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Articles 61 - 77 of 77

Full-Text Articles in Arts and Humanities

Ba Sadi, Kaitlin Perrodin Jan 2010

Ba Sadi, Kaitlin Perrodin

The Oval

No abstract provided.


Odometer, Rachel Smith Jan 2010

Odometer, Rachel Smith

The Oval

No abstract provided.


The Town And Its Religion, Jacob Kahn Jan 2010

The Town And Its Religion, Jacob Kahn

The Oval

No abstract provided.


Stagecoach, Sean Leary Jan 2010

Stagecoach, Sean Leary

The Oval

No abstract provided.


To Love An Artist, Kaitlin Perrodin Jan 2010

To Love An Artist, Kaitlin Perrodin

The Oval

No abstract provided.


Felix's Kite Store, Kylie Campbell Jan 2010

Felix's Kite Store, Kylie Campbell

The Oval

No abstract provided.


Aspen, Dan Droughton Jan 2010

Aspen, Dan Droughton

The Oval

No abstract provided.


Ugali Bora, Joshua Kieser Jan 2010

Ugali Bora, Joshua Kieser

The Oval

No abstract provided.


Shades Of Blue, Claire Mikeson Jan 2010

Shades Of Blue, Claire Mikeson

The Oval

No abstract provided.


Untitled, Jaysen Tinker Jan 2010

Untitled, Jaysen Tinker

The Oval

No abstract provided.


Commode By The Road, Amanda Opitz Jan 2010

Commode By The Road, Amanda Opitz

The Oval

No abstract provided.


October, Kristi Gilleon Jan 2010

October, Kristi Gilleon

The Oval

No abstract provided.


Tolerance, Kevin Sheetz Jan 2010

Tolerance, Kevin Sheetz

The Oval

No abstract provided.


Excerpt From "A Daily Consciousness", Ryan Landolfi Jan 2010

Excerpt From "A Daily Consciousness", Ryan Landolfi

The Oval

No abstract provided.


Sullivan County, Troy Smith Jan 2010

Sullivan County, Troy Smith

The Oval

No abstract provided.


List Of Contributors Jan 2010

List Of Contributors

The Oval

No abstract provided.


Un Film Sentimental Para Tus Ojos: El Cinematógrafo En La Poesía Ultraísta De Lucía Sánchez Saornil, Vera Ruth Jones Jan 2010

Un Film Sentimental Para Tus Ojos: El Cinematógrafo En La Poesía Ultraísta De Lucía Sánchez Saornil, Vera Ruth Jones

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Lucía Sánchez Saornil was the only woman poet who participated in Ultraism, a Spanish Avant-Garde movement of the 1920s that implemented constant thematic and formal experimentation in search of a new language capable of representing modernity and technology. This Spanish-language paper focuses on the impact of cinematography on the Ultraist poetry of Sánchez Saornil. By analyzing two of her poems, "Cines" (1921) and "Domingo" (date unknown), I explain how she utilizes cinematography to 1) to express her experience of modernity and 2) to articulate her relationship with her poetry and the reader. The analysis of these texts and the role …