Arts and Humanities Commons^™

The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller

Dissertations (1934 -)

This dissertation focuses on the interaction between poetic form and popular religious practice in the nineteenth century United States. Specifically, I aim to see how American poets appropriated religious tropes—and especially religious conversion—in their poetry with specific designs on their audience. My introduction analyzes the phenomenon of religious conversion up through the nineteenth century with help from psychologists and historians of religion, including William James and Sydney Ahlstrom. In the introduction, I also explore how revivalist conversion helped inform the poetics of Walt Whitman and Ralph Waldo Emerson. Chapter one focuses on Emerson’s poetry, particularly as it enacts Emerson’s poetic …

The Monkey And The Wrench: Essays Into Contemporary Poetics, Mary Biddinger, John Gallaher

Mary Biddinger

The first volume in the "Akron Series in Contemporary Poetics," The Monkey & the Wrench, explores the debate over hybrid aesthetics, confronts the topic of contemporary rhyme, and ventures into the realm of persona and the mystical poem. This volume is ideal for both the classroom and the nightstand, for the poet's desk and the critic's bookshelf. Series editors Mary Biddinger and John Gallaher have assembled an eclectic collection that welcomes the reader into the conversation, while documenting the seismic activity of today's poetry world.

"The Fact Of God": Form And Belief In British Modernist Poetry, Annarose Fitzgerald

English Language and Literature ETDs

My dissertation analyzes the relationship between the concept of metaphysical belief and the poetic innovations enlisted to articulate this belief in the works of British modernist poets W. B. Yeats, Ezra Pound, Mina Loy, T.S. Eliot, Basil Bunting, Philip Larkin, and Thom Gunn. Moving from Celtic mythos to Buddhist philosophy, Anglo-Catholic prayer to ancient Greek burial rites, I argue that spirituality and poetic experimentation were reciprocal influences: modernist experimentations in poetic form had a direct impact on how poets represented and articulated metaphysical beliefs and practices, and these metaphysical concepts themselves significantly affected these poets development of their craft, prompting …

The Phenomenology Of Second Language Acquisition: Poiesis And The Emergence Of The Multilingual Subject, Courtney E. Scarborough

Electronic Theses, Projects, and Dissertations

This study explores relationships between second language acquisition (SLA), poetic language, and embodied cognition and its connection to second language speakers’ linguistic self-formation, or their distinct ways of speaking and thinking. In particular, this study examines processes by which second language (L2) learners’ subjective realities are constructed and demonstrates that these processes are inherently poetic, emerging from a combination of the constraining structures of the language system and second language speakers’ phenomenological experiences. The context of the study is a poetry-making activity the researcher designed and took place in the English Department Writing Center at California State University, San Bernardino. …

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …

L’Envol (En)Chanteur Du Colibri Ou La Poétique Environnementale Du Vivant Dans Les Neuf Consciences Du Malfini De Patrick Chamoiseau, Gwenola Caradec

Présence Francophone: Revue internationale de langue et de littérature

This article considers Patrick Chamoiseau’s recent work, which has focused increasingly on ecological themes, expressed particularly in one of his latest novels, Les neuf consciences du Malfini (2009). Strongly influenced by his “Master” Édouard Glissant and the latter’s concept of the “Tout-M-Monde” (“Whole-World”), C hamoiseau offers a paradigm shift for the very notion of Nature, revealed to be inseparable from a certain Poetics of Life.

Stars Collaged Of Gases (Or, We Are Not Lonely Anymore), Josh English

Theses and Dissertations

This work seeks to reconcile a variety of epistemological perspectives. Through six distinct sections, the poems in this book consider personal experience, science, poetics, and more. The book seeks to arrive at a place where uncertainty offers equal if not greater value than certainty in epistemological terms.

Butterfly Redreaming: Rethinking Free, With Zhuangzi Flying Westerly With Descartes, Lacan, Waldman…, Kyoo Lee

Publications and Research

Usually, Zhuangzi’s parable of “the butterfly dream/dreaming butterfly” is read as an enigmatic version, from “the East”, of the Cartesian skeptical challenges to “objective reality” or else the Lacanian psycho-drama of the “pure gaze” in which “he”, Zhuangzi, “is a butterfly for nobody”, who stands for “the Real”. Retooling some of the critical insights from these standard dialectical or anxiogenic approaches to this allegorical puzzle of self-identity, both of which, however, tend to leave unquestioned or else structurally overrate the binarized inner-exclusivity of typical pairs such as in/out, subject/object, illusion/reality, and all/nothing, this article proposes a relatively novel, fluid model …

Rewriting, Ideology, And Poetics In Goldblatt's Translation Of Mo Yan's 天堂蒜薹之歌 (The Garlic Ballads)", Ping Du, Lili Zhang

CLCWeb: Comparative Literature and Culture

In their article "Rewriting, Ideology, and Poetics in Goldblatt's Translation of Mo Yan's 天堂蒜薹之歌 (The Garlic Ballads)" Ping Du and Lili Zhang analyze Howard Goldblatt's translation of the novel in order to explore literary "rewriting" in translation. Du and Zhang posit that Goldblatt's translation reflects ideology in concealing, discarding, rewriting, and even losing some part in his translation. Further, they argue that the translation of the novel has beenperformed based on specific aspects of poetics including the musical charm of Chinese ballads and their unique cultural images.

Indigenous Poetics In Canada Edited By Neal Mcleod, Kelly Shepherd

The Goose

Review of Neal McLeod's Indigenous Poetics in Canada.

White Shadows: Perception And Imagination In Poetry, Madison Chartier

Undergraduate Honors Thesis Collection

In the spring of my sophomore year, I enrolled in the introductory course to writing poetry here at Butler University. I am not naturally a poet, but I have an appreciation for reading poetry and, at the time of the course, was curious to try my hand at the craft, despite having had little experience prior to the collegiate level. As may be expected, I ran into obstacles.

I enjoyed playing with language in experiments of sound and rhythm, but, despite the vast array of assonance, consonance, enjambment, and every other technique I employed, the poems I created throughout the …