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Articles 31 - 60 of 97
Full-Text Articles in Arts and Humanities
Rafael Ferrer, Delia Consentino
La Palabra Contra El Silencio, Elena Poniatowska Ante La Crítica, Oswaldo Estrada
La Palabra Contra El Silencio, Elena Poniatowska Ante La Crítica, Oswaldo Estrada
Diálogo
No abstract provided.
About The Artist: Graciela Iturbide
La Baraja, Blanca Anderson
Elipsis De Un Still Life, Blanca Anderson
De Acá De Este Lado: Musings On Latina/O Poetry, Norma Elia Cantú
De Acá De Este Lado: Musings On Latina/O Poetry, Norma Elia Cantú
Diálogo
No abstract provided.
Los Poetas Y El Gobierno De La Palabra: Apuntes Sobre La Inmortalidad, Juana Iris Goergen
Los Poetas Y El Gobierno De La Palabra: Apuntes Sobre La Inmortalidad, Juana Iris Goergen
Diálogo
No abstract provided.
Violent Effects: Domestic Violence And Poetic Subversive Discourses, Roberta Hurtado
Violent Effects: Domestic Violence And Poetic Subversive Discourses, Roberta Hurtado
Diálogo
Processes of sociosexual geo-racialization consistently render Latinas in the U.S. vulnerable to domestic abuse. Engaging this issue, third space feminists have adapted testimonio as a means for exposing domestic abuse while striving to craft transformative discourses that humanize these women’s experiences of oppression. The dusmic nature of poetry, as defined by Nuyorican poets, lends itself to this task. “Violent Effects” synthesizes poetry’s dusmic nature with third space feminists’ development of testimoniando—or testimonio as an agentic process—to identify how María Luisa Arroyo’s poetry exposes, dignifies and humanizes survivors’ experiences of domestic violence and thereby subverts dehumanization’s violent effects.
De Las Voces Indígenas Al Danzante Viajero: Algunas Reflexiones En Torno A La Obra Poética De Astrid Fugellie Y Diana Bellessi, Zulema Moret
De Las Voces Indígenas Al Danzante Viajero: Algunas Reflexiones En Torno A La Obra Poética De Astrid Fugellie Y Diana Bellessi, Zulema Moret
Diálogo
A comparative study of how myth, history and women’s voices function in the poetry of two South American poets, Astrid Fugellie (Chile) and Diana Bellessi (Argentina). Fugellie’s poems reveal a history that is oriented from feminine, indigenous and myth-centered ideas, while Bellessi’s poetic voice constructs a cultural utopia, mapping native American (continental) presence. In each case, the poets allude to a voice that gives form to myth, and in so doing, establishing close contact with nature. From Indigenous female voices fixed on regional landscapes in Fugellie to the fleeting dancer in Bellessi, two nearly opposite movements configure and found Latin …
Laboring Histories: The "Reconciliation" Of Maternity In The Poetry Of Laurie Ann Guerrero, Larissa M. Mercado-López
Laboring Histories: The "Reconciliation" Of Maternity In The Poetry Of Laurie Ann Guerrero, Larissa M. Mercado-López
Diálogo
Drawing on Gloria Anzaldúa’s concept of “facultad,” this study of poetry by Laurie Ann Guerrero identifies an emergent “maternal facultad,” a consciousness honed through the bodily and social experiences of mestiza maternity. Guerrero’s poems, “Babies Under the Skin” and “Reconciliation,” reveal how such consciousness is ignited through the mother’s body; her transformed body and subjectivity implicate her in multiple histories and violences of colonization and the medical/birthing industry. This study argues for the need for mothers to continue writing their bodies—to speak the “mess” of the body and of mother-work—creating an epistemically fertile site of knowledge production.
To Be An Indigenous Woman Poet In Mexico: An Artistic Act Of Protest, Resistance And Battle, Wendy Call
To Be An Indigenous Woman Poet In Mexico: An Artistic Act Of Protest, Resistance And Battle, Wendy Call
Diálogo
A study of contemporary Indigenous-language poetry in Mexico, with a special focus on four female poets from Oaxaca and Chiapas, whose work is reaching international audiences: Irma Pineda (Isthmus Zapotec), Enriqueta Lunez (Tzotzil), Mikeas Sánchez (Zoque) and Celerina Patricia Sánchez Santiago (Mixtec). Assessment of a movement toward greater production and changing attitudes about Indigenous-language poets and their work in Mexico during the past decade, and how their advocacy has led to wider publishing opportunities and broader readership, as well as cultural and linguistic preservation.
"Para Romper Con Todo": Transgresiones Y Rupturas Del Movimiento Kloaka En Los Poemas Inaugurales De Mariela Dreyfus, Mary Soto Y Dalmacia Ruiz-Rosas, Rocío Ferreira
Diálogo
A study of the counterculture collective Movimiento Kloaka in Peru in the early 1980s, for its ideological thought and creative production, through the work of Peruvian poets Mariela Dreyfus, Mary Soto and Dalmacia Ruiz-Rosas. Their poems were published in literary-cultural magazines during the movement’s boom, and reveal personal and transgressive voices where violence, sex, desire and the rejection of the bourgeois patriarchal system are present. The poets’ social approach frames crude experiences and realities that allow the authors to question the place assigned to women, while transforming the poetic tradition.
Un estudio de tres poetas peruanas del Movimiento Kloaka de …
Nepantleras Del Siglo Xx Al Siglo Xxi: Travesías De Poesía De Chicanas En Español, María Del Socorro Gutiérrez Magallanes
Nepantleras Del Siglo Xx Al Siglo Xxi: Travesías De Poesía De Chicanas En Español, María Del Socorro Gutiérrez Magallanes
Diálogo
This text discusses three poems in Spanish translation by three Chicana writers who call themselves Nepantleras: Gloria Anzaldúa, Lucha Corpi and Cherríe Moraga. These poets are emblematic of the late twentieth century, and essential reading for the twenty-first century. Chicana poetry and scholarship crosses borders, between Mexico and the United States, and the U.S. and the world. Examined through theorist Gloria Anzaldúa’s ideas, based in Indigenous American cosmology of nepantlear—shifting, translating, negotiating, transforming and creating a new space denominated “in-between”—the poets cross borders, languages, seas, rivers and check points to depict contemporary experience. Also considered is Chela Sandoval’s “hermeneutics of …
Reflexiones En El Río Grijalva; Teoría Del Lenguaje; Viajando En Bus Por Estados Unidos, Ernesto Cardenal
Reflexiones En El Río Grijalva; Teoría Del Lenguaje; Viajando En Bus Por Estados Unidos, Ernesto Cardenal
Diálogo
No abstract provided.
Soy Milk! A Chicana Poet On "Drinking" Poetry: An Interview With Gabriella Gutiérrez Y Muhs, Aldo Ulisses Reséndiz, Gabriella Gutiérrez Y Muhs
Soy Milk! A Chicana Poet On "Drinking" Poetry: An Interview With Gabriella Gutiérrez Y Muhs, Aldo Ulisses Reséndiz, Gabriella Gutiérrez Y Muhs
Diálogo
No abstract provided.
Frenesí: Estructuras De Espacio, Origen Y Nacionalidad En Cuando Amaban Las Tierras Comuneras De Pedro Mir, Rey Andújar
Frenesí: Estructuras De Espacio, Origen Y Nacionalidad En Cuando Amaban Las Tierras Comuneras De Pedro Mir, Rey Andújar
Diálogo
Pedro Mir has been recognized as the National Poet of the Dominican Republic. In 1978, however, he ventured outside poetry to publish a novel, Cuando amaban las tierras comuneras, which placed him in the middle of a new, narrative avant-garde movement, and establishing himself as one of the most important poetic voices in Latin America. This essay studies the novel’s structural spaces—earth, ground, land and the spoken word—for his reconfiguration of the Dominican archetype in history; its characters; and the idea or concept of nación within the frame of U.S. occupations of the Dominican Republic.
El nombre de Pedro Mir …
¿Qué Dice La Poesía?, Jorge Ortega
¿Qué Dice La Poesía?, Jorge Ortega
Diálogo
This article offers a reflection on poetics and the stylistic analysis of the degree of complexity involved in discerning the meaning of a poem in terms of form and content, and the objective or subjective nature of traditional poetic genres. The expressed thesis is bound to the idea of ambiguity, to the hermeticism, or radical composition of contemporary poetry that has rendered the reader a co-responsible agent in the text’s consumption. Nevertheless, as something beyond multiple readings that allow for abstraction and imagined meanings, poetry is made up of words that, strictly speaking, have no room for error.
Este artículo …
Conversación Con Tina Escaja, Poeta, Salvador Oropesa, Tina Escaja
Conversación Con Tina Escaja, Poeta, Salvador Oropesa, Tina Escaja
Diálogo
No abstract provided.
The Poetics Of Silence: (Re)Memory Through Poetry Of The Mexican Diaspora, Lauren Espinoza
The Poetics Of Silence: (Re)Memory Through Poetry Of The Mexican Diaspora, Lauren Espinoza
Diálogo
A close reading of poems by Eduardo Corral, Laurie Ann Guerrero and Lorna Dee Cervantes to identify distinct possibilities for silences in the poetry of the Mexican diaspora: adopting, enforcing, and, ultimately, straddling both. Silence is unique to the language of poetry—as relative to a story, a poem is silent because it does not have the words a story does. Poetry, then, functions as (re)memory, a vehicle moving towards creation within the menacing silence of the (re)inscription of the border.
The Chican@ Nueva Onda As A Poetic Tidal Wave: The Revitalization, Repoliticalization & Redefinition Of “Chican@” Through Poetry, Christopher Carmona
The Chican@ Nueva Onda As A Poetic Tidal Wave: The Revitalization, Repoliticalization & Redefinition Of “Chican@” Through Poetry, Christopher Carmona
Diálogo
The term Chican@ has in the 21st century undergone a resurgence and new use and practice in border regions and among activist poets, indicating a new civil rights movement, in response to xenophobic laws directed toward the Latin@ community. This movement has taken on many aspects of the 1960s Chicano movement, but what is different is that this resurgence has occurred in the literary arts with writers and artists as the leaders of the movement. This study highlights poets at the forefront of a new Chican@ Renaissance, discussing the history, growth and redefinition of Chican@ poetry during the past thirteen …
"Locate Your Body In The World And Pay Attention": An Interview With The Poet Rigoberto González, Rodrigo Joseph Rodríguez, Rigoberta González
"Locate Your Body In The World And Pay Attention": An Interview With The Poet Rigoberto González, Rodrigo Joseph Rodríguez, Rigoberta González
Diálogo
No abstract provided.
Vista Del Atardecer En El Trópico; Ángel Con Ala Rota; Con Tu Aullido A Otra Parte, Alex Fleites
Vista Del Atardecer En El Trópico; Ángel Con Ala Rota; Con Tu Aullido A Otra Parte, Alex Fleites
Diálogo
No abstract provided.
En Plena Noche; Alba; Amanece Y Callo, Hugo Mujica
Celoso Con La Tinta; Tres; Porque Todo Nacimiento Es Una Osadía; Tu Bisabuela Veneranda, Javier Ávila
Celoso Con La Tinta; Tres; Porque Todo Nacimiento Es Una Osadía; Tu Bisabuela Veneranda, Javier Ávila
Diálogo
No abstract provided.
Puerta De Atocha - Estación De Los Desamparados, Eduardo Chirinos
Puerta De Atocha - Estación De Los Desamparados, Eduardo Chirinos
Diálogo
No abstract provided.
Choqequirau, Santiago Weksler
China Poblana; Sílabas De Viento, Xánath Caraza
Renacimiento; Tanguera., Zulema Moret
Iquitos …; El Mar Antes Del Infierno; Casa, Ana Varela Tafur
Iquitos …; El Mar Antes Del Infierno; Casa, Ana Varela Tafur
Diálogo
No abstract provided.
Lo Que Nunca Me Imaginé, Emmanuel Ayala