Arts and Humanities Commons^™

Reification, Reanimation, And The Money Of The Real, Alessandra Raengo

Communication Faculty Publications

This essay is an exercise in a form of looking from a distance. It is prompted by the desire to explore the connection between two stunning objects, namely, Ken Jacobs’s Capitalism: Slavery (2006), a digital animation of a stereoscopic card picturing slaves at work in a cotton field, and Nick Hooker’s 2008 digital video for Grace Jones’s song Corporate Cannibal. This is not an essay directly about Ken Jacobs and even less about Grace Jones, but rather an attempt to show how, for me, these two works belong to the same set. The set I am thinking about is …