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Articles 1 - 10 of 10
Full-Text Articles in Arts and Humanities
The "Dallas Way": Protest, Response, And The Civil Rights Experience In Big D And Beyond, Brian D. Behnken
The "Dallas Way": Protest, Response, And The Civil Rights Experience In Big D And Beyond, Brian D. Behnken
Brian D. Behnken
A MERICANS NOW ALMOST UNIVERSALLY THINK OF THE CIVIL RIGHTS ii. movement as a war waged between peaceful, supplicating black activists and violent, reactionary white racists. Turn on any news retrospective about the middle ofJanuary, or during Black History Month, and you will likely see scenes from Martin Luther KingJr. 's "I have a dream" speech or the March on Washington juxtaposed against images of whites attacking nonviolent African Americans with fire hoses, billy clubs, and German shepherds. While the factuality of these events cannot be disputed, the binary images ofviolence and nonviolence have come to represent the civil rights …
Who’S Your Mammy?: Figuring Aunt Jemima, Harrison W. Inefuku
Who’S Your Mammy?: Figuring Aunt Jemima, Harrison W. Inefuku
Harrison W. Inefuku
In existence for over a century, the advertising icon Aunt Jemima remains a point of contention for many African Americans, despite a recent makeover that attempted to remove visual signifiers of slavery. To understand the icon's negativity, I explore its roots in slavery,the minstrel stage and The Exhibition of the Other. I then move to an analysis of "The Legend of Aunt Jemima," a series of advertisements produced in the 1920s, to determine how racism was manifested in the icon*s promotional materials.
Who's Your Mammy?: Figuring And Refiguring Aunt Jemima, Harrison W. Inefuku
Who's Your Mammy?: Figuring And Refiguring Aunt Jemima, Harrison W. Inefuku
Harrison W. Inefuku
In existence since the late 1890s, advertising icon Aunt Jemima has been indelibly etched into the American memory—virtually unchanged from her debut until her makeover in 1989. Before this recent transformation, Aunt Jemima was the quintessential embodiment of the mammy stereotype—a heavyset black woman, complete with apron and bandana. Her creation was situated at the locus of several racist traditions and discourses directed towards African Americans—the mammy stereotype, the minstrel show, The Myth of the Old South, and the Exhibition of the Other. This embodiment of multiple racist practices helps to explain how the mammy in general, and Aunt Jemima …
Pollution And Hybridity: Cultural Collision In Masami Teraoka's Mcdonald's Hamburgers Invading Japan (1974–5), Harrison W. Inefuku
Pollution And Hybridity: Cultural Collision In Masami Teraoka's Mcdonald's Hamburgers Invading Japan (1974–5), Harrison W. Inefuku
Harrison W. Inefuku
Japanese-born artist Masami Teraoka immigrated to the United States in the 1960s, in the midst of a burgeoning post-war mass consumer society. During a visit to Vancouver, the artist was struck by the Golden Arches of McDonald's looming over the city and was prompted to create his series, McDonald's Hamburgers Invading Japan (1974-5), which shows the impact of the American multinational corporation on a post-World War II Japan. Completed in watercolor to resemble ukiyo-e woodblock prints, Teraoka shows the permeability of the boundaries between East and West. In my analysis of the series, I build on concepts of pollution and …
Pollution In Inner And Outer Spaces: Masami Teraoka's Mcdonald's Hamburgers Invading Japan, 1974–5, Harrison W. Inefuku
Pollution In Inner And Outer Spaces: Masami Teraoka's Mcdonald's Hamburgers Invading Japan, 1974–5, Harrison W. Inefuku
Harrison W. Inefuku
Japanese-born artist Masami Teraoka arrived in the United States in the 1960s, in the midst of a burgeoning post-war mass consumer society. During a visit to Vancouver, the artist was struck by the Golden Arches of McDonald's looming over the city as a portent of a global takeover by the company. This awareness prompted his series, McDonald's Hamburgers Invading Japan (1974-5), which depicts an old, traditional Japanese culture coming into contact with a new, modern American one with results that are at times humorous, and at others, chaotic. Completed in watercolor to resemble ukiyo-e woodblock prints, Teraoka masterfully fuses Eastern …
Review Of High Regard: Words And Pictures In Tribute To Susan Sontag, Barbara Ching
Review Of High Regard: Words And Pictures In Tribute To Susan Sontag, Barbara Ching
Barbara Ching
Susan Sontag's death on December 28, 2004, was marked, unsurprisingly, by an immediate outpouring of thoughtful memoirs and obituaries. Turning from words to pictures, the surprising tributes came later: Annie Leibovitz's book, A Photographer's Life, 1990–2005, and last year's Metropolitan Museum of Art show, On Photography: A Tribute to Susan Sontag, which ran from June 6 to September 4, 2006. Leibovitz's book opens with a picture of Sontag, back to the camera, dwarfed by the rock walls of Petra but emerging into the white open space before the temple. Leibovitz explains that she came across the photograph while searching through …
On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović
On The Architecture Of The Konaks In Serbia (1804–1830s), Jelena Bogdanović
Jelena Bogdanović
The First National Uprising of the Serbs against the Ottoman Turks in the Belgrade paşalik (Smederevo Sandjak, also known as the Morava administrative division of the Ottoman Empire) in 1804 was the major event in the political history of the Balkans. Led by Đorđe Petrović—Karađorđe (Black George) (1762–1817), the Uprising (1804–13) was the first autonomous attempt of the subjugated to set themselves free from Ottoman rule. Initially local in scope and aims, the Uprising ultimately enabled the development of modern Serbia as well as the national development of other countries in the Balkans. Judging by the scope and quality of …
Pham Van Dong, Brian D. Behnken
Pham Van Dong, Brian D. Behnken
Brian D. Behnken
Vietnamese nationalist revolutionary, founder of the Viet Minh, premier of the Democratic Republic of Vietnam (DRV, North Vietnam) during 1950-1975, and prime minister of the Socialist Republic of Vietnam (SRV) during 1975-1987. Born in Quang Ngai Province on 1 March 1906, Pham Van Dong became active in nationalist and communist politics as a teenager. Like many other Vietnamese revolutionaries, he spent eight years in prison for his anti-French stance. In 1930 he helped found the Indochinese Communist Party.
Le Duc Tho, Brian D. Behnken
Le Duc Tho, Brian D. Behnken
Brian D. Behnken
Vietnamese revolutionary, member of the Vietnamese Communist Party's Political Bureau, and chief negotiator at the Paris Peace Talks. Le Due Tho was born Phan Dinh Khai in Nam Ha Province on 14 October 1911. He became active in communist political circles at a young age and in 1930 helped found the Indochinese Communist Party (ICP). During the 1930s he spent nearly a decade in prison for his anti-French political activities. In 1945 he helped form the nationalist Viet Minh organization with Ho Chi Minh and from the late 1950s largely directed the war in the Republic of Vietnam (RVN, South …
Review Of Cultural Representation In Native America, Christina Gish Berndt
Review Of Cultural Representation In Native America, Christina Gish Berndt
Christina Gish Hill
What do Barbie, beer, nuclear bombs, New Age shamans, and Creole identity have in common? The authors of this anthology address each of these topics to illuminate cultural representation both of and by American Indian communities. This collection consists of articles from scholars and community activists that draw on provocative contemporary issues to suggest new directions for the study of cultural representation...