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Louisiana State University

LSU Doctoral Dissertations

2005

Masculinity

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Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman Jan 2005

Power, Money, And Sex(Uality): The Black Masculine Paradigm, Kendric Coleman

LSU Doctoral Dissertations

This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and …


The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King Jan 2005

The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King

LSU Doctoral Dissertations

This study reads the rise, reign, and fall of the English gentleman through the lens of the hobbledehoy novels of Anthony Trollope. It explores Trollope’s use of the hobbledehoy (a term, now almost archaic, for an awkward young man) in eight novels appearing between 1857 and 1879: The Three Clerks (1857), The Small House at Allington (1864), The Last Chronicle of Barset (1867), Phineas Finn (1869), Phineas Redux (1874), John Caldigate (1879), The Way We Live Now (1875), and The Prime Minister (1876). Since the hobbledehoy figure serves as a cultural reference point or touchstone, then by examining the permutations …