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Shorts Dec 2015

Shorts

Harlot: A Revealing Look at the Arts of Persuasion

This is the entirety of the WordPress blog that accompanied Harlot: A Revealing Look at the Arts of Persuasion. SHORTS was a blog that began July 7, 2007 and ended December 21, 2015.


"All The Lovely Ladies" And "Celestarium", Danika Paige Myers Oct 2015

"All The Lovely Ladies" And "Celestarium", Danika Paige Myers

Harlot: A Revealing Look at the Arts of Persuasion

These poems are part of a larger manuscript that explores the poet's lifelong engagement with knitting and sewing-- and with the usually woman-centered communities that form around these crafts. The poems also respond to the cultural treatment of craft knowledge as frivolous or simple, highlighting the highly technical nature of such work and the mathematical, structural, and geometric knowledge required to successfully execute textile crafts. Densely referential, these poems invite the reader to play within their sounds and associations, making her own leaps and connections as she reads.


The "Hatting" Of The Clock: Crafting Juniata's Knitting Community Through Yarn Bombing The Clock Tower, Hannah Bellwoar, Scarlett Berrones Oct 2015

The "Hatting" Of The Clock: Crafting Juniata's Knitting Community Through Yarn Bombing The Clock Tower, Hannah Bellwoar, Scarlett Berrones

Harlot: A Revealing Look at the Arts of Persuasion

This piece explores how knitting creates community. We've found that the materiality of knitting, by which we mean the physical making of knitted objects, creates a feeling of community that connects people across physical and digital spaces. We discuss how the authors' personal knitting experiences with a college knitting club and yarn bombing the clock tower on campus relate to theory about the materiality of making knitted things. We argue that crafted rhetorical actions such as the yarn bomb enable knitters and non-knitters to connect more broadly around central community spaces.

Related videos on YouTube:
Connecting through Craft
Juanita College …


The Biopower Of Zombies: Or, How I Learned To Stop Worrying And Love The Horde, Mary Hedengren Oct 2015

The Biopower Of Zombies: Or, How I Learned To Stop Worrying And Love The Horde, Mary Hedengren

Harlot: A Revealing Look at the Arts of Persuasion

I like zombies. I really like zombies. But I'm not the only one: why do so many of us seem to be enjoying a zombie moment? What does it say about our fears of a decentralized government and the power of human bodies? And what is that faintly discernable groaning sound? In this article, I draw on the theories of Michael Hardt and Antonio Negri as well as Foucault's "biopower" concept to examine our collective fascination with a collective threat.


Beer, Blogs, And Bitches, Lauren Murray Oct 2015

Beer, Blogs, And Bitches, Lauren Murray

Harlot: A Revealing Look at the Arts of Persuasion

Beer has been branded as a product that is available to men; we see this in popular advertisements online and on television. The heteronormatively-masculine image that is created presents a complicated rhetorical situation for women interested in beer. When searching the online community for female beer bloggers, I came across blogs that seemed to be addressing women who are alienated in the beer community with hyper-feminine rhetoric. This stark contrast to the rhetoric that we typically see in beer advertisements did not appeal to me either. I've been referred to as "the girlfriend with great taste in beer" and intercepted …


Crafting Change: Practicing Activism In Contemporary Australia, Tal Fitzpatrick, Katve-Kaisa Kontturi Oct 2015

Crafting Change: Practicing Activism In Contemporary Australia, Tal Fitzpatrick, Katve-Kaisa Kontturi

Harlot: A Revealing Look at the Arts of Persuasion

This article brings together thoughts and practices of two Melbourne-based women working across the fields of craftivism, practice-led research and contemporary art history. While introducing and analysing Australian craft(ivist) projects, this article also suggests new concepts useful in tackling the contemporary phenomenon of craft activism.


Super Mom In A Box, Lindsey Harding Oct 2015

Super Mom In A Box, Lindsey Harding

Harlot: A Revealing Look at the Arts of Persuasion

Super Mom in a Box examines how Pinterest influences identity formation in mothers who interact with the site. In the essay, I use my own extensive interactions on Pinterest to investigate how the site's postfeminist content and interaction design create a hypermaternal identity for maternal interactors. This piece suggests that the celebration of domesticity and femininity on Pinterest validates a mother's home-oriented interests and reinforces her commitment to family; at the same time, this celebration contributes to a limited online identity for mothers, which can produce stress and alienation in real-world experiences of motherhood. In other words, because I've scrolled …


The Suicide Survivor's Guide To Crafts, Joshua Adair Oct 2015

The Suicide Survivor's Guide To Crafts, Joshua Adair

Harlot: A Revealing Look at the Arts of Persuasion

Written as a personal narrative, this essay explores the possibility of crafting as a coping mechanism of mourning by examining the relationship between the author and his mother-in-law aftet the suicide of his partner. Ultimately refusing to valorize crafting as a transformative or life-saving endeavor while still acknowledging its worth as a mode of living in times of trauma and otherwise, the author engages dark humor and sarcasm to look at how we craft our lives despite terrible loss.


Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices, Lizzy Bentley, Joanna Sanchez-Avila Oct 2015

Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices, Lizzy Bentley, Joanna Sanchez-Avila

Harlot: A Revealing Look at the Arts of Persuasion

Each November, thousands of people gather in the small downtown of Tucson, Arizona, for a ritualistic and participatory event known as the All Souls Procession. While the Procession has drawn criticism for the cultural appropriation embedded in many of its crafting practices, its stakeholders are hesitant to acknowledge a meaningful connection to Dia de los Muertos as they frame the procession as an “authentic" multicultural event. Rather than flattening our engagement with the All Souls Procession into an either/or binary by solely condemning its problematic dimensions or praising its creativity, we choose to embrace the event's complexity by continuing a …


On Rage, Shame, "Realness," And Accountability To Survivors, Kathleen Ann Livingston Oct 2015

On Rage, Shame, "Realness," And Accountability To Survivors, Kathleen Ann Livingston

Harlot: A Revealing Look at the Arts of Persuasion

This essay examines the rhetorical moves made on all sides of the recent conversation on trigger warnings. Calling for accountability to survivors, it positions trigger warnings as one practice of consent. Though in practice trigger warnings bring up issues of censorship, they can be understood as a way for survivors to take their power back by telling a bit of their trauma narrative and requesting accommodations and accountability. Unpacking the histories and the language of trigger warnings reveals how our culture thinks of survivors and how far anti-violence movements have to go.


Emoji, Emoji, What For Art Thou?, Lisa Lebduska Oct 2015

Emoji, Emoji, What For Art Thou?, Lisa Lebduska

Harlot: A Revealing Look at the Arts of Persuasion

This essay provides a history and context for emoji as a way of re-materializing composing while simultaneously arguing that emoji do not threaten alphabetic literacy and instead provide a means of creative graphic expression. The essay acknowledges that n some instances emoji do help to clarify the intent or tone of alphabetic writing, but it notes that emoji, like alphabetic writing, is culturally and contextually bound. Emoji expand expression and doing so open themselves to re-appropriation, intepretation and even misinterpretation, along with the affirming possibilities of artistic creation.


Buy-It-Yourself: How Diy Got Consumerized, Elizabeth Chamberlain Oct 2015

Buy-It-Yourself: How Diy Got Consumerized, Elizabeth Chamberlain

Harlot: A Revealing Look at the Arts of Persuasion

Looking at do-it-yourself (DIY) fashion blogs as a test case, 'Buy-It-Yourself' considers some of the consumerizing pressures that can turn an anti-consumption movement into another tool of the corporate machine. I examine the punk roots of the DIY movement, the recent flurry of maker activity, and a sampling of DIY fashion blogs from their 2009 heyday through the present. Ultimately, I suggest that online activists consider DIY fashion blogs as a warning tale: as a counterculture movement begins to pick up steam, it can morph into something that betrays its original goals.


Harlot's Growing Community, Harlot Editors Oct 2015

Harlot's Growing Community, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.


#Definerhetoric 2014 Results, Harlot Editors Oct 2015

#Definerhetoric 2014 Results, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.


Call For Submissions: Craft Rhetorics, Amber Buck, Megan Condis, Kristen Prins, Marilee Brooks-Gillies, Martha Althea Webber Oct 2015

Call For Submissions: Craft Rhetorics, Amber Buck, Megan Condis, Kristen Prins, Marilee Brooks-Gillies, Martha Althea Webber

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.


Encomium On The Overlord, Kt Torrey Oct 2015

Encomium On The Overlord, Kt Torrey

Harlot: A Revealing Look at the Arts of Persuasion

As a new fan of the CW's paranormal series, Supernatural, I paid little attention to actor Misha Collins outside the omnipresent trenchcoat of his character, Castiel until a kairotic question from a fellow conference panelist pointed me in the direction of Collins' Twitter feed. I was struck by Collins' 140-character shots of performative trolling, Tweets that sang to me in shades, gleeful rhetorical waves, of the sophists, particularly because of the actor's interest in, and unique definition of, social change. Building on that sophistic seed, I argue here that Collins' construction of a megalomaniacal Twitter persona known as the Overlord …


Doing It Our (Dang) Selves: Making, Experimenting, And Becoming Through Craft, Amber Buck, Megan Condis, Kristin Prins, Marilee Brooks-Gillies, Martha Webber Oct 2015

Doing It Our (Dang) Selves: Making, Experimenting, And Becoming Through Craft, Amber Buck, Megan Condis, Kristin Prins, Marilee Brooks-Gillies, Martha Webber

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.


#Definerhetoric 2015 Results, Harlot Editors Oct 2015

#Definerhetoric 2015 Results, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

Check out the winners from this year's contest!


Crafting Malfunction: Rhetoric And Circuit-Bending, Steven Hammer, Aimée Knight Oct 2015

Crafting Malfunction: Rhetoric And Circuit-Bending, Steven Hammer, Aimée Knight

Harlot: A Revealing Look at the Arts of Persuasion

Circuit-bending, an art practice developed in the 1960's, involves the creative short circuiting of battery-powered toys and instruments. Like many of its avant-garde precursors, circuit-bending is a composition practice that values access, chance, and indeterminacy. For this special issue of Harlot, we document our own circuit-bending process and make connections between the work of Qubais Reed Ghazala, the pioneer of circuit-bending, and rhetoric and writing. Specifically, we discuss the importance of access and creativity, invention and discovery, and the ways that composition is a collaborative performance between humans and nonhumans.


Craft As A Memorializing Rhetoric, Maria Novotny Oct 2015

Craft As A Memorializing Rhetoric, Maria Novotny

Harlot: A Revealing Look at the Arts of Persuasion

This video essay functions as a reflective piece pondering the intersections between craft, family, and the act of memorializing. Specifically, this essay attempts to push beyond traditional assumptions of craft as a discourse related to home projects or food. Instead, suggesting that the craft is a practice that memorializes bodies that have passed away and/or pain and sorrow carried on our own bodies. To make these claims, the author narrates two personal stories of craft as a memorializing rhetoric. The first narrative recounts how she came to realize craft as an essential practice embedded in the passing away of relatives. …


Undo It Yourself: Challenging Normalizing Discourses Of Pinterest? Nailed It!, Morgan C Leckie Oct 2015

Undo It Yourself: Challenging Normalizing Discourses Of Pinterest? Nailed It!, Morgan C Leckie

Harlot: A Revealing Look at the Arts of Persuasion

This project explores the resistant rhetorics of online environments through site discourse analysis and person-based research of participants on popular social media scrapbooking and crafting website, Pinterest.


Crafting A Music Community: Making Music And Musicians In Concert, Joyce Reenste Walker Oct 2015

Crafting A Music Community: Making Music And Musicians In Concert, Joyce Reenste Walker

Harlot: A Revealing Look at the Arts of Persuasion

In this webtext the author(s) will explore the process of writing, recording, and producing a song, within a group of musicians & sound engineers who have all be fostered/encouraged in some way through participation in a "music community" in Kalamazoo, MI. The goal of the project is threefold: (1) To actually explore the timeline of production (an EP-length set of songs) with the group, who are all working from "amateur" status -- learning the tools, practices, and skills as they compose; (2) to explore (through short video vignettes) how this particular production has been shaped by participation in the community …


Knowledge Is Power: The Political Influence Of The Chanter Social Circle At The University Of Paris (1200-1215), Andrew X. Fleming Sep 2015

Knowledge Is Power: The Political Influence Of The Chanter Social Circle At The University Of Paris (1200-1215), Andrew X. Fleming

Anthós

The faculty of theology within the medieval University of Paris formed a major node within the social network of thirteenth-century Europe. Through an analysis of papal and university statutes concerning the development of a defined understanding of heresy, an overview of the historiographic methodologies traditionally used in studying such a topic, and a prosopographically-based analysis of the actions taken by Pope Innocent III and a small circle of theologians at Paris, we hope to come to a more clarified understanding of the political motivations which drove academic and papal reform within the thirteenth century. More specifically, this study aims to …


The Storyteller's Trance In The Turn Of The Screw, Leslie C. Slape Sep 2015

The Storyteller's Trance In The Turn Of The Screw, Leslie C. Slape

Anthós

An examination of the presence and effect of the "storyteller's trance" on the narrators and their audience in The Turn of the Screw by Henry James (1898).

Thank you to Professor Sarah Ensor for advice and encouragement.


Masthead | Table Of Contents Sep 2015

Masthead | Table Of Contents

Anthós

Includes the 2014-2015 Editorial Board and Table of Contents


Introduction, Sarah N. Donaldson Sep 2015

Introduction, Sarah N. Donaldson

Anthós

Provides an overview of the content in this issue


Locke, Judgment, And Figure: A Consistent Answer To The Molyneux Problem, Jamale Nagi Sep 2015

Locke, Judgment, And Figure: A Consistent Answer To The Molyneux Problem, Jamale Nagi

Anthós

John Locke has been famously credited with resurrecting the distinction between common and proper sensibles, better known in the Essay as primary and secondary qualities. Although some argue that Locke’s adherence to the doctrine of the common sensibles is in conflict with his empiricist sensibilities, I will show this is not likely to be the case. In order to achieve this I will argue that Locke held there to be cross-modal connections in the mind for the representational content of ideas of primary quality, through the relation of resemblance, but that these representations need to be empirically verified to …


Delinquent Youth: The Ofuna New Wave, Basil Swartzfager Sep 2015

Delinquent Youth: The Ofuna New Wave, Basil Swartzfager

Anthós

In 1960 the Japanese film studio Shochiku Co. announced "the Ofuna New Wave" a revolution in Japanese filmmaking similar to France’s immensely popular Nouvelle Vague. This paper attempts to discover whether this Ofuna New Wave was simply a marketing ploy Shochiku developed in order to attract a larger youth market, or whether it constitutes a legitimate artistic movement along the lines of France’s New Wave. The methods used were a combination of primary research of four Shochiku films released in 1960 as well as secondary historical research regarding the studio and time period. The Shochiku films were then compared to …


“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales Sep 2015

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

Anthós

Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …


The British-American Imperial Agenda In Iraq: The Oil And Railway Line From Kirkuk To Haifa, 1920-1932, Melinda Cohoon Jun 2015

The British-American Imperial Agenda In Iraq: The Oil And Railway Line From Kirkuk To Haifa, 1920-1932, Melinda Cohoon

PSU McNair Scholars Online Journal

By using data from the Records of Department of State Relating to the Internal Affairs of Asia, 1910-1929 and the Iraqi Administration Reports, in regards to the railway and pipeline infrastructure, along with integral secondary source material like Peter Sluglett’s Britain in Iraq: Contriving King and Country (2007, 2nd ed.), this study addresses the concept of identity among the Sunni Arab elite as well as Kurds within Iraq, who were embedded within this new imperial reality of oil and railways between 1920 and 1929. This study has found that the U.S. had a covert interest in the shaping of …