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Main Line, Michael Pepp Jan 2017

Main Line, Michael Pepp

LSU Master's Theses

Main Line was developed as a 20-minute solo performance piece by the influence of my graduate training at Louisiana State University’s M.F.A. acting program. The writing and the performance of this project served as a graduation requirement as well professional experience and exploration of my personal aesthetics of storytelling, actors craft, production design, and independent theatre making. This thesis acts like a guide to my process of devising theatre. I was inspired and determined to produce work that was meaningful, political, and entertaining. Main Line explores the narrative of black experiences within a New Orleans culture that centers the movement …


Song And Russian Futurism: The Early Vocal Works Of Nikolay Roslavets And Arthur Lourié, Savanna Rigling Jan 2017

Song And Russian Futurism: The Early Vocal Works Of Nikolay Roslavets And Arthur Lourié, Savanna Rigling

LSU Master's Theses

This thesis analyzes Nikolay Roslavets’s Four Compositions for Voice and Piano and Ar-thur Lourié’s Azbuka and Corona Carminum Sacrorum, all works written during the height of the composers’ involvement with the Russian Futurist movement. These works represent oppo-site means of compositional experimentation. Lourié used Russian folk influences to stretch the limits of tonality through the use of peremennost’. Azbuka and Corona Carminum Sacrorum contain equal tonal centers of A minor and C major with secondary harmonic areas of E minor and G major. Roslavets, however, invented his own system of composing with synthetic chords to free himself from past artistic …


Oblivion, Michael Stumbras Jan 2017

Oblivion, Michael Stumbras

LSU Master's Theses

I am fascinated by the myriad ways humans construct meaning in the face of existential uncertainty. For the exhibition Oblivion, I endeavor to provide a gallery experience, a body of metaphorically charged functional vessels, and a number of ritualistic accoutrements that address death, futility, and the passage of time as it inexorably flows toward obsolescence. The process of handcraft and the method of firing that I employ highlights the absurdity of the endeavor of the handmade: the seemingly futile and interminable quest for perfection and meaning. This futilitarian pottery exaggerates the errors of the hand and flaunts artifacts of the …


Chronicle & Character, Taryn Moller Nicoll Jan 2017

Chronicle & Character, Taryn Moller Nicoll

LSU Master's Theses

In this thesis paper, I argue that the works in the exhibition 'Chronicle & Character' aim to demonstrate artistic citizenship and can contribute positively to society by provoking conversation about universally applicable (but often uncomfortable) topics. Experts such as David J. Elliot state that being an artistic citizen means that one’s concerns as an artist must shift from issues constrained to the artist alone to those of the artist’s surrounding community. The exhibition 'Chronicle & Character' contains works that serve as detailed chronicles of the medical or physiological experiences of my loved ones. This body of work presents how three …


Urban Illusions, Haley R. Hatfield Jan 2017

Urban Illusions, Haley R. Hatfield

LSU Master's Theses

Urban Illusions is an immersive and interactive documentary experience that curates moments of reality in virtual environments to educate and expose viewers to a string of social and political issues that have been exposed in Baton Rouge. These moments also reflect a transformative time across the United States. The research and exhibition experiments with 360-degree videos and virtual reality to document issues occurring from racial tension stemming from prejudicial police violence and residual segregation that is still present in Baton Rouge. The intent of this work is to establish a methodology benefiting from modern technology in order to document real …


Welcome (Or Not So Welcome) Home: A Transatlantic Examination Of 19th Century Spain's National Identity Through The Literary Portrayal Of The Indiano In Galdós And Eva Canel, Shelley E. Tompkins Jan 2017

Welcome (Or Not So Welcome) Home: A Transatlantic Examination Of 19th Century Spain's National Identity Through The Literary Portrayal Of The Indiano In Galdós And Eva Canel, Shelley E. Tompkins

LSU Master's Theses

In the second half of the nineteenth century, Spain’s history was marked by political, ideological, social, and economic crisis. The resultant division on all of these levels and a paralyzing culture of decadence left the nation fragmented and unable to establish a national identity. This and the conflict between tradition and modernity largely contributed to the Disaster of 1898 in which Spain lost Cuba, the last of its remaining American colonies. This thesis presents a transatlantic examination of some of the works of nineteenth century Spanish writers Benito Pérez Galdós and Eva Canel in which I focus specifically on the …