Arts and Humanities Commons^™

The Visible Church In A Visual Culture, Susan L. Trollinger

English Faculty Publications

We live in a visual culture. To say that is to say, in the most obvious sense, that we live in a culture that is saturated by images. They are everywhere. We see them in the expected places: on our television and computer screens, in newspapers and magazines, on billboards, in our scrapbooks and photo albums, in picture frames and coffee table books. Increasingly, we see them in unexpected places. They show up on the floors of grocery stores, the backs of ATM receipts, the sides of tractor trailers and school buses, and even on the otherwise bare stomachs of …

The City As Refuge: Constructing Urban Blackness In Paul Laurence Dunbar’S 'The Sport Of The Gods' And James Weldon Johnson’S 'Autobiography Of An Ex-Colored Man.', Thomas Lewis Morgan

English Faculty Publications

This essay analyzes the narrative strategies that Paul Laurence Dunbar and James Weldon Johnson used to represent black characters in The Sport of the Gods and The Autobiography of an Ex-Colored Man as a means of examining the authors' construction of the city as an alternative space for depicting African Americans. In late nineteenth- and early twentieth-century fiction, the majority of African American images in popular fiction were confined to Southern-based pastoral depictions that restricted black identity to stereotypically limited and historically regressive ideas, exemplified in such characters as Zip Coon, Sambo, Uncle Tom, Jim Crow, and Mammy Jane. The …

Female Performances: Melodramatic Music Conventions And 'The Woman In White', Laura Vorachek

English Faculty Publications

While the similarities between melodrama and sensation fiction are often noted, the similar use of music in each has been overlooked. Melodrama is characterized by excessive emotion, flat character types, a focus on plot at the expense of characterization and exaggerated expressions of right and wrong. As its name implies, it also relied heavily on musical accompaniment. For much of the first half of rhe nineteenth century, only the patent theatres were allowed to present drama with spoken dialogue due to grants from Charles II in 1660 giving to two royal favourites, Killigrew and Davenant, exclusive rights, which came to …

Hiroshima, 'Mon Amour,' Trauma, And The Sublime, Andrew Slade

English Faculty Publications

Trauma ruptures the world of our daily experiences. It is an intrusion that threatens the body and psyche and affects us in symptomatic ways. That something happened is certain; what that is, however, resists comprehension and understanding. The impetus of much contemporary trauma research in the humanities derives from the coincidence of survivors' insistence on the truth of their experiences and life in a global culture that multiplies traumatic circumstances.

These circumstances pose a radical threat to the fecundity of human life, to be sure, and also to the very possibility of brute survival. My aim in this essay is …