Arts and Humanities Commons^™

“As Blind Men Learn The Sun”: Towards A Poetics Of Queer Mysticism In American Literature, 1860-1960, Bradley M. Nelson

Dissertations, Theses, and Capstone Projects

This dissertation seeks to play with the similarity between the queer and the mystical, and in the process, defines something I call “queer mysticism.” I include four cardinal figures of nineteenth- and twentieth-century American poetry: Walt Whitman, Emily Dickinson, Gertrude Stein, and Robert Duncan. Beginning with Walt Whitman, I show how each of these poets bear witness to an experience of the divine that is both immanent and immanently queer. Through historical and biographical research, I uncover their poetic inspiration in popular modes of expression and in the esoteric and arcane. By establishing a connection with a few Catholic mystics …

A Mute Pleasure: Novelistic Poetics In The Nineteenth-Century, Ryan Everitt

Dissertations, Theses, and Capstone Projects

Through special attention to the non-narrative, descriptive, lyrical, or even boring passages that interrupt the story, this dissertation explores what happens when the nineteenth-century British novel envelops experiences that were traditionally (or since Romanticism) in the domain of poetry: longings for escape, exhilarating affects of freedom, opaque moments of revelation. In most cases, I characterize the novel discourse as representing a prosaic consciousness that wrestles with its more visceral yet vital “other,” poetic consciousness. To articulate how poetry survives within novelistic discourse, this dissertation is organized around sets of opposing terms, whose unresolved tension becomes the basis of my analysis …

From Page To Stage To Lyrics Database To Page: Breakbeat Poets, Lyrics Databases, And The Textual Capacity Of Hip Hop Verse, Victorio Reyes Asili

Journal of Hip Hop Studies

As a multimedia artistic movement, Hip Hop is known for its contributions across the arts, from music to dance to graphic arts. However, Hip Hop is also a form of poetry, which we can call Hip Hop verse, and it is rooted in performance but also exists in the world as a textual art. While scholars have analyzed Hip Hop’s contributions to the world of poetry, there has yet to be a proper accounting for Hip Hop’s function as a textual poetry that is regularly consumed by Hip Hoppas. Accordingly, this study is focused on Hip Hop’s role as a …

Polyphonic Speculations, David Philip Green, Spyros Bofylatos, Mayane Dore, Veronica Ranner

DRS Biennial Conference Series

'Polyphonic Speculations' unites plurality and possibility; two powerful concepts for Design Research. 'Polyphony,' in the Bakhtinian sense, encourages a dynamic, dialogical interplay of voices, viewpoints, and ideologies. Different perspectives, positions, politics. Different values, ethics, aesthetics. Multiple forms, multiple disciplines, even multiple identities. While ‘Speculation' alludes to what we don't know about the future, the present, or the past, here it recognises plurality in the rich histories of speculative design research, multiple interpretations of the present, and a multiplicity of possible futures. As a practical apparatus, Green et al (2023) refer to Polyphonic Speculation as, “a tool for collectively speculating in …

“No Friend Like A Sister”: Christina Rossetti’S Fantastic Departure From Pre-Raphaelite Poetics And Art In “Goblin Market”, Anna M. Lee

The Criterion

Christina Rossetti’s poetics and artistic vision in her seminal poem, “Goblin Market,” have yielded a range of critical theories, from positions on sisterhood to the ambiguous position of capitalist markets. While considering the socioeconomic and cultural context behind the poem’s development and resonance among contemporary feminist movements, readers also ought to consider the actual “goblin brotherhood” — the Pre-Raphaelite Brotherhood (PRB) — behind Rossetti’s authorial ventures. This paper argues that Rossetti’s fantastical methods draw influence from and participate in the PRB’s poetics and artistic traditions, while subverting the same conventions within a feminist paradigm. Rossetti not only envisions a homosocial …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

The J In Danger, Zachary Delamater

Theses and Dissertations

“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”

“All That We Make Is Made-With”: Toward A “Reciproetics” Of Ecological Poetry, Sydney K. Read

Electronic Theses and Dissertations

What happens to our readings of poems if we acknowledge that they, like all we make, is made-with the more-than-human? This thesis seeks to articulate reciproesis, a term I borrow from Abenaki and French poet, writer, and teacher Cheryl Savageau, who describes reciproesis as “our doing in response to listening. Reciproesis arises from the understanding that all making, all doing, is done in reciprocity with the land,” as useful for reading poetry[1]. In extension of Savageau’s term, I seek to understand what it means to (re)animate the natural world through the artifact of the made-with poem, and do …

Megan Thee Stallion’S Southern Black Feminist Poet(Ic)S And The #Hotgirlsemestersyllabus, Qiana Cutts

Feminist Pedagogy

In this critical commentary, I celebrate the artistry, activism, and career of Megan Thee Stallion and explore the #HotGirlSemesterSyllabus as a pedagogical tool for a course on Southern Black Feminist Poet(ic)s. I also introduce #HotGirlSemesterSyllabus Accompaniment: Performance, Literary, and Visual Art as a syllabus companion and arts integration resource.

Auden: Body/Mind, Basil Lloyd-Moffett

CMC Senior Theses

On one hand Auden appears the most cerebral of poets. It is said that when he arrived at school, aged eight, he professed himself excited to study the different psychological types, and the cryptic verse that was to emerge over a decade later bears the scars of his reading, psychological or otherwise, as clearly as the relentlessly analytical Dichtung und Wahrheit and other late works.Absorbing and repurposing philosophical, psychological, religious, and scientific works was an essential part of his artistic strategy, and led to credible accusations of plagiarism on a number of occasions.And just as his collaborators and friends mocked …

(Di)Versification: Transgressive Poetics In The Twenty-First Century Classroom, Ronnie K. Stephens

English Dissertations

(Di)versification: Transgressive Poetics in the Twenty-First Century Classroom pairs literary analysis with pedagogical implications in an attempt to argue for the increased use of poetry in the classroom as a mechanism to subvert anti-ethnic and anti-LGBTQ censorship efforts. I argue in favor of a structuralist approach to analyzing early twenty-first century poetry in the transgressive classroom as a site of resistance against legislative efforts to censor or prohibit discussions of structural racism in public education. The work is separated into five chapters, each of which interrogates distinct formal traditions in American poetry: received forms, invented forms, erasure, nontraditional forms, and …

Prosodic Protocols And Interruptions Of Them In Piers Plowman, Ian Cornelius

English: Faculty Publications and Other Works

In premodern societies artificial prosody supplied an encoding protocol for the transmission of sound in writing. Focusing on the fourteenth-century English poem Piers Plowman, this essay examines mid-stream interruption, modification, or blending of prosodic protocols. In most cases the interruption takes the form of a mid-line switch from English verse to Latin prose. In a few cases, the switch is from English verse to Latin verse. These interruptions of protocol are part of the formal artistry and multilingual facility of Piers Plowman, encoding a great range of sound and some silence. They prompt readers to re-evaluate well-justified expectations …

Development, Line By Line: An Introspective Case Study On Narrative Identity And Development Through Poetry, Milla Miller

WWU Honors College Senior Projects

Situated at the intersection of creative writing and psychology, this project analyzes the author’s adolescent poetry alongside her current work to explore psychosocial and narrative identity development. Specifically, the work contrasts poems written about developmental stages in process with those written in reflection of previous stages in order to reveal how the understanding of self evolves. In addition to the complexities revealed by these temporal differences, structural elements unique to the poems provide further levels of understanding: choice of form and figurative dexterity show cognitive and narrative advancement; themes reveal psychosocial conflicts; and repetition across a poetic lifespan identifies the …

Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, And The Inka Khipu, Travis Sharp

Criticism

Many competing theories of the Indigenous inscription practice known as the khipu have been offered, from L. Leland Locke’s long-standing postulation that khipus are accounting devices, to Walter Ong’s description of them as aide-mémoire, to Gary Urton’s more experimental theory that they constituted an early form of binary composition. Just as fraught is the history of the khipu, which were utilized by the Inka, intermediated by Spanish and Catholic authorities in their legal and religious systems, and, finally, banned and burned as seditious and sacrilegious. Contemporary khipus are primarily limited to those used by herders, but Chilean American poet-artist Cecilia …

There’S No Space In History: Affiliation, Eros And Colonial Entanglements In North American Nuclear Poetry, 1945-Present, Marguerite Daisy Atterbury

Dissertations, Theses, and Capstone Projects

This dissertation investigates “affiliation” as a socio-spatial poetics and spatial ontology, a departure from the past and future to the material, landed present. The author’s experience growing up proximate to federally ordered uranium mining and nuclear weapons research on Indigenous land and at Los Alamos National Labs drives this work’s aim to render visible the economic, social, and ideological structures governing social-spatial dynamics in the North American context. This dissertation argues for a poetics of affiliation as a methodology, to move beyond theoretical and discursive questions in scholarship to negotiations of the social at scales that affect systems beyond the …

On The Six-Cornered Snowflake, Jackson Hescock

Bachelor of Fine Arts Senior Papers

On the Six-Cornered Snowflake, named after Johannes Kepler’s 1611 essay on geometrically covering surfaces, is both the title of both my final thesis work and essay. Beginning with an inquiry into the nature of hand-made object as intrinsically valuable, my earlier sculptural work surrounding quilting is broken down and considered as a form of reverence for the American object. This is partly achieved through a comparison to traditional Japanese packing techniques and how my own assembly mirrors and converses with the graceful and sensitive packing of Japanese hand-made goods. Early 20^th-century flight experiments are also hand-made objects of …

What Is The Right Feeling? Keat's Poetic Representations Of Agentive Femininity, Brendan Bonner

The Criterion

No abstract provided.

Bergson On Poetics: Philosophy, Literature And Science, Michel Dalissier

CLCWeb: Comparative Literature and Culture

In this paper, I analyze Henri Bergson’s insightful and contrasted vision of poetry. First, I show in what sense Bergson sympathizes with the idea that the poet must be credited to surpass the novelist in offering to us an unparalleled emotional apprehension of the world. Second, I nonetheless underline how Bergson grants the product of the poet, i.e., the poem itself, a problematic linguistic status, inasmuch as the focus of his analysis shifts from an intersubjective poetical apprehension of feelings to their individual poetic appreciation, or from the spiritual dimension of poetry to its material dimension. Third, I further suggest …

Implications Of The Poetics In The Epistle Of Rasf Al Farid On Wasf Albarid Ahmed Ibn Abu-Alfatih Al-Shaybani (702 Ah), Salameh Al-Ghareeb

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

The paper examines the poetic implications in the epistle of Rasf Al Farid on Wasf Albarid by exploring the poetics of the title, structural and semantic displacement, and intertextuality as represented in poetry, religion, and folklore. The paper further focuses on the poetics of rhythm and music through the use of such lexical decorations as alliteration, assonance, and parallelism which is produced from acoustic effects.

Babel Blackness: The Aesth-Ethical Turn In Post-Colonial Translation, Emanuela Maltese

Living in Languages

“How do we make art in an ethical way?” (Marlene NourbeSe Philip) is the leading question lying at the basis of this article, which inspired by the story of the unauthorized Italian translation of Zong! seeks to investigate on the ethics of translation and propose a new turn in translation studies, namely a black aesth-ethical one. The proposal here examined is indeed informed by both aesthetics, and ethics. It presents translation as a practice, that draws on recent debates on black aesthetics, with specific reference to the Afro-optimism (AO) of cultural theorist and poet Fred Moten (2013, 2018, 2019) and …

F. Scott Fitzgerald Et La Poetique De «L'Inacheve» Dans The Great Gatsby, Rachid El Hamri

Dirassat

F. Scott Fitzgerald and the Politics of

“THE UNFINISHED” IN THE GREAT GATSBY

It seems that every writer, when he tries to close a story, always obeys the same purpose: not to bring a conclusion to his text as a whole, but rather to specify that he has nothing more to say, that he can't or doesn't mean anything anymore. The concept of incompleteness. - which is only an internal border - offers an example of the "void" that it is possible to study in Literary texts. Formerly, writers spoke of this incompletion as a reality inherent in the very …

Echoing Ecopoetics: Fantasy Literature's Background Sounds, Catherine Olver

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Despite David Abram’s fear that reading disrupts people’s “attunement to environing nature,” fantasy literature can vibrantly convey how to hear our environments as it describes characters attuning their ears to particular places. Garth Nix’s Old Kingdom series (1995-2021) and Patrick Ness’s Chaos Walking trilogy (2008-10) develop an echoing ecopoetics of place through both world-building and style. Their fantasy worlds emphasize that characters must relearn to listen in unfamiliar environments: adjusting their expectations and interpretations of background sounds, recognising significant silences, adapting to new ways of communicating, and seeking meaning in nonhuman sounds rather than dismissing them as noise. Their stylistic …

Me Veo A Mi Mismo Leyendo : Ricardo Piglia’S Aesthetic Education In Los Diarios De Emilio Renzi, D. Bret Leraul

Faculty Journal Articles

This article examines Ricardo Piglia’s relationship to the literary field as an aesthetic education that emerges from the encounter between his field-shaping poetics and its reflection among critics, or critical mimesis. Piglia’s field poetics are exemplified by the disjunctive “I” that narrates the diaries, the misattribution of their authorship to Piglia’s longtime alter ego Emilio Renzi, and a constant representation of acts of self-observation. The architecture of the diaristic subject is wedded to its institutional inscription; that is, the form of this subject is the communion of readers and writers in the autobiographical and autofictive genres. Similarly, material inscription not …

The Intersection Of Prose And Poetics In Apollonius’ Argonautica, Stephen B. Ogumah

Dissertations, Theses, and Capstone Projects

Detecting allusions in the Argonautica of Apollonius of Rhodes is not quite new except for the fact that it has been carried out for long mostly within the poetic tradition. Looking at the proem of the epic, where there is mixing of genres, this mixture suggests that scholars may need to look beyond the Homeric epics and the poetic tradition for better appreciation of the Alexandrian epic. This dissertation explores the relationship between certain features and episodes of Apollonius’ Argonautica and the prose tradition, and seeks to show that the prose tradition, particularly Herodotus’ Histories, is germane to the …

Poetry, Prose, And The Loss Of Verse, Jackson Rowe

Honors Theses

In this essay, I argue that the presence of verse in a text initiates a mutually generative relationship between a text’s sonic and semantic qualities, and that critics’ tendency to praise great prose passages as “poetic” is a result of poetry’s historical connection to verse and the semantic elegance which said verse tends to inspire. I base this argument on Fredrich Nietzsche’s first book, The Birth of Tragedy, and explore, through it, various examples of prosimetrum - that is, works combining poetry and prose.

Reading Igor Stravinsky's Poetics Of Music In Christian Higher Education, John Macinnis, Mark Peters

Faculty Work Comprehensive List

This article presents the composer Igor Stravinsky (1882–1971) as an historical educator in the context of the Charles Eliot Norton Lectures on Poetry at Harvard University (1939–1940), published as The Poetics of Music in the Form of Six Lessons. As music professors at North American institutions of Christian Higher Education, the authors each read Stravinsky’s Poetics with students in music classes. We describe here our different pedagogical methods and how we employ Stravinsky’s Poetics to form students with Christian approaches to culture-making.

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Once There Was And Once There Wasn’T: The Poetics Of Flicker, Sara Akant

Dissertations, Theses, and Capstone Projects

This dissertation is a series of lyric essays that describe what I call “the poetics of flicker.” Over the course of five chapters, I draw connections between four interlocking literary and theoretical frameworks for “the flicker”: the Turkish story-telling traditions of my childhood, the evil-eye belief complex, the names I have been given and the politics of naming, and the cut-up technique in modern and contemporary poetry. First, I establish these origin points for the flicker. Then, I enact a “poetics”—derived from the Greek word poiein, "to make”—around it, generating cut-up texts based on my grandfather Ilhan Akant’s archive …

Poetry And Thought's Revealing, Evan Reardon

Legacy Theses & Dissertations (2009 - 2024)

Thinking has long been a topic of interest in both philosophy and poetry but the experience of it, the phenomenological reality of thinking, has remained understudied. Utilizing Martin Heidegger’s writings on thinking and poetry, as well as various literary scholars, this thesis argues that poetry may be read as revealing the phenomenality of thought, the what-is-it-like of thinking. Through an application of Heidegger’s concept of a thinker’s “fundamental experience” and close readings of the poetry and prose writings of George Oppen, Wallace Stevens, and John Ashbery, I argue that each poet uses different lenses in his work to reveal different …

Classification Of Fine Arts In "Hadoyiq Us-Sikhr", Orzigul Jalolovna Hamroyeva

Scientific reports of Bukhara State University

The science of art began to be studied in the ancient sciences, and later in the context of the adult sciences, and then in the framework of the "scientific triad". Initially, this science was not called the science of puberty. They themselves consisted of three sciences: the science of meaning (ilmi maon), the science of narration (ilmi bayon), and the science of art(ilmi badi’). Linguists have cited these sciences only in books on grammar and vocabulary. Hence, these disciplines have been studied as a field of linguistics. From the 2nd century AH, books on the science of puberty began to …