Arts and Humanities Commons^™

Pictorial Bionomics: Santa Ana River Record And Survey, Caleb Lachelt

Student Scholar Symposium Abstracts and Posters

Intense conflict is unfolding in Southern California, and it runs right through our cities every day. It goes unnoticed by most, but its outcome will decide the future for humans and nature alike. This conflict is between human development and the natural majesty of our waterways. The foundation of Orange and surrounding areas is historic wetlands, which have caused massive flooding that destroys human lives and buildings. In response to this destruction, we have unleashed our own damage, paving entire sections of our rivers and erecting dams and levees wherever we can. Through this process we have successfully protected those …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

Images in the Charles Clarke Circus Photographs Collection document the Ringling Bros. and Barnum & Bailey Circus in the 1920s. Clarke, a leaper in the world-renowned aerial act, The Clarkonians, would have been in a relatively unique position to capture views of the circus from the vantage point of an insider. The resulting images carry the weight of that perspective. The photographs document important aspects of the circus, showing performers like Lillian Leitzel and May Wirth, spectacle wardrobe, practices and performances in the ring, and quieter moments behind the big top.

The images document a particular point in time, freezing …

Archaeological Photography: The United Kingdom, Madeline Scholten

WWU Honors College Senior Projects

Archaeological photography is an interdisciplinary aspect of archaeological endeavors that is key in allowing archaeological finds to be accessible to a general audience. This facet is key in data collection and distribution within the field as it is to the general public.

Photography is something that people are exposed to, possibly even partaking in, on a daily basis, but photography goes a lot deeper than simply capturing a still image. The history of photography, and the ways photography has improved so many disciplines are things that are just as important as the camera itself, and yet not necessarily needed to …

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Perspectives On (In)Human(E) Displacement And Migration, Jordan Carey

WWU Honors College Senior Projects

This interdisciplinary, multimedia document gathers various media pertaining to human displacement and migration. The collected perspectives take the form of poetry, academic research, books, photography, as well as un-sortable multimedia projects. Depending on the source, they are cited, introduced, quoted, summarized and/or analyzed. These sources are connected by their enactment of creative resistance, authenticity, proximity to lived experience with displacement and migration, and dedication to uplift the very truths silenced by colonialism and every intersecting mode of oppression that seeks to control and dominate. These truths are that every single human seeking asylum is a capable, resilient, intelligent, self-reliant, creative, …

Walking In The Steps Of The Emperors: Exploring Beijing's Forbidden City And Surrounding Hutong Neighborhoods, Beth Transue

Library Staff Presentations & Publications

A photographic exploration of Beijing's Forbidden City as told by a Messiah University librarian. Beth Transue has visited China three times, two of which were university cross-cultural courses for undergraduate students.

Guide To The Milton Rogovin Mini Exhibit Photograph Collection, Columbia College Chicago

Collection Guides / Finding Aids

This guide describes the organization and scope of the Milton Rogovin collection of two of his mini-exhibits, housed within the College Archives & Special Collections at Columbia College Chicago. Milton Rogovin (1909-2011) was a photographer who created projects 'that communicated a just and equal society."

Sharing Personal Cultural Experiences Through Travel Writing, Faith Morrow

Summer Scholarship, Creative Arts and Research Projects (SCARP)

It is common to hear that travelling changes people, often for the better, but what are tangible ways in which those changes are shown? Founded on a two week study abroad to England, I explored the captivating and educational genre of travel writing and attempted it myself. Through researching and consuming various travel writing and taking countless notes and observations in England, I set myself up to create my own travel pieces. Based on my research, two common types of travel writing included location-based personal narrative and tourist-centered pieces, both of which styles I experimented with in my three completed …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Like A Lake, Carol Mavor

Sociology

Carol Mavor is Professor of Art History at the University of Manchester. Her most recent books are Aurelia: Art and Literature Through the Mouth of the Fairy Tale, Blue Mythologies: Reflections on a Colour, and Black and Blue: The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil and Hiroshima mon amour.

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Polaroids From Heaven: Experiential Learning With Special Collections, Jillian M. Ewalt

Marian Library Faculty Presentations

This presentation covers an experiential learning collaboration between the Marian Library and the course Alternative Photography at the University of Dayton. Instructors developed a series of hands-on sessions in which students interacted with the Marian Apparitions photograph collection to inform the image-making process.

Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch, Jasper (Kirsten) Boyd

Faculty Curated Undergraduate Works

This paper examines the efforts put forth by Eliza Hatch, who is an established photojournalist and activist, which pertain to women’s rights and sexual harassment all over the world. Hatch has a multitude of projects dealing with sexual harassment and the unequal treatment of women all across the globe. She is mainly based in London and New York, but has also completed projects in Sri Lanka. Through her activistic career, which began in 2017, she has garnered ample media attention and has raised awareness regarding the issues she tackles in her projects. Through her photo-sets, documentaries, and talks at universities, …

“Polaroids From Heaven”: Collaboration Between The Marian Library And The Course, Alternative Photography, Jillian M. Ewalt, Carrie K. Chema

Marian Library Faculty Presentations

This presentation covers a collaborative project between the Marian Library and the Department of Art and Design at the University of Dayton.

Seeing Every Corner Of Tangier: A Photographic Collection Going Beyond The Media Sphere, Cynthia J. Coleman

Independent Study Project (ISP) Collection

Tangier is an iconic city, with an image recognized internationally. Its image is created, not only by the city itself, but by its representation in the media. That said, it is worth considering, how true to Tangier is its image? This study considers this issue by addressing the following question: how does the image of Tangier, as represented in photographs, compare with that portrayed in the media? To accomplish this, a collection of 18 photographs over the area of Tangier, an area of 44 square miles, was taken. The photos were taken to as objectively as possible represent the city …

Ua1c6/7 Entertainment Photos, Wku Archives

WKU Archives Collection Inventories

Images of entertainment events.

Lens On Habitat Destruction: A Photo Essay In Double Exposure, Bethany Holtz

Student Publications

Human greed and ignorance bulldoze through nature, leaving behind scarred landscapes and broken ecosystems. Within the world’s aquatic environments, human actions have irreversibly fragmented and shattered habitats of countless animals. Voiceless, these displaced animals suffer largely in silence—their stories untold and invisible. Using my lens to expose their cries, my photography uncovers the narrative of habitat destruction.

In this photo essay, I juxtapose the pristine and degraded habitats of five threatened aquatic species using double exposure techniques, a method where two disconnected images are merged to create one unified work. By balancing light, opacity, color, and transparency, I focus attention …

Ua1c11/79 Rotc Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from ROTC scrapbooks.

Research Brief: "Examining The Lived Experience And Factors Influencing Education Of Two Student Veterans Using Photovoice Methodology", Institute For Veterans And Military Families At Syracuse University

Institute for Veterans and Military Families

This brief is about how student veterans' military experiences impact their social and higher education experiences. In policy and practice, student veterans should seek help from faculty and staff, and universities should be available to address the needs of student veterans; the VA should increase its partnerships with universities to allow for additional access to resources for student veterans, and policymakers should support universities in creating student veteran centers. Suggestions for future research include expanding the size and diversity of the sample, reducing constraints on participants, and allowing for group-sharing experiences within the study.

46.59 N, 16.45 E, Rachel Elder

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

No abstract provided.

Gelang: A Photography Of Belonging, Chase Clow

Collected Faculty and Staff Scholarship

Gelang: A Photography of Belonging proposes a new category of landscape photography, one that moves away from emphasis upon imagery of particular kinds of landscape (such as wilderness, topographical, or wastelandscape) and also away from genres of photography (art, documentary, or scientific) and instead investigates the shared values and ethics among landscape and nature photographers and the kinds of awareness and knowledge that arise through outdoor, field-based photographic practice. An analysis of the writings of photographers and their published interviews, as well as the author's own photographic experiences in the field, reveals a common core of life-affirming values predicated on …

Fearless: Eric Lee, Eric J. Lee

SURGE

Snapping pictures of his fellow Gettysburgians around campus as the visual communications intern, and fearlessly working with other students to create, organize, and lead the new Asian Student Alliance (ASA) group on campus, Eric Lee ’15 finds himself at the crossroads of art and activism.

New to campus this year after two years in the making, the ASA is a student-led, -run, and -organized group focused on celebrating different Asian cultures and heritages, closing the gap between international and domestic students, and creating a social, cultural, and political forum for students to dialogue, specifically about issues facing Asian communities. [ …

Gear And Advise By Jennifer Smith-Mayo, Jennifer Smith-Mayo

Center on Aging : Boomer Reporting Corps

Jennifer Smith-Mayo, award-winning, free-lance photographer, videographer, multimedia artist, and instructor, discusses the gear she uses in her work and gives advise on how to choose a camera.

Jennifer collaborated with her husband, writer Matthew P. Mayo, on a series of popular hardcover books (Maine Icons, New Hampshire Icons, and Vermont Icons).

Poynter, Shawn (Fa 184), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 184. Paper titled “The Usage and Importance of the Rule of Thirds in Newspaper Photography” written by Shawn Poynter for a folk studies class at Western Kentucky University. The collection looks at the usage of the “rule of thirds” as it appears in the Park City Daily News. The “rule of thirds” refers to a photograph guideline that requires subjects to be in either one of the sides, top or bottom third of the frame. The collection contains analysis, graphs, tables and newspaper …

Galloway, Ewing, 1881-1953 (Sc 2502), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2502. Correspondence of Ewing Galloway, a native of Henderson, Kentucky and the owner of a photography agency in New York City, with Mary Marks, a geography professor at Western Kentucky University, related to a gift of photographs made to the Kentucky Library & Museum at WKU. Also includes clippings, chiefly related to Galloway’s return to Henderson, Kentucky and the gift to WKU.

Reification, Reanimation, And The Money Of The Real, Alessandra Raengo

Communication Faculty Publications

This essay is an exercise in a form of looking from a distance. It is prompted by the desire to explore the connection between two stunning objects, namely, Ken Jacobs’s Capitalism: Slavery (2006), a digital animation of a stereoscopic card picturing slaves at work in a cotton field, and Nick Hooker’s 2008 digital video for Grace Jones’s song Corporate Cannibal. This is not an essay directly about Ken Jacobs and even less about Grace Jones, but rather an attempt to show how, for me, these two works belong to the same set. The set I am thinking about is …

Objects Of Desire: Photographs And Retrospective Narratives Of Fieldwork In Indonesia, Jennifer W. Nourse

Sociology and Anthropology Faculty Publications

This discussion of my fieldwork, memory, and experience begins with a nod to Handler and Gable’s essay (this volume) in which they ask what anthropology can contribute to the study of social memory. I take Gable and Handler’s insights about the false dichotomy between memory and history (since, they argue, all history and memory are perspectival) and consider ways in which fieldwork photographs demonstrate the same point. I suggest that my photographs became the repositories for individual interpretations of a host of broader issues related to the nation-state and its agenda. This agenda was reflected in ways the photographs were …

“Posing Off:” Performance And Body Language On The Jamaican Stage, Andrea Elizabeth Shaw-Nevins

CAHSS Faculty Presentations, Proceedings, Lectures, and Symposia

My paper will explore reggae dancehall album covers and the seductive yet dismissive ways in which bodies pose for the camera while concurrently seeming to ignore it. What accounts for this intrigue with the camera as well as an apparent repulsion towards it? Within the arena of national beauty politics, how do we account for those Caribbean bodies that are positioned for the global camera?

Appreciating A Pretty Shoulder: The Risquie Images Of Charles Ellis Johnson, Daniel Davis

Library Faculty & Staff Publications

Housed in the collections of the Special Collections and Archives at Utah State University is an intriguing set of risqué photographs dating roughly from 1890 to 1910. Some of the images are stereo-views or cabinet card portraits of burlesque actresses either in tights or displaying bare necks, shoulders, and upper bosoms. Other photographs in the collection are even more suggestive with women undressing, lounging about with dresses that reveal their thighs, wearing body suits, and removing one-another’s clothing. By today’s standards they are more comical than pornographic. Considering the conventions of the time, however, especially in conservative, turn-ofthe-century Utah they …