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Full-Text Articles in Arts and Humanities

Approaching The Norns Shield As A Laptop Alternative For Democratizing Music Technology Ensembles, Anthony T. Marasco Jun 2022

Approaching The Norns Shield As A Laptop Alternative For Democratizing Music Technology Ensembles, Anthony T. Marasco

School of Music Faculty Publications and Presentations

Music technology ensembles—often consisting of multiple laptops as the performers’ primary instrument—provide collaborative artistic experiences for electronic musicians. In an effort to remove the significant technical and financial barriers that laptops can present to performers looking to start their own group, this paper proposes a solution in the form of the Norns Shield, a computer music instrument (CMI) that requires minimal set-up and promotes immediate music-making to performers of all skill levels. Prior research centered on using alternative CMIs to supplant laptops in ensemble settings is discussed, and the benefits of adopting the Norns Shield in service of democratizing and …


Benedicto Sáenz 'Libera Me': Occidentalisms In Latin America Nineteenth-Century Sacred Music, Andrés R. Amado Jan 2022

Benedicto Sáenz 'Libera Me': Occidentalisms In Latin America Nineteenth-Century Sacred Music, Andrés R. Amado

School of Music Faculty Publications and Presentations

This article uses concepts of Occidentalism and the musical analysis of a funerary responsory by nineteenth-century Guatemalan composer Benedicto Sáenz (1807-1857) to examine possible reasons why music from nineteenth-century Latin America remains relatively neglected in the region and beyond, unlike the better explored repertoires from colonial times and from the twentieth and twenty-first centuries. Based on Latin American postcolonial notions of Occidentalism as the construction of the Western Hemisphere by Western Europe in the sixteenth and seventeenth centuries, and analysis of Sáenzs responsory Libera Me within the context of changing political, social, and musical trends in nineteenth-century Guatemala, I argue …