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Articles 31 - 37 of 37

Full-Text Articles in Arts and Humanities

The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean Jan 2006

The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean

Faculty of Creative Arts - Papers (Archive)

The Australian artworld has never looked better. There are more art journals, exhibition spaces and art graduates than ever. Even globalisation has been a boon to local artists, especially indigenous ones. But there is a catch. There may be plenty of interesting artists from Australia but few aspire to make Australian art. If Rex Butler is right, the desire now is for 'unAustralian' art.


A Cappella And Diva: A Collaborative Process For Individual Academic Writing, Wendy Beck, Kerry Dunne, Josie Fisher, Jane O'Sullivan, Alison Sheridan Jan 2006

A Cappella And Diva: A Collaborative Process For Individual Academic Writing, Wendy Beck, Kerry Dunne, Josie Fisher, Jane O'Sullivan, Alison Sheridan

Faculty of Law, Humanities and the Arts - Papers (Archive)

Picture this: Five academic women are sitting at a round table in an elegant nineteenth century room located in a rural landscape in regional NSW. Sometimes with coffee, sometimes over lunch, the conversation ranges broadly across the spectrum of the personal, policy and university politics. Having traversed the terrain in which they work-workload, juggling the responsibilities that traditionally fall to women-the talk comes round to the business of the day: writing for publication. Here is how a typical meeting unfolds: they provide updates on their research successes, and then proceed to the discussion and critical response to a current piece …


To The Smell Of Pineapples: Writing A Queensland Auto-Bio-Graphie, Francesca T. Rendle-Short Jan 2006

To The Smell Of Pineapples: Writing A Queensland Auto-Bio-Graphie, Francesca T. Rendle-Short

Faculty of Law, Humanities and the Arts - Papers (Archive)

I grew up eating pineapples in everything; well, nearly everything (let's not exaggerate). They were a sweetener, made things juicy. Pineapple jam, pineapple breadcrumbs stuffed in the chicken roast for Sunday lunch after church, pineapple on the barbeque for the Christian folk my parents (MotherJoy and Onward) invited home, crushed pineapple in the punch, pineapple in the boiled fruitcake, pineapple in sandwiches as a treat through the summer holidays, pineapple in the curried rice salad for days my mother felt adventurous. We ate from pineapples too. Imagine then refined white sugar being spooned out of a fancy pineapple canister with …


Spitting The Dummy: Collaborative Life Writing And Ventriloquism, Michael Jacklin Jan 2005

Spitting The Dummy: Collaborative Life Writing And Ventriloquism, Michael Jacklin

Faculty of Arts - Papers (Archive)

This article sets out to 'trace the deployment of the metaphor of ventriloquism in collaborative life writing, highlight the frequency with which it is utilised, and to suggest that its application in critical reading may have outrun its usefulness' (p69). It engages with life writing theorists including G. Thomas Couser and Paul John Eakin, and includes comment on Tim Rowse's reading of the Australian Aboriginal life writing text, I, the Aboriginal.


Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin Jan 2005

Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Examines 'indigenous mourning protocols, as they are negotiated in life writing texts and in all manner of public discourse in Australia...' (p.190)


Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin Jan 2004

Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin

Faculty of Arts - Papers (Archive)

The publication of collaborative Indigenous life writing places both the text and its production under public scrutiny. The same is true for the criticism of life writing. For each, publication has consequences. Taking as its starting point the recent critical concern for harm occasioned in life writing, this article argues that in the reading of collaborative Indigenous life writing, injury may eventuate from the commentary itself .... With particular regard to the collaborative texts Ingelba and the Five Black Matriarchs and [the Canadian work] Stolen Life: The Journey of a Cree Woman, this article argues that literary criticism can benefit …


Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin Jan 2002

Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin

Faculty of Arts - Papers (Archive)

Collaboration is marked by indeterminacy. It is, by nature, intermediary, interposing, intervening. In Australia, collaboration between Aboriginal and invader/settler subjects in the unfolding of colonial engagement is a topic that has received limited scholarly attention. Some studies have dealt with native police and Black trackers; others have examined local negotiations of power and discourse; but the only broad survey of collaboration is Henry Reynolds's With the White People (1990). In this work Reynolds traces the varied modes of collaboration existing between the Aborigines and the European colonists of Australia from first contact and early settlement through ro the First World …