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Full-Text Articles in Arts and Humanities
I Dreamed In Terms Of Novels: Dorothy Day And The Ethics Of Nineteenth-Century Literature, Katherine Thomsen Pierson
I Dreamed In Terms Of Novels: Dorothy Day And The Ethics Of Nineteenth-Century Literature, Katherine Thomsen Pierson
Department of English: Dissertations, Theses, and Student Research
To the extent that she is known, Dorothy Day, a twentieth-century American Catholic journalist and social reformer currently under consideration for sainthood by the Vatican, is recognized for her religious influences. Pope Francis, in his 2015 speech before the American Congress, said she was inspired by “the Gospel, her faith, and the example of the saints.” Yet throughout her life Day was a consistent reader of secular texts and even said she “lived by” the vision of some of her favorite writers. This thesis examines Day’s secular influences—in particular Dickens’s David Copperfield and Little Dorrit—and begins to trace their …
“The World Broke In Two”: The Gendered Experience Of Trauma And Fractured Civilian Identity In Post-World War I Literature, Erin Cheatham
“The World Broke In Two”: The Gendered Experience Of Trauma And Fractured Civilian Identity In Post-World War I Literature, Erin Cheatham
Department of English: Dissertations, Theses, and Student Research
This thesis examines the complexities of civilian identity and the crisis of gender in twentieth century fiction produced after World War I. Of central concern are four novels written by prominent women authors, novels that deal with themes of trauma, violence, and shifting gender roles in a post-war society: Rebecca West’s The Return of the Soldier, Willa Cather’s The Professor’s House, and Virginia Woolf’s Mrs. Dalloway and Jacob’s Room. Although these novels do not directly portray the battlefield experiences of war, I argue that, at their core, they are “war novels” in the fullest sense, concerned with the …
“The Grin Of The Skull Beneath The Skin:” Reassessing The Power Of Comic Characters In Gothic Literature, Amanda D. Drake
“The Grin Of The Skull Beneath The Skin:” Reassessing The Power Of Comic Characters In Gothic Literature, Amanda D. Drake
Department of English: Dissertations, Theses, and Student Research
Neither representative of aesthetic flaws or mere comic relief, comic characters within Gothic narratives challenge and redefine the genre in ways that open up, rather than confuse, critical avenues. Comic characters in the Gothic texts of Horace Walpole, Ann Radcliffe, and Clara Reeve establish the comic as a serious and legitimate part of the Gothic aesthetic. Comic characters continue to appear in all forms of the Gothic, including its parodies, well into the nineteenth-century, suggesting that these characters endure as necessary and vital elements within the evolving Gothic genre. As the genre evolves, the characters evolve as well, progressing from …