Arts and Humanities Commons^™

From Courtly Curiosity To Revolutionary Refreshment: Turkish Coffee And English Politics In The Seventeenth Century, Alexander Mirkovic

Alexander Mirkovic

Why was coffee so fashionable yet so divisive a political symbol during the latter half of the seventeenth century? Historians have offered several answers, including the suggestion that the nascent Orientalism generated its popularity. Undeniably seventeenth century England imported exotic commodities, including coffee and tea, and began to appropriate them for the English culture. Did that also imply maintaining the cultural superiority over the natives? I argue that coffee was symbolically transformed during the political and revolutionary turmoil of the seventeenth century. Coffee was first introduced in the early part of the century to the Stuart court where it was …

Richard Verstegan's Reinvention Of Anglo-Saxon England: A Contribution From The Continent, Richard Clement

Richard W. Clement

The reinvention of the Middle Ages and the Renaissance is an historicized approach to constructions of the past. How and why does the present of any period uses the past to promote its own opinions, beliefs, doctrines or views? In particular, this volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. Reworkings or …

Costuming The Shakespearean Stage: Visual Codes Of Representation In Early Modern Theatre And Culture, Robert Lublin

Robert Lublin

Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed.

Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes …

Records Of The Tötösy De Zepetnek Family / A Zepetneki Tötösy Család Adattára, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Records of the Tötösy de Zepetnek Family. West Lafayette: Purdue University Press, 2010-. ISSN 1715-152X ©Purdue University contains transcripts of published data, archival and family documents, and genealogies of the Tötösy de Zepetnek nobilitas de novo 1587—9th century nobilitas prima occupatio Tötösy de Zepethk—family and its selected collateral families. Records of the Tötösy de Zepetnek Family contains also data and genealogies of not related Töt(t)ös(s)y(i) families. The book is a revised and extended version of Tötösy de Zepetnek, Steven. A Zepetneki Tötösy család adattára / Records of the Tötösy de Zepetnek Family. Szeged: Attila József University, 1993. ISBN 9634819141. Copyright …

Rape’S Metatheatrical Return: Rehearsing Sexual Violence Among The Early Moderns, Kim Solga

Kim Solga

What happens when theatre crosses the line, risks danger in the real? This paper explores the pernicious theatricalization of sexual violence in early modern England, its trouble-making uptake in Shakespeare's Titus Andronicus, and Julie Taymor's contemporary response in her 1999 film version of the play. Along the way the article probes a handful of questions about theatre's social efficacy: what are the consequences of understanding theatre as a potentially malevolent form of public art and expression? How do we account for those moments when theatre poses genuine risk? And, more importantly, how do we build a response to, an ethics …

Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz

Karen Bloom Gevirtz

This monograph argues that images of the widow in the early novel served to express, explore, and construct concepts of appropriate female activity in emerging capitalism during the eighteenth century in England. Drawing on novels published between 1719 and 1818, this study investigates how different classes of widows (affluent, working class, impoverished, and criminal) functioned to challenge and affirm emerging economic values. A concluding chapter on widows in Jane Austen's work shows how changing notions of appropriate female economic activity had settled by the establishment of both the capitalist economy and the novel in the early nineteenth century.

Overview Of Gulliver's Travels, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.