Arts and Humanities Commons^™

Singing Our Stories: Building Community And Developing Self-Empowerment In The Childless Voices Choir, Laura Curtis

Electronic Thesis and Dissertation Repository

Involuntary childlessness is a complex and identity-shaping experience moulded by parameters of a pronatalist society. For the women who participated in this study, isolation, silence, and shame were experienced as a consequence of their childlessness. Motivated by the idea that singing, particularly in group contexts, might aid in unburdening women whose identities have been stigmatized by their childless circumstances, this ethnographic study examined whether, and in what ways, women experienced community and developed self-empowerment through participation in the Childless Voices Choir.

Framed by theories of community (Delanty, 2018) and empowerment (Adams, 2008; McLaughlin, 2016), this research explored how meaningful engagement …

Musical Behaviours, Dispositions, And Tendencies: Exploring Church Music-Making Through A Theory Of Practice, Laura E. Benjamins

Electronic Thesis and Dissertation Repository

The purpose of this study was to examine two churches’ music-making practices and their reflection of, and response to, the musical and theological fields in which they are located. Using central concepts from Bourdieu’s Theory of Practice (1977) including habitus, capital, and field in connection with religion, the study considered how worship leaders and musicians strategized their musical behaviours and “disrupted” or affirmed traditional norms of music-making in each contemporary worship music-making setting. The study further explored whether such musical behaviours reflected and shaped habitus both institutionally and individually, and if so, the ways in which the process occurred.

This …

Soundcurrents: Exploring Sound’S Potential To Catalyze Creative Critical Consciousness In Adolescent Music Students And Undergraduate Music Education Majors, Jashen I. Edwards

Electronic Thesis and Dissertation Repository

The purpose of this study was to examine how and in what ways a reorientation towards sound could catalyze creative critical consciousness in high school music students and university music undergraduates. Specifically, this study sought to uncover how and in what ways sonic lifeworlds: everyday sound currents streaming in/out/through participants’ lived experiences at school, home, neighborhood, park, playground, street, alleyway, train station, cyberspace could potentially excite creative aspects of knowing and being via “cultural production” (Gaztambide-Fernández, 2011) and also elicit critical ways of thinking about and responding to the world as “cultural citizens” (Benedict & Schmidt, 2014). This study stems …