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2011

Music

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Institution
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Articles 121 - 125 of 125

Full-Text Articles in Arts and Humanities

Music, Mood, And Memory: An In-Depth Look At How Music Can Be Used As A Trigger To Elicit Specific Emotional Responses And Associated Memories, Jennifer Lynn Stubing Jan 2011

Music, Mood, And Memory: An In-Depth Look At How Music Can Be Used As A Trigger To Elicit Specific Emotional Responses And Associated Memories, Jennifer Lynn Stubing

Honors Theses - Providence Campus

No matter how humans have evolved over the years, no matter how different the cultures or customs are across seas, every race in the history of humankind has had music. Music and emotions have been intertwined throughout history. While short-term memories are fleeting, it is theorized that music has the potential to become a long-term memory after just one hearing (Eschrich 48).

Music, memories, and emotions have all been proven to intertwine, yet not much research has demonstrated the interrelation of all three. Musicology focuses on the connection between the human psyche and music. The most common use of music …


Renditions, Nathan Halverson Jan 2011

Renditions, Nathan Halverson

Theses and Dissertations

This thesis includes ideas and explorations behind my MFA thesis work and the work that that preceded it in late 2010 and early 2011. In it, I use a creative text by Gertrude Stein, in which she reveals ways that writing reveals and creates language and culture, to illustrate similar ideas regarding field recording and appropriation in my art practice. I use this thesis writing to investigate practices and relationships between media and how these practices can encourage an active, participatory, listening and looking. It also contains discussion of the use of popular music in torture, which inspired Rendition(s), and …


When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames Jan 2011

When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames

Faculty Research & Creative Activity

Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …


Creativity, Improvisation, And Risk: Copyright And Musical Innovation, Olufunmilayo B. Arewa Dec 2010

Creativity, Improvisation, And Risk: Copyright And Musical Innovation, Olufunmilayo B. Arewa

Olufunmilayo B. Arewa

The goals and beneficiaries of copyright frameworks have long been contested in varied contexts. Copyright is often treated as a policy tool that gives creators incentives to create new works. Incentive theories of copyright often emphasize appropriability, which enables copyright owners to ensure that they profit from their copyrighted works by exercising control over uses of, and access to, such works. Although copyright clearly imposes costs in the form of restrictions on access to copyright-protected works and inefficiencies in the form of deadweight loss, the benefits of copyright are thought by many to outweigh the costs. Copyright discussions may at …


Music And Space: An Experience In Design Process, Farhad Shariatrad Dec 2010

Music And Space: An Experience In Design Process, Farhad Shariatrad

Farhad Shariatrad

Almost there are design process descriptions and problem-solving methods, as much as the number of designers who have been. Mentioning these methods and different experiences in designing are ...