Arts and Humanities Commons^™

Clara Osowski, Mezzo-Soprano, Clara Osowski

Setnor School of Music - Performance Programs

No abstract provided.

Dreya Cherry, Bassoon: Senior Recital, Dreya Cherry

Setnor School of Music - Performance Programs

No abstract provided.

Andre Solomon, Flute: Student Recital, Andre Solomon

Setnor School of Music - Performance Programs

No abstract provided.

Julia Clifford, Soprano: Student Recital, Julia Clifford

Setnor School of Music - Performance Programs

No abstract provided.

Choral Collage: Dr. Derrick Fox, Guest Conductor, Derrick Fox, Concert Choir, Setnor School Of Music, Hendricks Chapel Choir, Setnor School Of Music, Jose Calvar, Crouse Chorale, Setnor School Of Music, Hillary Ridgley, Orange Collective, Setnor School Of Music, Orange Syndicate, Setnor School Of Music, Jeffrey Welcher, University Singers, Setnor School Of Music, John Warren

Setnor School of Music - Performance Programs

No abstract provided.

Sarah Schriner, Voice: Senior Voice Recital, Sarah Schriner

Setnor School of Music - Performance Programs

No abstract provided.

Syracuse University Symphony Orchestra; James Tapia, Director "Chocolates And Hearts", Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.

Hannah Cox, Cello: Junior Recital, Hannah Cox

Setnor School of Music - Performance Programs

No abstract provided.

Steven Heyman, Piano: Faculty Recital, Steven Heyman

Setnor School of Music - Performance Programs

No abstract provided.

Data-Driven Music Score Approval Plans: Working With Data And Vendors To Get What You Need, Rachel Fox Von Swearingen

Libraries' and Librarians' Publications

Approval profiles for music scores are detailed plans that require local data analysis, assessment, and coordination between vendors and librarians. This panel will explore the process of developing, assessing, and editing approval criteria, with a focus on making evidence-based decisions.

Librarian experiences presented will include setting up an approval plan for the first time and adjusting an established approval plan with new criteria. Local data sources discussed include use data from circulation and interlibrary loan histories, institutional performance history from concert and recital programs, e-resource availability, and faculty input from surveys and interviews. The panel will also cover broader issues …

Elizabeth Pogact, Flute: Senior Flute Recital, Elizabeth Pogact

Setnor School of Music - Performance Programs

No abstract provided.

Gianni Schicchi: Syracuse University Opera Theater; Eric Johnson, Director; James Tapia, Music Director, Syracuse University Opera Workshop, Setnor School Of Music, Eric Johnson, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.

The Rise Of Trump And The Death Of Civility, Keith Bybee

Institute for the Study of the Judiciary, Politics, and the Media at Syracuse University

According to supporters and opponents alike, Donald Trump has been an unconventional candidate and president. In this article, I evaluate the relationship between Trump’s unconventional behavior and the requirements of civility. I provide a definition of civility, and I explain why it makes sense to relate Trump’s actions to civil norms. I then discuss how civility is enacted, I examine criticisms of civility’s triviality, and I explore the ways in which civility may repress dissent and maintain hierarchy. Although I consider the degree to which Trump’s actions are strategic, I ultimately argue that Trump’s incivilities should be understood as an …

Front Matter

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Table Of Contents (V. 30, 2018)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

More Pipeclay Beads From Norton St Philip, England, Marek Lewcun

BEADS: Journal of the Society of Bead Researchers

During the 17th century, Norton St Philip was a major production center for clay tobacco pipes. As a sideline, they also made such items as wig curlers, gaming pieces, and beads. A previous article discussed six beads recovered from pipe-making wasters in fields adjoining the village. Here are described an additional five specimens, each with different decoration.

To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz

BEADS: Journal of the Society of Bead Researchers

This article serves as an introduction to the use of beads – both indigenous and European – in surviving examples of body ornaments of the early colonial period Caribbean: a cemí/belt in the collections of Rome’s Museo Nazionale Preistorico Etnografico “L. Pigorini,” a belt from the Weltmuseum Wien, and a cache of beads in a wooden vessel from the collections of the Museo de Historia, Antropología y Arte, Universidad de Puerto Rico. These artifacts offer insights into how the Taíno may have adopted newly introduced foreign goods, aligning them to their own aesthetics and world view. Glass beads, acquired via …

More On Frit-Core Beads In North America, Karlis Karklins, Adelphine Bonneau

BEADS: Journal of the Society of Bead Researchers

This article publishes new findings on frit-core beads in North America, including an initial assessment of their chemical composition. Two new find sites have been added to the inventory, bringing the total to 19. In addition, two new types have been recorded, each with variants. The bead from one of the new sites comes from a context later than the date range attributed to this bead category. Its significance is discussed.

Sourcing A Unique Man-In-The-Moon Bead, Thomas Stricker, Karlis Karklins, Mark Mangus, Thaddeus Watts

BEADS: Journal of the Society of Bead Researchers

Chemical analysis of a unique black bead found in Turkey that depicts the four phases of the moon reveals it most likely originated in the Fichtelgebirge region of Bavaria at some time prior to the early 19th century.

Book Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Not Just for Show: The Archaeology of Beads, Beadwork and Personal Ornaments, by Daniella E. Bar-Yosef Mayer, Clive Bonsall, and Alice M. Choyke (eds.), reviewed by Karlis Karklins. The Art & Tradition of Beadwork, by Marsha C. Bol, reviewed by Valerie Hector. Stone Beads of South and Southeast Asia: Archaeology, Ethnography and Global Connections, by Alok Kumar Kanungo (ed.), reviewed by Karlis Karklins. Beads in the World, by Kazunobu Ikeya (ed.), reviewed by Margot Thompson. Journal: Borneo International Beads Conference 2017, by Heidi Munan and Anita MacGillivray (eds.), reviewed by Louise M. Macul.

Glass Beads In Iron-Age And Early-Modern Taiwan: An Introduction, Kuan-Wen Wang

BEADS: Journal of the Society of Bead Researchers

Archaeological research has revealed a long history of glass bead exchange and use in Taiwan, yet it has seldom been discussed in the literature. This paper provides an introduction to this exchange from the Iron Age (ca. late 1st millennium BC – mid-2nd millennium AD) to the early modern period (ca. AD 1600-1900) by revisiting the archaeological and historical records. It is suggested that changes in bead styles and chemical compositions over time reveal the transition of bead supply in Taiwan, which further reflects two broad phases of bead trade: Phase I) the earlier involvement of Taiwan in the Indo-Pacific …

Florida Cut-Crystal Beads In Ontario, Karlis Karklins, Alicia Hawkins, Heather Walder, Scott Fairgrieve

BEADS: Journal of the Society of Bead Researchers

Faceted rock-crystal beads attributed to ca. 1550-1630 have been found at a number of North American archaeological sites, principally in the southeastern United Sates where they are generally termed Florida Cut-Crystal. Finds further to the north are rare. It was, therefore, of great interest to discover three different examples in the bead collections of two 17th-century Huron-Wendat sites in southern Ontario: Le Caron (BeGx-15) and Warminster (BdGv-1). The beads are investigated using a multi-disciplinary approach in an effort to determine how and where they were produced.

Beads: Journal Of The Society Of Bead Researchers - Volume 30 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Beyond The Nubian Gold: Meroitic Beads Between The Fifth And Sixth Nile Cataracts, Joanna Then-Obłuska

BEADS: Journal of the Society of Bead Researchers

More than 2,300 beads and pendants were excavated from 16 graves at the Berber Meroitic cemetery (BMC) during the 2009-2013 seasons. The site lies between the Fifth and Sixth Cataracts, some 150 km north of the kingdom’s capital, Meroe. The cemetery has been dated to between the 2nd century BC and the 3rd century AD. Next to some ostrich-eggshell, stone, and silver beads and pendants, faience, glass, and metal-in-glass dominate the bead assemblage, with the latter type (gold-in-glass and silver-in-glass beads) constituting a quarter of the finds. Some of the metal-in-glass specimens belong to one of the most sophisticated bead …

Stone Beads In Oman During The 3rd To 2nd Millenia Bce: New Approaches To The Study Of Trade And Technology, Jonathan Mark Kenoyer, Dennys Frenez

BEADS: Journal of the Society of Bead Researchers

This paper focuses primarily on ancient stone beads found in Oman at sites dating to the 3rd to 2nd millennium BCE, generally dated to the Umm an-Nar and Wadi Suq periods. Archaeological collections were documented to determine the range of variation in the finished objects and if there is evidence for local production of carnelian and other hard-stone beads. A comparative analysis with published materials from other regions was also undertaken to document the bead types in Oman that might have been obtained through trade networks that linked this region to Mesopotamia, Iran, the Indus Valley region, Afghanistan, Egypt, and …

The Unstated Premise Of The Prose Pentateuch: Yhwh Is King, James Watts

Religion - All Scholarship

The Pentateuch portrays God acting like a king, but almost never applies the title, “king,” to God, in marked contrast to many other parts of the Hebrew Bible. This terminological discrepancy between, on the one hand, all the major pentateuchal sources and, on the other hand, much of the rest of the Hebrew Bible, calls for explanation. Attention to a common and ancient rhetorical strategy of argumentation, the enthymeme, provides an explanation in the form of an unstated premise. The premise that YHWH is Israel’s king strengthened the persuasive force of the prose Pentateuch by remaining unstated.

The Disney Effect, Adam Dvorak

Intertext

No abstract provided.

Taming My Rage, William Cross

Intertext

No abstract provided.

Front Matter

Corresponding Voices

No abstract provided.

Preface, Jules Gibbs

Corresponding Voices

No abstract provided.