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Full-Text Articles in Arts and Humanities

“Part Of That (Man’S) World”: Analyzing “Cinderella” And “The Little Mermaid” Fairy Tale Variants Through A Feminist Lens, K. Morgan Mitchell May 2020

“Part Of That (Man’S) World”: Analyzing “Cinderella” And “The Little Mermaid” Fairy Tale Variants Through A Feminist Lens, K. Morgan Mitchell

Honors Theses

Fairy tales are often reduced to nothing more than the moral lesson that can be taught to children. However, when we move past the impulse to search for the simplified moral of the story, we can begin to ascertain the impact of fairy tales on different audiences. This thesis uses both impact theory, which yields a close reading of the textual and cinematic evidence, and reception research, which provides an opportunity to discuss the significance of the material by speculating about the message that readers receive. Under consideration are four variants each of the “Cinderella” and “The Little Mermaid” fairy …


From Perfect Daughter To Feminist: How Culture Disguises Disney’S Recycled Formula In Mulan And Moana, Aricelia Arcadia May 2018

From Perfect Daughter To Feminist: How Culture Disguises Disney’S Recycled Formula In Mulan And Moana, Aricelia Arcadia

Honors Theses

Film is a relatively young art form and industry compared to others, such as music and dance. Its origins go back no more than 150 years, yet criticism surrounds film over the lack of originality. The Walt Disney Company, or Disney, is one of the most well-known companies in the industry, and it too is accused of recycling some of the same narrative elements and images in its films. This recycling of themes, characters, animation, plot points, and more are known as formulas that Disney uses to ensure financial success. In recent years, the film industry, but more specifically Hollywood, …


Who Is The Fairest Of Them All? Disney’S Depiction Of Non-Normative Embodiment In Its Villainesses, Caroline Bradley May 2018

Who Is The Fairest Of Them All? Disney’S Depiction Of Non-Normative Embodiment In Its Villainesses, Caroline Bradley

Honors Theses

The world of Disney has long been criticized for the lack of empowered princesses, racial representation, and unrealistic body images in its princess films. While steps have been made to provide a fairer representation through the bodies of the princesses, there has not been much progress in the way villains’ bodies are depicted. Most Disney villains exhibit a form of disability or non-normative embodiment including missing limbs, old age, or fatness. This thesis will analyze the bodies of three well-known Disney villainesses from three different eras—The Evil Queen, Ursula, and Mother Gothel—and will demonstrate how their bodies reflect the historical …