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After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors Jan 2005

After Scotland: Irvine Welsh And The Ethic Of Emergence, Benjamin George Lanier-Nabors

LSU Doctoral Dissertations

In “After Scotland: Irvine Welsh and the Ethic of Emergence,” the author’s objective is to mirror what he argues is the Scottish writer Irvine Welsh’s objective: to chart out a future Scotland guided by a generative life ethic. In order to achieve this objective, the author lays open and reengages Scotland’s past, discovers and commits to neglected or submerged materials and energies in its past, demonstrates how Welsh’s work is faithful to those and newly produced materials and energies, and suggests that Welsh’s use of those materials and energies enables readers to envision a new Scotland that will be integral …


Leona Queyrouze (1861-1938): Louisiana French Creole Poet, Essayist, And Composer, Donna M. Meletio Jan 2005

Leona Queyrouze (1861-1938): Louisiana French Creole Poet, Essayist, And Composer, Donna M. Meletio

LSU Doctoral Dissertations

This new historicist study chronicles the life and work of a Louisiana French Creole, Leona Queyrouze (1861-1938) who grew up in the turbulent era following the Civil War. Her articles and poetry, mostly written in French, were published in the local periodicals, L’Abeille, Comptes-Rendus, the Picayune and the Crusader under the pseudonyms, Constant Beauvais, Salamandra, and Adamas. She also translated plays from French into English in New York under at the request of Harpers Bazar and wrote two symphonies that were performed at the World Exposition in New Orleans in 1884. Through an ever-widening critical lens, I focus upon her …


Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean Jan 2005

Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean

LSU Doctoral Dissertations

This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …


"We Are No Preacher" [Electronic Resource] : Margaret Oliphant's Textual Authority, Shannon Landry Brown Jan 2005

"We Are No Preacher" [Electronic Resource] : Margaret Oliphant's Textual Authority, Shannon Landry Brown

LSU Doctoral Dissertations

In this dissertation, I examine four of Margaret Oliphant's novels, her supernatural fiction, and her literary reviews, revealing how she relies on her knowledge of the cultural sign system, domesticity, and women's value to show how women may successfully navigate middle-class Victorian society. She accomplishes this by identifying the places where women's strengths lie: the boundaries between work and family, between the spiritual and material, amid the everyday details that she herself realizes reveal the workings of society. She sets herself up as a voice of authority within the system itself, not as a distant, all-knowing sage but as someone …


La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark Jan 2005

La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark

LSU Doctoral Dissertations

This dissertation analyzes Guillaume Apollinaire's rewriting of Merlin's mother and the Dame du Lac in L'Enchanteur pourrissant as a commentary on writing. I consider Merlin's state in the tomb as an effect of his desire for the Dame du Lac and relate this to the poet's relationship to writing, which is the result of his desire for a unity of expression -- to express what can be designated in the text, but not directly communicated in its totality through language. There is always something missing from any writing, but the very absence of meaning influences poetic production by encouraging attempts …


Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell Jan 2005

Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell

LSU Doctoral Dissertations

This study is an examination of the public imaging of gay men and lesbians during the latter part of the twentieth and early part of the twenty-first centuries. The study looks at public imaging as it is performed in the service of the political aims of gay people, with an eye towards the kinds of tensions and erasures that occur when one monolithic identity is promoted. Through these examinations, I create a kind of contemporary history of the gay political rights movement. In the study, I examine theoretical approaches to identity from several postmodern theorists and then use these approaches …


An Introduction To The Life And A Cappella Music Of Sven-David Sandström And A Conductor's Prepatory Guide To Etyd Nr 4, Som I E-Moll And Laudamus Te, Karl Erik Nelson Jan 2005

An Introduction To The Life And A Cappella Music Of Sven-David Sandström And A Conductor's Prepatory Guide To Etyd Nr 4, Som I E-Moll And Laudamus Te, Karl Erik Nelson

LSU Doctoral Dissertations

The choral literature of Sven-David Sandström has become standard literature for many choirs in Scandanavia, but has been given very little attention in English publications. His neo-romantic style uses dense harmonies and madrigalisms to portray the texts while remaining faithful to traditional formal structures. The purpose of this monograph is to offer comprehensive insight into some of his music. This document focuses on the development of music in the life of Sven-David Sandström with particular attention given to his compositions, Etyd nr 4, som i e-moll and Laudamus Te. In chapter one, Sven-David Sandström’s influences, philosophies, and compositional styles are …


"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters Jan 2005

"To The Latest Generation": Cold War And Post Cold War U.S. Civil War Novels In Their Social Contexts, Jeffrey Neal Smithpeters

LSU Doctoral Dissertations

This dissertation argues that readings of the Civil War novels published in America since 1955 should be informed by a consciousness of the social forces at work in each author’s time. Part One consists of a study of the popular Civil War novel, 1955’s Andersonville by MacKinlay Kantor; part two, 1974’s The Killer Angels by Michael Shaara. Chapters One through Three explain that Kantor was especially fitted for the ideological work going on in Andersonville, then outlines the way that novel tried to contribute to the transition between World War II and the Cold War. The book attempted to aid …


The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton Jan 2005

The Literary Frontier: Creating An American Nation (1820-1840), Tena Lea Helton

LSU Doctoral Dissertations

From the perspective of the twenty-first century, it might be easy to dismiss frontier literature as a minor historical anomaly, as a descriptor limited to setting, or as an insignificant variation from a country struggling to reach the heights of British fictional “norms.” However, when American literature began to flourish in the 1820s, it was primarily a literature of the frontier. Examining what this frontier quality means for literary elements beyond setting, such as narrative voice, textual structure, and genre, more clearly explains the importance of the frontier to literary nation-building. After all, the literary frontier ranged across literary genres, …


Exile As Severance, Alexandru Boldor Jan 2005

Exile As Severance, Alexandru Boldor

LSU Doctoral Dissertations

Exile is a phenomenon probably as ancient as humanity itself, and one of the oldest topics in universal literature. The great majority of its variants (political, economical, social,) are founded on the idea of "forced displacement." Consequently, most often exile is reflected in literary creations in discourses dominated by a sentiment of loss. However, in some cases exile is not seen as a tragic event, but rather as an opportunity for intellectual growth - as attested by a number of authors who have chosen voluntarily to exile themselves. The rationale behind this occurrence is a mental process I called "severance." …


The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King Jan 2005

The Hobbledehoy's Choice: Anthony Trollope's Awkward Young Men And Their Road To Gentlemanliness, Mark King

LSU Doctoral Dissertations

This study reads the rise, reign, and fall of the English gentleman through the lens of the hobbledehoy novels of Anthony Trollope. It explores Trollope’s use of the hobbledehoy (a term, now almost archaic, for an awkward young man) in eight novels appearing between 1857 and 1879: The Three Clerks (1857), The Small House at Allington (1864), The Last Chronicle of Barset (1867), Phineas Finn (1869), Phineas Redux (1874), John Caldigate (1879), The Way We Live Now (1875), and The Prime Minister (1876). Since the hobbledehoy figure serves as a cultural reference point or touchstone, then by examining the permutations …


Anglian Leadership In Northumbria, 547 A.D. Through 1075 A.D., Jean Anne Hayes Jan 2005

Anglian Leadership In Northumbria, 547 A.D. Through 1075 A.D., Jean Anne Hayes

LSU Doctoral Dissertations

The Anglo-Saxon kingdoms of Britain were founded in warfare beginning in the fifth century. These kingdoms developed alongside the native Romanized Britons, who attempted to reassert their authority in Britain in the wake of the Roman withdrawal. Northumbria, located north of the Humber River, the largest and most northerly of the Anglo-Saxon kingdoms played a vital role in the politics of early medieval Britain. During the seventh century, the Northumbrian kings were recognized as the overkings of the Anglo-Saxon kingdoms, as well as the neighboring British and Pictish kingdoms. Over the course of several centuries, the leaders of Northumbria alternately …


Marching Masters: Slavery, Race, And The Confederate Army, 1861-1865, Colin Edward Woodward Jan 2005

Marching Masters: Slavery, Race, And The Confederate Army, 1861-1865, Colin Edward Woodward

LSU Doctoral Dissertations

Many historians have examined the Civil War soldier, but few scholars have explored the racial attitudes and policies of the Confederate army. Although Southern men did not fight for slavery alone, the defense of the peculiar institution, and the racial control they believed it assured, united rebels in their support of the Confederacy and the war effort. Amid the destruction of the Civil War, slavery became more important than ever for men battling Yankee armies. The war, nevertheless, tested Confederate soldiers’ idealized view of human bondage. Federal armies wrecked havoc on masters’ farms and plantations, seized hundreds of thousands of …


Alice's Shadow: Childhood And Agency In Lewis Carroll's Photography, Illustrations, And Alice Texts, R. Nichole Rougeau Jan 2005

Alice's Shadow: Childhood And Agency In Lewis Carroll's Photography, Illustrations, And Alice Texts, R. Nichole Rougeau

LSU Doctoral Dissertations

The nineteenth century marks the emergence of a new literary market directed at the entertainment of children. However, a dichotomy exists concerning the image of childhood. Adults tended to idolize childhood in literature to reflect on their own lives ignoring the needs of children to possess an identity of their own. Essentially children are shadows of adults. Examinations of the shadows of childhood—children as shadows of adults, children shadowed by adults, the shadows as identifying children, and the shadows children themselves cast—lead to a discussion of agency over childhood. Lewis Carroll, entering this new literary market with his Alice series, …


Chorale And Canon In Alfred Schnittke's Fourth String Quartet, Aaminah Durrani Jan 2005

Chorale And Canon In Alfred Schnittke's Fourth String Quartet, Aaminah Durrani

LSU Doctoral Dissertations

Alfred Schnittke's String Quartet No. 4 (1989) is a passionate essay, full of fervor and anguish expressed through an eloquent and highly refined style. Essential to this style are the counterpoised textures of chorale and canon. Not only does the coherence of the Quartet's expansive formal design rest largely on the effective deployment of chorale and canon, but these devices are the very engines that drive Schnittke's musical argument. Perhaps the most stunning event of the Fourth Quartet occurs in the finale. In the closing moments of this long work, Schnittke replaces the dissonant and dynamic fury of the fortissimo …


Dragos Tanasescu's Treaties Of Pianistic Technique, Lucian B. Zidaru Jan 2005

Dragos Tanasescu's Treaties Of Pianistic Technique, Lucian B. Zidaru

LSU Doctoral Dissertations

This study examines Dragos Tanasescu's fingering system and technical exercises presented in Treatise of Pianistic Technique. The Treatise contains four books, each one dedicated to a segment of technical problems. Tanasescu's main contribution to the piano technique is the applications of math permutation formulas to create all possible arrangements of fingering patterns. His treatise continues previous technical approaches of A. Kullak, F. Liszt, J. Pischna and E. Dohnanyi. Earlier methods organize the technical material by one principle: fingerings. The purpose of this study is to illustrate the characteristics of Tanasescu's fingering system presented in Treatise of Pianistic Technique, and provide …


Conspiracy Culture In America After World War Ii, Valerie Rose Holliday Jan 2005

Conspiracy Culture In America After World War Ii, Valerie Rose Holliday

LSU Doctoral Dissertations

Feminism has all too often been reified as a theoretical category. Specifically, Marxist critical categories fail to account for the integral importance of gender in any sociopolitical critique. This dissertation attempts to dereify gender and demonstrate a theoretical model that seamlessly integrates psychoanalysis, Marxism, and feminism. Conspiracy culture in America since World War II is an ideal aperture through which we may envision such a theoretical approach, and indeed see the critical need for such an approach. This dissertation looks at several post-war American conspiracy narratives, including Oliver Stone’s JFK and Nixon, Don DeLillo’s Libra, Sidney Lumet’s Fail Safe, John …


Rights Of Humans, Rights Of States: The Academic Legacy Of St. George Tucker In Nineteenth-Century Virginia, Chad Vanderford Jan 2005

Rights Of Humans, Rights Of States: The Academic Legacy Of St. George Tucker In Nineteenth-Century Virginia, Chad Vanderford

LSU Doctoral Dissertations

College professors in the nineteenth-century South lavished a great deal of attention on the issues of slavery and constitutionalism, and they paid careful attention to the connections between these issues and the idea of natural rights. In this dissertation I offer an analysis of the lives and writings of three generations of college professors in nineteenth-century Virginia, focusing especially on St. George Tucker and his descendants. As a contemporary of Thomas Jefferson and as a delegate to the Annapolis convention, Tucker can rightly be considered as one of the founding fathers. But he is best known for inaugurating the academic …


Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng Jan 2005

Feminist Hard-Boiled Detective Fiction As Political Protest In The Tradition Of Women Proletarian Writers Of The 1930s, Laura Ellen Ng

LSU Doctoral Dissertations

Contemporary feminist hard-boiled detective fiction has been studied as an adaptation of the traditional masculine hard-boiled detective genre. Writers such as Sara Paretsky, Sue Grafton, and Marcia Muller create compelling feminist protagonists to fill the role of detective. The successes and failures of these feminist detectives have then been measured against the standards created in the classic genre by Raymond Chandler, Dashiell Hammett, and James M. Cain. The classic hard-boiled masculine genre came of age in the 1930s and 1940s at the same time as proletarian literature. The two genres share many characteristics including reliance upon first person narrative, the …


Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie Jan 2005

Solitary Blessings: Solitude In The Fiction Of Hawthrone, Melville, And Kate Chopin, Virginia Massie

LSU Doctoral Dissertations

“Solitary Blessings: Solitude in the Fiction of Hawthorne, Melville, and Kate Chopin” examines a construction of solitude in which nature is alien and perilous, the self confronts rejection and death, the subject is subordinated to an unknown, and the revealed truth is experienced as both gift and curse. Arising out of fictional portraits of people under duress, this interpretation counters a more dominant construction in American literature, enunciated by Edwards, Emerson, and Thoreau, that shows solitude as composed and calming, subordinating nature to mind, and revealing an underlying truth in presentable form. Solitude has been equated with privation and exile …


The Relationship Between The Papacy And The Jews In Twelfth-Century Rome: Papal Attitudes Toward Biblical Judaism And Contemporary European Jewry, Marie Therese Champagne Jan 2005

The Relationship Between The Papacy And The Jews In Twelfth-Century Rome: Papal Attitudes Toward Biblical Judaism And Contemporary European Jewry, Marie Therese Champagne

LSU Doctoral Dissertations

The relationship of the papacy to the Jews in the Middle Ages, which had developed under the influences of Patristic writers, Roman law, and papal precedent, was marked in the twelfth century by toleration and increasing restriction, but also by papal protection. Between the First Crusade massacres of Jews and the restrictions and persecutions of the thirteenth century, the twelfth century is set apart as a unique era in the lives of European Jews. As Eugenius III (1145-1153) and Alexander III (1159-1181) extended their protection to the Jews of Rome and perhaps all of Christendom through the papal document Sicut …


An Original Composition, Symphony No. 1, And The Realization Of Western And Japanese Influences In Takemitsu's November Steps, Charles Douglas Haarhues Jan 2005

An Original Composition, Symphony No. 1, And The Realization Of Western And Japanese Influences In Takemitsu's November Steps, Charles Douglas Haarhues

LSU Doctoral Dissertations

This dissertation is in two parts. Part one is an original composition, Symphony No. 1 and is inspired by different aspects of Japanese culture. Part two is an analysis of Tõru Takemitsu’s November Steps, which is scored for orchestra and the traditional Japanese instruments, biwa and shakuhachi. The first movement of Symphony No. 1 is entitled Rashõmon and is based on the structure of the 1951 Akira Kurosawa film. The harmonic language is primarily polytonal and is based on the octatonic scale. The second movement is entitled For a Person of a Floating World. Its form is derived from the …


Selected Intermediate-Level Solo Piano Music Of Enrique Granados: A Pedagogical Analysis, Harumi Kurihara Jan 2005

Selected Intermediate-Level Solo Piano Music Of Enrique Granados: A Pedagogical Analysis, Harumi Kurihara

LSU Doctoral Dissertations

Enrique Granados (1867- 1916) is one of the most important Spanish composers of the nineteenth and twentieth centuries. He achieved a significant musical career as a pianist, a composer, and a teacher. Among his large compositional output, his main interest was music for the piano. Although Granados’s piano works are generally regarded as very difficult, based on his well-known piano suite, Goyescas, he in fact wrote a number of intermediate-level solo piano pieces. Sadly, they have been a neglected area of piano literature. In fact, their variety of musical styles and singable melodies make them appealing pieces for students. They …


Gerald Finzi And John Ireland: A Stylistic Comparison Of Compositional Approaches In The Context Of Ten Selected Poems By Thomas Hardy, Richard Michael Jupin Jan 2005

Gerald Finzi And John Ireland: A Stylistic Comparison Of Compositional Approaches In The Context Of Ten Selected Poems By Thomas Hardy, Richard Michael Jupin

LSU Doctoral Dissertations

The purpose of this paper is to provide a stylistic analysis that contrasts five Thomas Hardy settings by Gerald Finzi with five settings by John Ireland. In order to investigate the apparent intuitiveness with which both Ireland and Finzi approached Thomas Hardy’s poetry, biographical information is provided to reveal similarities in the backgrounds of each composer. Highlighted are the compositional techniques and text setting ideologies each composer utilized when facing the challenges and eccentricities of Hardy’s poetry. A brief discussion on the philosophical foundations of Thomas Hardy’s poetry is also included. The repertoire discussed within are the settings Summer Schemes, …


A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva Jan 2005

A Conductor's Analysis Of Amaral Vieira's Stabat Mater, Op.240: An Approach Between Music And Rhetoric, Vladimir A. Pereira Silva

LSU Doctoral Dissertations

Choral music is one of the most common musical activities in Brazil. However, the lack of biographical studies, music publication, and theoretical works which discuss stylistic and interpretative aspects of choral performance creates problems for conductors. The primary goal of this study is to consider Amaral Vieira’s Stabat Mater, op. 240 specifically from a conductor’s point of view, focusing on biographical, analytical, stylistic, and interpretative issues. The document is divided into three chapters; chapter one discusses twentieth-century Brazilian choral music, Amaral Vieira’s life and music, history and overview of the Stabat Mater, op. 240, and textual aspects. Chapter two presents …


An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell Jan 2005

An Original Composition, La Cosecha For Orchestra, And La Clave: A Cultural Indentity, Rafael Enrique Gonzalez Bothwell

LSU Doctoral Dissertations

The dissertation is in two parts. The first part is a musical composition in one movement for orchestra, La Cosecha (The Harvest), based on the Maya Zodiac. The second part is a semiotic analysis of selected Puerto Rican folk music that will conclude that a rhythmic structure organizes all these musical forms in a coherent manner. The composition has thirteen sections each representing a figure of the zodiac. Each figure has a main rhythmic pattern and a chord that it is rotated to create unity among the distinctive chords. The first half represents the dry season and the second the …


Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle Jan 2005

Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle

LSU Doctoral Dissertations

Erik Satie's ballet Parade was a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev. Satie's writing for winds and percussion lends itself to an arrangement for woodwind quintet and percussion; an arrangement that keeps the spirit and essence of the work intact. This study includes a historical summary of the ballet Parade and an arrangement of the music from the ballet for woodwind quintet and percussion.


The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris Jan 2005

The Music Salon Of Pauline Viardot: Featuring Her Salon Opera Cendrillon, Rachel Miller Harris

LSU Doctoral Dissertations

Pauline Viardot (1821- 1910) was a famous mezzo-soprano with a career spanning twenty-four years (1839-1863). Her Music Salon is credited for launching the careers of Camille Saint-Säens, Jules Massenet, Gabriel Fauré, and Charles Gounod. After her retirement she turned her attention towards teaching and composition. She has written over 100 Vocal compositions, 15 Instrumental compositions and 5 Salon Operas. Chapter 1 presents an introduction and biography of the composer, with special emphasis on her family, friends, colleagues, performance career and music salon. Chapter 2 is a closer look at her salon opera Cendrillon including an analysis of the work. This …


The Iconography Of Nationalism: Icons, Popular Culture, And American Nationalism, Dallas Hulsey Jan 2005

The Iconography Of Nationalism: Icons, Popular Culture, And American Nationalism, Dallas Hulsey

LSU Doctoral Dissertations

The Iconography of Nationalism: Icons, Popular Culture, and American Nationalism develops a model of cultural icons, defining icons as highly visible, culturally variable, and overdetermined auratic images. Situating icons within the context of mass reproduction technologies and American nationalism, this study seeks to demystify the simple images presented by infantile, national, and scapegoat icons in literature, film, and political rhetoric. This dissertation argues that icons participate in the American nationalist project by channeling citizens’ political and patriotic feelings through seemingly simple images. While acknowledging that icons are necessary to construct what Benedict Anderson calls “the imagined community” of the nation, …


Problems Of Modernization In Late Imperial Russia: Maksim M. Kovalevskii On Social And Economic Reform, Evgeny Badredinov Jan 2005

Problems Of Modernization In Late Imperial Russia: Maksim M. Kovalevskii On Social And Economic Reform, Evgeny Badredinov

LSU Doctoral Dissertations

The problems of social and economic reform were at the center of academic and political activities of Maksim M. Kovalevskii (1851-1916), a prominent Russian historian and sociologist. The comparative study of rural communal institutions led him to conclude that the village commune remained a viable social and economic institution in late imperial Russia. Although he believed firmly in private agriculture, he criticized the Stolypin land reform for attempting to pressure peasants to separate from communes. Kovalevskii argued that in a country dominated by communal traditions the state must not destroy the collective economy by legislative fiat. He urged Russian policy-makers …