Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Canadian coffee houses (1)
- Canadian folk canon (1)
- Cinema (1)
- Conceptual art (1)
- Contact zones (1)
-
- Curatorship (1)
- Data Collection (1)
- Displacement (1)
- Documentary (1)
- Empty signifier (1)
- Ethics (1)
- Ethnicity (1)
- European Union (1)
- Exhibition (1)
- Figures of absence (1)
- French theory (1)
- Incorporeal (1)
- Literature (1)
- Malka Marom (1)
- Migration (1)
- Migration crisis (1)
- Musical genres (1)
- Participant Consent (1)
- Photography (1)
- Pittsburgh (1)
- Research (1)
- Retablo; caryatids; Virutes; Plateresque; Renaissance; Teabo; Mani; Yucatán; La Soledad; Dolores; San Antonio; Las Ánimas; Crucifixion; Passion; Santa Teresita (1)
- Semiotics (1)
- United States (1)
- Yorkville Village (1)
- Publication
- Publication Type
Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Ten 'Thorny' Data Collection Practices Of Research Use, Proshat Nouri
Ten 'Thorny' Data Collection Practices Of Research Use, Proshat Nouri
Undergraduate Student Research Internships Conference
When conducting research, there are various ethical dilemmas associated with the practices researchers engage in and with. Once the notion of data privacy and collection are integrated into research, the ambiguity surrounding ethics and whether a practice is deemed ethical heightens. This research output presents ten scenarios of research use that demonstrate thorny data collection practices.
Forest City Memories: Rethinking London's Past And Present, Athena Nadalin, Kaity Adam
Forest City Memories: Rethinking London's Past And Present, Athena Nadalin, Kaity Adam
Undergraduate Student Research Internships Conference
No abstract provided.
“Fashionable To Be Ethnic”: Malka Marom, Yorkville Reimagined, And The Cbc’S A World Of Music, Maureen Chow
“Fashionable To Be Ethnic”: Malka Marom, Yorkville Reimagined, And The Cbc’S A World Of Music, Maureen Chow
Electronic Thesis and Dissertation Repository
In 1999, looking back at her 1960s career as a folk performer, Malka Marom commented that she and her former singing partner, Joso Spralja, had reached mainstream success in Canada when it was considered “fashionable to be ethnic.” Here, Malka is referring to the mid-1960s, when she was classified as an ethnic folk singer in Toronto’s Yorkville Village folk scene. She performed alongside Canadian folk “greats” such as Joni Mitchell, Gordon Lightfoot, and Ian and Sylvia. Malka and Joso released four studio albums through Capitol Records of Canada and were later chosen to host their own CBC television show, A …
The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet
The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet
Visual Arts Publications
From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Languages and Cultures Publications
The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …