Arts and Humanities Commons^™

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Lacunae: Narrative "Lacks, Holes Or Gaps" In Faulkner's And Morrison's Novels, Phyllis Ann Karpus

Masters Theses

The moment a reader opens a book, turns to the opening lines and begins to read, a circular relationship immediately develops with the author and the text. An implied alliance is formed wherein the author, most often through a narrator, omniscient or otherwise, proposes to the reader that he/she accept a degree of responsibility for understanding the plot, theme, and the underlying meaning in the work.

Retrospectively the theory sounds simple and, with many authors, it is effective. William Faulkner and Toni Morrison, however, not only command but also demand, the reader's absolute attention in, and responsibility to, many of …

The Role Of Place In Malcolm Cowley's Blue Juniata And Exile's Return, Robert Pratte

Masters Theses

This study examines the various ways in which Malcolm Cowley develops and uses sense of place in his works Blue Juniata: Collected Poems and Exile's Return. Through examination of the literature, I identify four phases of place sense. Starting with childhood in the Identification phase, I illustrate the development of Cowley's place perspective through his poems and writings. As he moves through Adventure and Exile phases, I discuss their relation to the Identification phase and to each other. Likewise, I consider the role of the Nostalgia phase as a bridge from literary to experiential perception. Through close examination of his …

The Soldier's Strife: An Introspective View Through The Work Of Tim O'Brien, Mandy Solomon

Masters Theses

No abstract provided.

John Irving, Female Sexuality, And The Victorian Feminine Ideal, Tara Coburn

Masters Theses

In an interview about The Cider House Rules, John Irving states, "It is never the social or political message that interests me in a novel" (qtd. in Herel, para. 18). However, in book reviews, jacket blurbs, literary criticism, and Irving's own writing, readers and critics and Irving often assert that he is a neo-Victorian novelist, and the Victorians were a notoriously political bunch. Though Irving does not admit to the political nature of his writing, the way he treats feminist politics in his fiction has drawn particular notice by the media, who often label him as a feminist writer. …

This Man's Heart: Masculinity In The Poetry Of E.E. Cummings, Willis John Whitesell Iii

Masters Theses

"This Man's Heart: Masculinity in the Poetry of E.E. Cummings" explores changing masculinity in the life and poetry of E.E. Cummings. The relationship between Cummings and his father, his first male role model, became strained when Cummings was a teenager finding his own male identity. As he rebelled against his father, a Unitarian minister, he began writing poetry in a modernist style under the direction of a new mentor, Ezra Pound.

Cummings' early modernist poems criticize conventional male roles and configurations of masculinity as outdated. As Cummings continued to grow as a man and writer, he confronted new realities which …

The Perils Of Disembodied Readership, Tim Engles

Tim Engles

No abstract provided.

Walt Whitman: The Optimism Of An Evolutionary Pantheist, Katherine R. Hults

Masters Theses

E.M. Forster may have best described Walt Whitman's prevailing optimism in the following passage:

He is the true optimist—not the professional optimist who shuts his eyes and shirks ... but one who has seen and suffered much and yet rejoices. He is not a philosopher or theologian; he cannot answer the ultimate question and tell us what life is. But he is absolutely certain that it is grand, that it is happiness, and that 'wherever life and force are manifested, beauty is manifested.' (Allen, World 52)

Whitman was aware of the social taboos and social evils of his time, witnessing …

"The Perils Of Disembodied Readership", Tim Engles

Faculty Research & Creative Activity

Review of American Dream, American Nightmare: Fiction since 1960 by Kathryn Hume and Violence in the Contemporary American Novel by James R. Giles.

Journey To The Frontiers Of Perception: How Women Wrote About The Westward Movement During The Nineteenth Century In Relation To Land, Animals, And The Domestic Sphere, Brandi Dale Spelbring

Masters Theses

No abstract provided.

Pirsig's Phaedrus: The Journey Of The Shaman, Joseph E. Levora

Masters Theses

Robert Pirsig, in both his novels Zen and the Art of Motorcycle Maintenance and Lila, explores the conflict one man has with the beliefs and values of the culture he is living in. This conflict leads him to mental collapse and eventually a kind of rebirth into a new outlook and way of viewing the cultural values and beliefs of the society he is living in. In this thesis, I propose that Phaedrus, the central character of both of Pirsig's novels, can be compared to a shaman. I am not suggesting that Pirsig deliberately intended the reader to view …

Gary Snyder's Path, Jason Dockter

Masters Theses

Early in Gary Snyder's life, he lived a rootless existence in pursuance of gaining spiritual satisfaction through a more harmonious relationship with nature. This rootlessness that dominated this period of Snyder's life originated in Snyder's European ancestors lifestyle, which valued exploiting the natural world for a profit. Through exposure to Chinese landscape paintings, Snyder found Buddhism and began to practice it as a means to reconcile his own humanity with the natural world, which his cultural heritage has alienated himself from. Through Buddhism, Snyder realizes the importance of reuniting humanity with the natural world.

Upon gaining this knowledge, Snyder assumes …

African American Poets Of The Vietnam War, Megan Guernsey

Masters Theses

Almost 6000 African American men gave their lives in the Vietnam War. While peaceful protests, voter registration drives, and racial confrontations occurred throughout the United States, the government continued to send young Black men to Southeast Asia to preserve the "freedom" of the Vietnamese people. The irony of this situation lies in the fact that these soldiers were asked to fight a War in the name of democracy, to kill in order to secure rights that they themselves were being denied. Although many Black Americans saw military service as a means of escaping poor ghetto life, they often were confronted …

Audre Lorde's Expansive Influence On Black Lesbians: Jewelle Gomez, Cheryl Clarke, And Kate Rushin, Denise L. Fitzer

Masters Theses

Audre Lorde, who named herself black, feminist, lesbian, mother, poet, and activist, was a pioneer for black lesbians everywhere. In her poetry and prose, Lorde challenged the myths and taboos associated with black women, lesbians, and feminists. Although her work focused on a broad range of topics that illuminated her many identities, she concentrated most heavily on issues of multiple oppression and its resulting fear and silence. In naming herself, Lorde urged others to do the same — to fight the self-imposed and socially-imposed silence surrounding triple oppression.

Countless women from the black community of writers have paid tribute to …

"Retracing Our Steps": Storytelling, Time, And Traditional Referentiality In Mama Day And Absalom, Absalom!, Christine Ann Roth

Masters Theses

Gloria Naylor and William Faulkner turn to the history and tradition of oral storytelling in their novels. Mama Day and Absalom, Absalom! especially present the concepts and techniques of the storytelling act. The complexities of the audience-performer dynamic and non-linear time in an oral storytelling event create obstacles for the teller (the writer) and confuse the role of the audience (the readers). Writers create the role of listening audience for the readers, changing the accepted rules of the readers by asking them to become participants. In Mama Day and Absalom, Absalom!, Naylor and Faulkner create connections between audience …

"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles

Tim Engles

No abstract provided.

Warren's Audubon: A Vision Revisited, Sylwia W. Zechowska

Masters Theses

This thesis consists of a Polish translation of a volume of Robert Penn Warren's poetry: Audubon: A Vision accompanied by an introductory essay focusing on historical, cultural and psychological aspects of the poems. As a novelist, Robert Penn Warren is well known to the Polish reading public. All his major novels have been translated into Polish and received with great acclaim, which has been confirmed by numerous editions. Warren's popularity among Polish readers may be attributed to the fact that his fiction is permeated with a peculiar sense of melancholy and a profound awareness of tragic national history, features inevitably …

Yoknapatawpha As Camelot: The Influence Of The Arthurian Legends On The Writings Of William Faulkner, Sally Dye

Masters Theses

In my thesis I examine works of William Faulkner which show the influence of the legends of King Arthur. In the introduction to the thesis, I discuss evidence that Faulkner was not only familiar with the characters of the Arthurian legends but was also aware of many of the different versions of these stories.

The main sections of my thesis consist of character studies of various characters from Faulkner's Yoknapatawpha works in light of their similarities to their Arthurian counterparts. The King Arthur section includes the characters of John Sartoris of The Unvanquished and Thomas Sutpen of Absalom, Absalom!, …

The Ruins Of Childhood: Jim Thompson, Erskine Caldwell, And William Faulkner Expose Guilt And Consequence, Robert Thomas Newell

Masters Theses

In this thesis, I examine the novels of Jim Thompson, Erskine Caldwell, and William Faulkner and, in turn, depict their exploration of poisoned childhood. This theme is prevalent in many of these authors' works, and I not only illustrate what horrors children are put through in their novels, but I also show that uncaring and unthinking adults are the root cause. The ruining of a child's life is a rippling problem; often times, adulthood is ruined because of a person's childhood.

I explore the devastation that irresponsible adults can have on their impressionable children. Through either neglect or selfish values, …

Benjamin Franklin And His Critics: John Adams, Mark Twain, And David Herbert Lawrence, Marzuki Jamil Baki Bin Haji Mohamed Johar

Masters Theses

Benjamin Franklin (1706-1790) provided the paradigm for special qualities in each of his multiple careers which have since been regarded as characteristically American. Franklin's Autobiography is the epitome of Franklin's spirit. The first edition of the Autobiography appeared in French in 1971 and the first edition in English, published in 1793, was actually an anonymous retranslation of the French edition. Franklin's grandson, William Temple Franklin prepared Parts One, Two, and Three in 1818. In John Bigelow's 1868 edition, all four parts appear for the first time in English. In the twentieth century, there have been three major editions, each more …

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …

"Maybe I Have Character Too": Reconsidering Bernard Malamud's Seductresses, Jeff Vande Zande

Masters Theses

Over the span of Bernard Malamud's career, a more than subtle difference is evident between the seductress of his first novel and his subsequent novels. Since Malamud has been accused by some critics as depicting one-dimensional women, I analyzed the metamorphosis of the author's seductress characters to determine whether the change lends a better understanding to the relationship between Malamud and his female characters. I used Jung's theory of the mother archetype and his understanding of the Lilith legends to analyze the role of each seductress.

In The Natural, the seductress is one-dimensional and plays a destructive role in …

Pynchon, Dionysus And America: In Search Of The Pig That Got Away, Andreas Gerling

Masters Theses

This work seeks to analyze Western thought as a system. As a case study representative of this system, I have chosen the United States of America, as it started as a strange experiment in purely Apollonian thought, which has largely remained a closed system and has become the primary engine of cultural change in the twentieth century. As the tools for my analysis, I have chosen the dialectic represented in the mythical opposites Dionysus and Apollo and the counter cultural reaction by a number of post World War II authors, most notably Thomas Pynchon, to the "American Dream."

America began …

The Concept Of The Local In Williams' Developing Poetics: The Poet's Perception And Representation Of The Poor, Jon Montgomery

Masters Theses

The present study serves as a thematic, critical perspective on William Carlos Williams' poetry on the poor; specifically, I address his representation of the poor in his poetry and his attitude towards them. From 1914-38, his attitude towards the poor goes through three significant stages of change. Roughly, the stage boundaries can be marked by decade: the 1910s, the 1920s and the 1930s.

In the first stage, Williams recognizes his empathetic and aesthetic distance from the poor, since his aesthetics rest primarily on his youthful fascination with Keats. The poet desires to reflect properly the lives of the poor. The …

Robert Frost And Maya Angelou: Poet-As-Rhetor In The Presidential Inauguration: Textual Symbols And The Symbol Of Enactment, Donna M. Witmer

Masters Theses

This criticism uses an organic approach to examine the rhetorical properties of Frost's and Angelou's inaugural poems and their individual enactments respective of the constraints and exigencies in the Presidential inaugurations of Kennedy and Clinton. Apparently responding to the constraints of television's sound bite as well as to exigencies of the traditional inauguration and the need to serve a new generation and a culturally diverse population, the Clinton Administration combined the poetic form, used to heighten an emotional response, with an enactment as a synecdochic symbol, used to assert sociopolitical ideology.

The Multiple Voices Of Frederick Douglass, Gesthemane Vasiliadou

Masters Theses

In this rhetorical analysis of Frederick Douglass' style, I argue that the power of his language comes from the multiplicity of voices arising from his work. I specifically concentrate on the Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself (1845), as well as on some of the speeches he delivered soon after the book was published.

Coming from a different culture, I was intrigued by my reaction to Douglass' writing style. I find him a writer with very strong rhetorical skills which have a tremendous appeal to any reader. My personal response explores the reasons …

Marianne Moore: Facets Of The Crystal, Mary Virginia Katzeff

Masters Theses

Marianne Mooore's poetry embodies two different types of work. As well as the objective poetry that her contemporaries called modernist or Imagist (labels which she rejected), she also wrote quite personal, subjective poems. Two factors, theme and subject matter, unify her work and give evidence of her distinct poetic voice.

The content and form of Moore's work developed from her personal life and interests. In her childhood, loss of a beloved grandfather and changes of household, as well as a lifelong attachment to her mother, affected the poet deeply, as evidenced by her consistent theme of protection. Exotic animals populate …

A New Reading Of Ruth Suckow, Judith Pierson

Masters Theses

By 1950, after three decades of writing, Ruth Suckow (1892-1960) was a well-respected writer whose work seemed headed for a permanent position in the canon of American literature. Instead, Suckow's fiction steadily became less known through the following decades. The question of why her work came to be ignored and why such a position is unwarranted is addressed in A New Reading of Ruth Suckow. The conclusion is that a regionalist categorization and a related gender bias in the literary canon have adversely affected Suckow's works.

Gender bias is reflected in the critical assumptions which ascribe an inferior position to …

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But when her …