Arts and Humanities Commons^™

“I Am Always Thinking First Of You:” The Chamberlains In Love And War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Soldier. Professor. Hero. Braggart. Joshua Lawrence Chamberlain has been called many things by many people. Regardless of whether one loves or despises him, Chamberlain and his role in the American Civil War never fail to evoke intense emotion. While books, movies, and the occasional painting have all immortalized Chamberlain the soldier, rare is the occasion to observe Chamberlain the husband. In honor of Valentine’s Day, I bring you the story of the Chamberlains; a story of romance and rebuttal, of peace and conflict, of injury both physical and emotional and, in the end, a deep, abiding love. [excerpt]

Slavery's End Deserves A 150th Celebration, Allen C. Guelzo

Civil War Era Studies Faculty Publications

As the 150th anniversary of the Civil War winds down toward its conclusion in the spring, it's difficult not to look back on the four years of this sesquicentennial and wonder why it all seemed so lackluster. Unlike the centennial in 1961-65, Congress decided not to create a national commission. And President Obama took a pass on the 150th anniversary of the Gettysburg Address.

But the most surprisingly lackluster remembrance was the one that just slipped by us - the 150th anniversary of the passage of the 13th Amendment to the Constitution, abolishing slavery in the United States. [excerpt …

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …

Fruit Of A Vile Tree: The Eshelman Family's War, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Frederick Eshelman's father wasn't home. He was in Petersburg, the chilly and treacherous trenches stretching to his right and left as far as the imagination might take them. That's where the danger was. That's where war lived. [excerpt]

Their Chance For Redemption?: The Dauphin County Regiment At Second Fredericksburg, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

After a less than respectable showing on the slopes of Marye’s Heights in December 1862, the 127th Pennsylvania Regiment found itself in desperate need of an opportunity to redeem itself on the field of battle. Could a mulligan assault on the same ridge be the key to restoring their honor? Assigned to Hall’s Brigade in Gibbon’s Division for the duration of the Chancellorsville Campaign, they now had a chance to find out. [excerpt]

Democracy And Nobility, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Americans love revolutions. Our national identity began with a revolution, and a revolutionary war that lasted for eight years; and we cheer on other people’s revolutions, as though we find satisfaction in multiplying our own. “I hold that a little rebellion now and then is a good thing & as necessary in the political world as storms in the physical,” wrote Thomas Jefferson. “No country should be long without one.” An excited James Garfield, in his maiden speech in the House of Representatives in 1864, asked whether his colleagues “forget that the Union had its origin in revolution.” Ralph Waldo …

Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh

Schmucker Art Catalogs

Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.

This fall, students in my course at Gettysburg College “Art and Public …