Arts and Humanities Commons^™

Music In India: An Overview, Anna E. Evans

The Research and Scholarship Symposium (2013-2019)

Music is fundamentally connected to culture, providing a mirror that reflects a culture’s philosophies, religion, social standards, and history. Unfortunately, this unique relationship is lost to the typical consumer of western contemporary music. Refreshingly, the vast culture of India is intricately woven into the fabric of the rich diversity of the music that nation has produced in the past and continues to produce today. India’s music, therefore, with even the briefest understanding of its heritage, provides the listener with a panorama of India’s resplendent culture. This paper attempts to give a terse overview of those philosophies and structures found within …

Life-Like: American Society And The Early To Mid-Twentieth Century Musical, Kaleigh M. Kenney

The Research and Scholarship Symposium (2013-2019)

While entertainment is usually seen as a distraction from people’s everyday lives, it is actually more accurate to see it as a reflection of the society and culture from which it came. This is especially true for the genre of musical theatre, which has been known to be both shaped by culture and a commentary on it. This presentation seeks to examine the interaction between the culture and mindset of America from the early to mid-twentieth century and the musicals of that time period. This can be seen especially when it comes to the subjects that the writers of these …

Swing It Sister: The Influence Of Female Jazz Musicians On Music And Society, Kirsten Saur

The Research and Scholarship Symposium (2013-2019)

Female jazz vocalists, both as soloists and in groups, and instrumentalists, both as solo artists and in ensembles, of the jazz era influenced music and society in their own times and in later times. They added new musical concepts, added new vocal styles, worked to change the society they lived in, and worked hard to find their place in music no matter what got in their way, making them inspirations for future generations of women striving to succeed in the world. This paper looks at how these women of jazz influenced music, society, and future generations of women through their …

Music And Athletics: An Inseparable Bond, Alisha Symington

The Research and Scholarship Symposium (2013-2019)

Music is so deeply ingrained in nearly every part of our culture, it sometimes passes by unnoticed. However, if one were to remove music from its typical appearance, the resulting silence can be deafening. For example, in a film, such as Star Wars, if the main theme did not exist, the anticipation of the film and the overall reaction to the plot would be far less appealing. If clothing stores did not play spunky electronic music, would consumer’s shopping habits be altered? A strongly universal and historic aspect of culture that a lack of music would dramatically is the world …

From Sin To Sensation: The Progression Of Dance Music From The Medieval Period Through The Renaissance, Jillissa A. Brummel

The Research and Scholarship Symposium (2013-2019)

This research paper explores how dance music has been part of the foundation for musical art in world history and the key to unlocking information concerning societal atmospheres throughout history. With each age and progression of music came new genres, instruments and social beliefs that were woven through religious and secular culture, each of which impacted the production of dance throughout the centuries. As dance music infiltrated the social and religious scenes of the medieval period, the sacred value of dancing was questioned which are presented through historical sources on pagan culture in the medieval period. Further research on improvements …

Musica In Tempore Belli: An Analysis Of “Black Angels”, Calvin D. Hitchcock

The Research and Scholarship Symposium (2013-2019)

Described as “…extraordinarily haunting” and “[the] intoxicating magic of…sound,”(Steinitz, 1978) the music of George Crumb is some of the most evocative and expressive music of the 20th century. His extensive use of extended techniques (many of which he pioneered) is in part what makes his music so memorable. Also known for its liberal use of theatricality, Crumb’s music has become a standard of the 20th century, as well as in the contemporary music canon overall.

“Black Angels” for Electric String Quartet, subtitled “Thirteen Images from the Dark Land” was written as a response to the Vietnam War and is one …

From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons

The Research and Scholarship Symposium (2013-2019)

The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ increased in …

Identity In Music, Josiah D. Keith

The Research and Scholarship Symposium (2013-2019)

Whether consciously or not, every person answers the question, “Who am I?” Every mundane action, every syllable spoken, and even every event that affects someone, contribute to the realization of “who I am.” The answer to this question is always an individual’s identity. Identity helps a person achieve a desired social acceptance or success in a certain field. Much of the same can be said for the identity of a group. Different groups throughout history have constantly been fighting for their place in history. The identity of a group is based on the values that they hold, their ideals, actions, …

Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley

The Research and Scholarship Symposium (2013-2019)

Playing the horn has become not only more sophisticated and accurate, but simpler and more efficient for the horn player than what it was three hundred years ago. The natural horn, used in a variety ways in early history, demanded an incredible level of skill and precision, more than our valved horn today in some ways because it required a more accurate ear, more embouchure dexterity, and the necessity of wrangling crooks for different keys. Thus, it required many practiced skills of the player that are no longer as necessary as they once were. This paper discusses each of these …