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Full-Text Articles in Arts and Humanities

Historical Figures And Events As Portrayed Through Opera And Art Song, Emanuel Stavrinakis Apr 2022

Historical Figures And Events As Portrayed Through Opera And Art Song, Emanuel Stavrinakis

Senior Theses

In this thesis essay, an inspection of classical vocal music spanning centuries will identify works based on real-life historical figures and events. The range of works to be inspected span from the Late Renaissance to the Modern era of classical composition. From the early days of vocal composition composers looked back into the past to draw inspiration for their desired expression and portrayal of human conflict. However, in many cases the figures or historical facts portrayed differ quite significantly from how they were in real life.

Composers and librettists, the authors of the text being set to music, had a …


Redefining Ornamentation As Formal Functions In 21St-Century Popular Music, Matthew Kolar Apr 2022

Redefining Ornamentation As Formal Functions In 21St-Century Popular Music, Matthew Kolar

Theses and Dissertations

Ornaments are embellishments and decorations of pre-established music; therefore, their existence relies on comparison to that original basis . Because pop music’s text is the recorded track rather than a written score, the determination of what is the main melody is strongly influenced by its first iteration, and ornaments can be found by comparisons of further iterations to the primary source. The goal of this thesis is to categorize the types of ornaments that exist in this repertory as well as define their overall functions. In this sense, ornamentation is being redefined; ornaments are not just decorations to a melody, …


Negotiating Nationalism: Camille Saint-Saëns, Neoclassicism, And The Early Music Renaissance In France, Joshua Arin Harton Apr 2022

Negotiating Nationalism: Camille Saint-Saëns, Neoclassicism, And The Early Music Renaissance In France, Joshua Arin Harton

Theses and Dissertations

The music of Camille Saint-Saëns hints at modernism. Musicologists have largely avoided describing Saint-Saëns as a neoclassical or modernist composer, since much of his musical output occurred during the Romantic era. However, Saint-Saëns appears to have already been engaging with the nationalist and revivalist concerns which drove later twentieth-century French composers toward neoclassicism and other forms of musical modernism. Revivals of la musique ancienne (‘ancient’ music) and la musique française (“French” music) were well underway when Saint-Saëns began composing, and they continued throughout his career. Scholars have largely pursued these two revivals separately, with early music revival in France following …


Redistributing Cultural Capital: Graduate Programs In Wind Conducting At Historically Black Universities; Toward An Alternate Future, Jamaal William Nicholas Apr 2022

Redistributing Cultural Capital: Graduate Programs In Wind Conducting At Historically Black Universities; Toward An Alternate Future, Jamaal William Nicholas

Theses and Dissertations

The visibility and popularity of marching bands at Historically Black Colleges and Universities (HBCUs) represents a multi-generational tradition of marching and musical excellence. With performances that reach national and international audiences through large viewership, HBCU marching band culture is elevated to artistic prominence with each major league sporting event performance, Presidential inaugural parade, and viral retweet of a performance by a recording artist. After decades of significant contribution to instrumental music education, however, HBCUs have been unilaterally unable to develop graduate programs in wind conducting. Using a qualitative study design, the goal of the current study was to identify challenges …


“I’M Sorry”: An Original Song For Voice And Chordal Accompaniment, Lauren T. Steadman, Nolan Stolz Jan 2022

“I’M Sorry”: An Original Song For Voice And Chordal Accompaniment, Lauren T. Steadman, Nolan Stolz

University of South Carolina Upstate Student Research Journal

Below is an original song written for mezzo-soprano voice and accompaniment. The purpose of this article is to provide information on the songwriting process that I used by discussing the melody, harmony, and lyrics and showing how they were developed and completed.

This article discusses and defines musical terms for musicians and non-musicians alike to show why certain decisions were made. I begin by discussing the lyrics of the song and their meaning. I will reference methods included in J. Perricone’s book Great Songwriting Techniques to discuss how the chords and melodies relate to the lyrics.

The song is notated …