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Full-Text Articles in Arts and Humanities
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
Cinesthesia
This essay analyzes the manifestations of America’s post-1960 film industry, more specifically the rise of “New Hollywood.” In response to governmental intervention of the studio system, the popularization of commercial television, and the influences of the French New Wave, Hollywood’s emerging “film generation” embraced the commercialization of the star auteur and the blockbuster picture. George Lucas and Steven Spielberg, sons of the “Hollywood Renaissance,” capitalized on the potential of “high concept,” “ultra-high-budget” feature films and their associated synergetic marketing systems, a phenomenon referred to as the “blockbuster syndrome.” Jaws, a pioneering New Hollywood megapicture directed by Spielberg, exhibits the “Lucas-Spielberg” …
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …
Moral Anxiety, Mortal Terror: Considering Spielberg, Post-9/11, Jake T. Bart
Moral Anxiety, Mortal Terror: Considering Spielberg, Post-9/11, Jake T. Bart
Cinesthesia
In the wake of 9/11, a defining moment in the young 21st century, Spielberg’s thematic concerns undergo a marked evolution. As film historian Joseph McBride noted, “(n)o other American artist confronted the key events of the first decade of the century with such sustained and ambitious treatment” (450). Together, Spielberg’s War of the Worlds (2005), Munich (2005), and Minority Report (2002) create an informal trilogy, each exploring a different facet of American shock and anxiety in the War on Terror era.
The Cinematic Power Of Night And Fog, James M. Christie
The Cinematic Power Of Night And Fog, James M. Christie
Cinesthesia
A contemplative camera glides fluidly through a vacant field, one that appears like any other. As it glides, somber images of barbed wire, dilapidated barracks, and rusted railroad tracks beckon the audience to witness the ruins of the Aushwitz-Birkenau concentration camp. “Going slowly along the tracks, seeking what?” asks narrator Michel Bouquet. These questions are more rhetorical than anything, allowing the audience to question their own moral and social obligations to the unfathomable. For the sake of humanity, it is crucial to remember the events of the Holocaust and deny them from happening again. Released only ten years after the …
Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum
Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum
Cinesthesia
No abstract provided.