Arts and Humanities Commons^™

Barfield, Kazik, Nazaykinskaya, And Beyond: A Discussion Of The Commission Process Regarding Trombone Literature, S. Kyle Moore

Honors Theses

There has historically been limited repertoire for trombonists to perform outside of orchestral writing—so limited that the first trombone solo recital was performed by Davis Shuman in 1947. The trombone has been present in the musical community since the mid-fifteenth century, yet it has only recently emerged as a unique, virtuosic instrument. Due to its delayed emergence and limited repertoire, the need to advance the instrument and its musical literature has led to the commission process between artists and composers: Interested parties approach composers with the prospect of writing music for compensation. In this manner, the composer is compensated for …

The Honogenization Of Trombone Sound Preferences: The Effects Of A More Global Society On National Styles, Alyssa B. Madeira

Honors Theses

The trombone and music in general have been greatly influenced by globalization. Over the past few decades the ideal playing style of trombone has become increasingly similar throughout the word. The fall of the Soviet Union in 1991 and the integration of Eastern Europe into the rest of the Western world marked a turning point in the way that music was perceived and shared. More and more musicians began to blend their playing styles as they traveled across borders and oceans. Sharp contrasts by region in interpretation of literature and the ideal sound were common in the early 1990's, but …

The Use Of The Trombone In The Orchestra, Joe Kirby

Honors Theses

The trombone, perhaps the earliest of the instruments i contemporary orchestral use to develop and retain a fundamental regularity of form, is based in principle upon the utilization of a telescopic slide in the production of chromatic tones.

The characteristics of the construction of a trombone are basically, and broadly, the same as for the modern trumpet: A mainly cylindrical body-tube, narrow in relations to its length; a bell section expanding in a gentle curve to a wide terminal flare; and a deep mouthpiece with a well-developed throat. The essential difference between the two instruments lies in a different arrangement …