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Full-Text Articles in Arts and Humanities

T. Jackie Cuevas. Post-Borderlandia: Chicana Culture And Gender Variant Critique. New Brunswick: Rutgers Up, 2018., Caroline E. Tracey Feb 2021

T. Jackie Cuevas. Post-Borderlandia: Chicana Culture And Gender Variant Critique. New Brunswick: Rutgers Up, 2018., Caroline E. Tracey

Studies in 20th & 21st Century Literature

Review of T. Jackie Cuevas. Post-Borderlandia: Chicana Culture and Gender Variant Critique. New Brunswick: Rutgers UP, 2018. xiii + 169 pp.


Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure Jun 2018

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.


Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool Up, 2017., Alvaro Luna Jun 2018

Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool Up, 2017., Alvaro Luna

Studies in 20th & 21st Century Literature

Review of Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool UP, 2017. 314 pp.


Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez Feb 2018

Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez

Studies in 20th & 21st Century Literature

Review of Emilio Peral Vega. Pierrot/Lorca. White Carnival of Black Desire. London: Tamesis, 2015.


Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016., Tanya Gonzalez Feb 2018

Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016., Tanya Gonzalez

Studies in 20th & 21st Century Literature

Review of Paulina Palmer's Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016. viii + 204 pp.


Reviews Of Recent Publications Jan 2013

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Kathyrn Everly. History, Violence, and the Hyperreal: Representing Culture in the Contemporary Spanish Novel by Nina L. Molinaro

Jill Robbins. Crossing Through the Chueca: Lesbian Literary Culture in Queer Madrid by Salvador A. Oropesa

Juan Pablo Dabove. Nightmares of the Lettered City: Banditry and Literature in Latin America 1816-1929 by María Zalduondo

Federico Bonaddio. Federico García Lorca. The Poetics of Self-Consciousness by Carlos Jerez-Farrán

Aníbal González. Love and Politics in the Contemporary Spanish American Novel by Mónica Adriana Agrest


Reviews Of Recent Publications Jun 2011

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Elisabeth Mermann-Jozwiak and Nancy Sullivan. Conversations with Mexican American Writers: Languages and Literatures in the Borderlands by Tanya González

Barbara Mennel. The Representation of Masochism and Queer Desire in Film and Literature by Amy Gates-Young

David Damrosch. How to Read World Literature by Lisabeth Hock

Maria DiFrancesco. Feminine Agency and Transgression in Post-Franco Spain: Generational Becoming in the Narratives of Carme Riera, Cristina Fernández Cubas and Mercedes Abad by Maryanne L. Leone

Jennifer Wawrzinek. Ambiguous Subjects: Dissolution and Metamorphosis in the Postmodern Sublime by Claudine Fisher

Maria Cristina Fumagalli. Caribbean Perspectives on Modernity: Returning Medusa’s Gaze by Laurence M. Porter …


Intercourse As Discourse In Alexa Hennig Von Lange’S Relax, Corinna Kahnke Jan 2011

Intercourse As Discourse In Alexa Hennig Von Lange’S Relax, Corinna Kahnke

Studies in 20th & 21st Century Literature

While gender has long been an abiding concern of Popliteratur, pop writers (in particular female authors) are often criticized for simply reflecting, if not positively endorsing, negative forms of postfeminism—an attitude that negates the accomplishments of emancipation by regressing to traditional ideas of what it means to be a woman. Some critics suggest that pop texts re-inscribe the gender binary by presenting, even glorifying, long-established gender roles. In response to such a reception, this article investigates Alexa Hennig von Lange’s iconic but much criticized novel Relax (1999) in order to illustrate the reflective and critical nature of Popliteratur. …


Dialogues With Tradition: Feminist-Queer Encounters In German Crime Stories At The Turn Of The Twenty-First Century, Faye Stewart Jan 2011

Dialogues With Tradition: Feminist-Queer Encounters In German Crime Stories At The Turn Of The Twenty-First Century, Faye Stewart

Studies in 20th & 21st Century Literature

Pieke Biermann’s feminist crime collection Mit Zorn, Charme, und Methode (1992) and Lisa Kuppler’s gay and lesbian anthology Queer Crime (2002) engage in a common project, the rewriting of a popular genre to give voice to previously marginalized identities and perspectives. This article investigates the ways in which each volume negotiates the gendered conventions of crime fiction and its subcategories, feminist and queer crime. A comparative analysis of three mysteries from each collection demonstrates the converging and diverging tendencies of feminist and queer representation in turn-of-the-twenty-first century crime narratives. Feminist mysteries by Edith Kneifl, Birgit Rabisch, and Barbara Neuhaus shift …


Gender, Cultural Memory, And The Representation Of Queerness In Ingeborg Bachmann's Narrative "A Step Towards Gomorrah." , Imke Meyer Jan 2007

Gender, Cultural Memory, And The Representation Of Queerness In Ingeborg Bachmann's Narrative "A Step Towards Gomorrah." , Imke Meyer

Studies in 20th & 21st Century Literature

This paper explores the questioning of a culturally produced fixed binary gender opposition, as well as of genre conventions, in Bachmann's "Gomorrah." This questioning, I argue, is achieved despite and in part even due to the fact that a lesbian relationship between the text's protagonists remains unrealized. The text's refusal to depict a lesbian relationship is not so much a capitulation to taboos of the 1950's. Rather, it points up the lack of a language and the lack of generic forms that would allow for the representation of true alternatives to traditional gendered power dynamics. If the narrative wants to …