders, I can’t seem to position myself beyond society’s forced binaries of race, sexuality, and materiality. My personal diasporic experience drives me to bring together various presences, putting them next to one another, engaging them in dialogues. My works often share multiple space–time possibilities: a digital space, a physical site, a virtual alternity. Occupying these parallel worlds are varied ratios of mixtures of natural ecosystems, my own system of abstraction, and existing technological systems that allow us a level of individual engagement not previously available. I want to invite people to fluctuate between these …

Arabic Beyond Arabic, Abir Zakzok

Theses and Dissertations

Arabic is the best and the most complicated language of all time!” Even though this statement seems like an exaggeration, it is what I grew up hearing; from my Arab parents as a child, my Arab teachers as a student, and my Arab customers as a salesperson. The Arabic language has a significant role in Arabs’ identity, yet most Arabs only scratch the surface and do not fully grasp the embedded meaning of the language. I have long been fascinated by the relationship between language and community as well as how it translates to design - specifically, the relationship between …

Singing The Landscape: A Meditation On Song, Sound And Community At The Fall Line Of The James River, Sara Bouchard

Theses and Dissertations

I work in the medium of song. A multidisciplinary artist and composer, I make work that is immersive, time-based and often participatory. I interact with landscape and the complexities of American history, bringing into focus local ecologies through the lens of song.

This document accompanies my thesis performance The Sound of a Stone, an immersive exploration of song, language, ecology and locational listening performed in a 4-channel surround format. In the semi-improvised composition, I sample live vocals, mandolin and found natural objects in a combination of roots music traditions and experimental techniques. Utilizing the software Ableton Live to process …

Psychic Fax On Vibrate, Received On Phantom Limbo, Jake Borndal

Theses and Dissertations

I offer a cloud of observations about language and art. I will prioritize my questions about how language operates in art, the way it functions within my own studio practice, and locate aesthetic interstices throughout. There will be insights gleaned from the various orderers of order (Lacan, Saussure) and orderers of disorder (Derrida, Agamben), walks in terra-incognita, and even some poetry on my part. I will take this chance to orient myself among different structures and deconstructions that have piledup around language, aesthetics and art.

“Rampant Signs And Symbols”: Artifacts Of Language In J.D. Salinger’S “For Esmé—With Love And Squalor” And Glass Family Stories, Courtney Sviatko

Theses and Dissertations

This thesis explores the use of language in J.D. Salinger’s “For Esmé—With Love and Squalor,” “A Perfect Day for Bananafish,” and Raise High the Roofbeam, Carpenters. It establishes a narrative pattern in which sensitive individuals such as Seymour Glass and Sergeant X are isolated by the insensitivity of the superficial modern world, attempt to communicate their concerns to others through an exchange of language in material forms, and ultimately find relief in silence. By analyzing various examples of linguistic artifacts and the impact they have on both sender and receiver, this thesis identifies criteria for successful communication as well as …

Hissār, Sohail Abdullah

Theses and Dissertations

Hissaar is a noun and a verb, it is the periphery and the extremities, and the walls and the fortress. And it is to encircle, to wrap and to contain. This paper is an inexhaustive account of thoughts, experiences and lessons learned, of varying forms that influence my aesthetic sensibilities, my art-value system, and my art- ethical concerns. They provide for my art the impetus for its perpetual (and perhaps circular) journey. It is about finding connections between the fraying ends of free floating ideas. The following fragments explores how words make ideas, ideas make images, images make memory; memory …

White Sands, Laura Vitale

Theses and Dissertations

I’ve constructed a narrative thread that connects experiences, events, and artworks made during my time in graduate school. This narrative, which has the perspective of time, betrays the firsthand experience of wayfaring through the projects and places I describe. The narrative loosens as it approaches the present moment. Rather than to arrive at any conclusions, my goal for creating this narrative is to understand a tension between expectations: of systematic rationality and subjective knowledge, of play and display. I understand that my work productively fails to r-r-resolve contradictions about the way things are.

Signifying Ruins: The Wreck And Rebirth Of Modernity, Language, And Representation, Audrey Farley

Theses and Dissertations

This study explores formal and thematic representations of ruins in twentieth century literary texts, including James Joyce’s Ulysses, T. S. Eliot’s The Waste Land, Salman Rushdie’s Midnight’s Children, and Adrienne Rich’s “Diving into the Wreck.” Analyzing these texts and concepts of ruins in the theoretical work of Jacques Derrida, Walter Benjamin, and Julia Kristeva, I argue that ruins underscore the arbitrariness—and, thus, the fragility—of symbolic systems of signification. Ruins, by virtue of their fragmentation, invite nostalgic projections of totality only to betray totality as an illusion. Thus, the imagination of wholeness that the ruin incites allows—only to disallow—meaning. Modernity and …

Space: A Discovery Of Visual Language, Kelley White

Theses and Dissertations

Space is a visual communicator. The act of perceiving space is a neurological soiree that projects and negotiates meaning in our constructed world. The poetry that we observe within space is tied directly to our emotions and to previous experience. Within ourselves, we each have particular feelings, unconscious or not, relating to height, length, and depth, as well as light and shadow. For example, a long, narrow hallway may elicit anxiety, while an open, sunlit nave in a cathedral may bring about feelings of serenity and joy. Our observations and interactions within the perceptual confines of space reveal clues to …

Detect, Bite, Slam, Ali Miharbi

Theses and Dissertations

This paper explores the influences, ideas and motivations behind my MFA thesis exhibition. It primarily focuses on how I developed my work for the show in connection to my previous work as well as work created by other artists who explored the impacts of new media in the last decade. With the advancement of social media, digital technologies no longer have their infamous coldness. Our perceptions and the metaphors in language are all reflected onto the machines we create while in return they also shape and redefine our lives. It becomes increasingly difficult to talk about dialectics such as machine-human, …

Talk To Me, I Am Listening, Larbi Sami Ben

Theses and Dissertations

An introductory conversation with a new person I just met usually goes like this: So, where is your accent from ? Are you American? Well, yes, .....but no. Not really. I do have American citizenship and I lived in the US for fifteen years but I grew up in France. Ok, so you’re French? Well, yes, but .....not totally. My mother is French but my father is Tunisian. Ok, so you’re Tunisian? Well, yes, but... not wholly. I don’t speak Arabic, so I don’t totally feel Tunisian. So what are you? American? French? Tunisian? With my work, I ask the …

Say Yes To Who You Are, Brooke Ann Inman

Theses and Dissertations

No abstract provided.

Would You Believe Me If I Said I Didn't Need You, Andrew Kozlowski

Theses and Dissertations

This thesis is an attempt to expand upon the ideas that permeate the practice of art making that has developed over the past two years. Art criticism, theory, history, and practice are used to give definition to the boundaries of my ever-shifting body of work. Focusing on the elusive nature of communication in both public and private spheres, these projects range from installation and sculptural work, to web projects, photography, and drawing.