Arts and Humanities Commons^™

Another Real Gettysburg Address, 50 Years On, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The following address, “100 Years After Lincoln's Gettysburg Address” by E. Washington Rhodes, editor-publisher of the Philadelphia Tribune and president of the National Newspaper Publishers Association, was delivered at exercises in the Gettysburg National Cemetery Tuesday afternoon:

“I consider it a great privilege to have been invited as a representative of the American Negro people to participate in an occasion of such national, historic importance, at this time of racial tension and unrest. This, then, is an historic moment of high honor and high drama, which will be forever cherished by the American Negro people, as they march with heads …

Scalia: A Real Gettysburg Address, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

USCIS Director Alejandro Mayorkas, as he introduced the most potent speaker in Tuesday morning's ceremonies at Gettysburg, called it a, "special day," both in the lives of the handful of men and women raising their hands to take the oath of allegiance and become American citizens, but also, "in the life of our country." [excerpt]

Interpretation Is Evolution: Whose History?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

When I try to explain to non-history people what my degree means, I used to hit wall after all. It was so hard explaining exactly what, "Applied History," really means. People understand, "History," but the idea of public history has a certain brand of special sauce added on top.

I used to say something akin to, "doing Park Ranger things," though that never really worked. When I had a group on an historical landscape, I'd often just say, "Public History is this."

It doesn't work. Those definitions aren't clear. [excerpt]

It's Ok To Giggle: Colbert's Gettysburg Address, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There hasn't been all that much righteous indignation from the lands of historians and the historically inclined public. I'd wager they just haven't noticed. I was a little surprised, to be honest. As soon as I hit play on Stephen Colbert's rendition of the Gettysburg Address, part of Ken Burns' Learn the Address marketing initiative for his upcoming documentary, I figured the flame war was inevitable. [excerpt]

Only Hindsight: Where Are The Historian Futurists?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A friend who is planning a pie-in-the-sky conference (about which I'm super excited) texted me today with a quick question. "Who would be a good 'Historian of the Future?'" he asked, adding the bonus that I could dream big. "Money no object," the next text read.

I was at a loss for a few minutes. Who is the historian of the future? Who is trying to visualize that skill-set, categorize that life, read the trends of the past and plot the course of history yet to come? [excerpt]

Her Bright Blazon Forever Unstained, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Just a few lyrics today, nothing more, nothing less. Lyrics of joy. Lyrics of home. Lyrics of who we are as a nation. Might we never forget who we are again. [excerpt]

Martin L. Stoever: Moving His Abolition Needle, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Two letters appeared in the Lutheran and Missionary in the late summer of 1864 signed, "M.L.S."

The summer session had ended at Pennsylvania College. The campus was quiet, the classrooms were empty. For professors at the college, the brief breaks between semesters were a much-needed respite from the daily grind of professorial life. Any sane professor would use the few brief moments to unwind. [excerpt]

America's Pastime: Base Ball's Battlefields, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Somewhere in a field just north of the Pennsylvania College campus, a hurler threw a ball to a striker. The air was undoubtedly crisp. Novembers in Gettysburg can be cool. The local papers were already predicting that the winter of 1865-66 would come on early and bitter. Standing on the bases, men readied to run home and score another point for their team. [excerpt]

Echoes On The Gettysburg Battlefield, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Back at the beginning of the summer, I was asked by the College to write a piece on the history of the battle and its many resonances for what turned out to be an obscure periodical and not the actual USA Today. That means next to no one got the chance to read the piece, which I was quite happy with. So I wanted to share that piece with all of you.

How does Gettysburg's unique history echo backwards and forwards? [excerpt]

Ngram 150th: Race, Sex And Big Data, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Data is powerful in the right hands. Aggregate data is even more powerful. And Google is data.

One of the odder tools in the Google arsenal is the Ngram viewer a search engine which charts trends within the folds of Google Books' database. Punch in anything. I mean it. Try anything in the Ngram search engine and start falling down the historical trends rabbit hole. [excerpt]

Things Never Change: Piecing Together College Life, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Sometimes you stumble on something on eBay you just can't pass up. It's that $6 buy that is awkward, odd and just a little out of your scope. But it's only $6. If you'd buy a burger for $6, you shouldn't pass up an original letter from 1835.

Every letter has a story. And each of those stories has its own drama, its own meaning, its own power. The mundanities of human life can be just as powerful as the battles and charges. [excerpt]

Shaw's Backside: The Other Side Of An Icon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This week I find myself in Boston, one of the couple of American cities which call themselves the cradle of liberty. But I'm not drawn like a moth to the Revolution. It's just not my bean.

Instead, I find myself in the awkward position of standing at a visitor desk and asking a park ranger what will interest a Civil War geek in a Revolutionary-bent city. That dog don't hunt so well. [excerpt]

Plunge Into Shonash Ravine: Thinking 4th Dimensionally In Interpretation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This piece was written for NAI's annual workshop this coming fall, but not everyone will have the chance to be in Reno to hear my presentation come November. So, why not give you a sneak peak of what I'm planning on discussing in Nevada? [excerpt]

Child's Play: War, Toys And Avoiding The Trivial, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This past weekend, I let my two hobbies combine. I spend a good chunk of my spare time doing incessant, weird and wild historical research. If you've read along on the blog for any appreciable time, you know the odd corners I've turned finding peculiar and striking stories both here in Gettysburg and beyond.

But I have another hobby.

I am an Adult Fan of LEGO. [excerpt]

Birthday Party, Cheesecake, Jelly Bean, Boom: The Easy Sesquicentennial Ends, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's been a good deal of digital ink spilled recently over whether the sesquicentennial is over. A provocative question can erupt into a torrent of thought.

But those thoughts have been brewing in my mind for a while now, since the whirlwind here in Gettysburg died down to a dull roar from the fever pitch of a few weeks ago. The tourist tide has subsided. The streets are easier to drive.

But most importantly, the press inquiries have died away. Nearly every day of the anniversary week, I had an e-mail or a voice-mail asking me to help a reporter …

Finding The Good: An Emotional Anniversary, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I am an exacting judge of interpretive product. I realize this. My boss and I have had a few discussions about how both of our standards, sometimes, might be just a bit too high.

I still am not convinced that pure and utter excellence is not too much to ask for on every interpretive program. All too often, though, I don't find it.

When I do see amazing moments, it thrills me. I get outrageously excited. Through my entire experience as a visitor at the sesquicentennial celebration at Gettysburg, two programs stand out as verging on that sort of gleaming …

Stewart W. Woods: A Peculiar Casualty At Fort Wagner?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods' war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt]

A New Theory For Battle Landscapes - Toward An Interpretive Future, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's a misunderstanding. The misunderstanding has been long and deep. It goes something like this:

Your crusade to destroy the current practice of military history on battlefields is a form of fundamentalism just like the supposed fundamentalism of military history you aim to change. [excerpt]

Hopkins And Anthony: A Struggle Over Freedom, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This piece is the original draft of a piece I wrote for the Philadelphia Inquirer, which appeared last week as part of the paper's Gettysburg sesquicentennial coverage. Here's the full, uncut piece for your perusal.

To My Great Great Grand Uncle - On The Occasion Of The 150th Anniversary Of Your Death, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Dear William Henry,

I'm writing this standing near the spot where you died, exactly 150 years ago nearly to the second. I'm typing on a tiny screen, a technological marvel that lets me share the stories of men like you with the world instantly.

They've put up a monument to you and the 17 other men who died along with you along the banks of Plum Run creek. We call this place "The Valley of Death" now. I think you among all people who have walked this green earth would understand why.... [excerpt]

Just Fields: 30 June 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

South of Gettysburg as midnight chimed on June 30th and the calendar flipped over to July, a quiet peach orchard sat at the corner of a narrow lane and the road to Emmitsburg. It was just a peach orchard. [excerpt]

There Is Still Time: Contingency And History, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"...and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave..."

William Faulkner's Intruder in the Dust has that beautifully evocative passage that anyone worth their salt contemplating a Pickett's Charge program has considered including in their ebb and flow. Faulkner was a master of language, and his passage about, "every Southern boy fourteen years old," is a particularly artful. …

Stormclouds Gather On The Horizon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few stanzas of a poem by Howard Glyndon from the folds of The Lutheran and Missionary from late August of 1863:

The days of June were nearly done;The fields, with plenty overrun, Were ripening 'neath the harvest sun In fruitful Pennsylvania!

[excerpt]

George C. Wallace: Schoolhouse Door To Gettysburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the days after his famed stand in the schoolhouse door, Alabama Governor George C. Wallace attended to the business at hand on his desk in Montgomery. Wallace served as chief executive in an office in the first home of the Confederacy. One of the things awaiting Wallace on his return from Tuscaloosa was a letter from Paul L. Roy of Gettysburg. [excerpt]

Memory And Meaning: Civil Rights In Lee's Backyard, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I walked up the long winding path named for Mary Custis and her family home. As I ascended the steps I stopped to quickly pay my respects to Robert Todd Lincoln. But he wasn't my quarry for the day. As I came to the top of the steps, Robert E. Lee's home hove into view. I've been inside Lee's house a few times. Each time has been interesting, but relatively hollow. Those four walls lack the raw power that the surrounding acres seem to ooze. [excerpt]

Meanings: Where This Is All Headed, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Human tragedy, human triumph and continuing struggle, each of its own epic proportions. One convoluted war holds inside the tripartate meanings of sorrow for 620,000 lost, joy for 4 million saved and the uneasiness that the struggle for freedom would still continue 150 years later. [excerpt]

Inside The Resource: Interpreting Is Pointing At Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

We preserve the places of the past for a very specific reason: they are places. They are physical manifestations of the past, either landscapes where that past was played out or the remnants of the people who made that past happen.

That was clear to me last week as I watched David Fox, one of Harpers Ferry's premier interpreters, twiddle a shaving mirror in the sunlight and shine a twinkling beam on the gravestone of Rev. Alexander Morrell in the cemetery at the end of Fillmore Street. [excerpt]

Born In Slavery: One Grave In Chambersburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A simple epitaph with amazing impact: "Born in Slavery, Died Feb 15 1908." Those words speak and speak loudly. Thomas Burl wanted it to be known for eternity that he was a slave. And he wanted it to be known that he wasn't when he died. That label defined his whole life. It defined who he was when he had the name "slave" forced on him when he was born. And it again defined him through its absence after 1863. [excerpt]

Fire On The Mountain: A Forest Fire Ignored?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There was a massive forest fire on the South Mountain at the edge of Adams County. It ripped through thousands of acres of woodland along the crest of the ridge. The undergrowth went up like a match. The spring up to this point had been unusually dry. And a fire started. [excerpt]

Rewind: Good Morning To The Night, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Today is a special day, a momentous day. It's a day I've thought about for a long time. A day for beginnings and a day for looking back. So I'm looking back for today's blog, to one of my favorite posts. It's simple and meaningful to me. It's about a place that has changed my life so much. And today the ripples from that place are changing it again. And it's wonderful. [excerpt]