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The Mercy Of Saint Seraphim By Ivan Shmelyov: An Original English Translation, Nina Tarpley

2024 Spring Honors Capstone Projects

The Russian writer Ivan Shmelyov (1872-1950) is acclaimed not only in Russia, but also widely throughout Europe for his novels, short stories, and fairytales written with a marked depth of meaning, beauty, and expression. He wrote and published throughout his entire life ~ from the pre-revolutionary years in Russia, into the years of the Revolution, and eventually as an émigré in Europe. Although Shmelyov is celebrated throughout Russia and Europe both in academic and public circles, he is little known to the American people, and English-speaking peoples. In academic circles, scholarship on Shmelyov in the English language is extremely limited. …

Russian Civic Criticism And The Idyllic Dream In Ivan Goncharov’S “Oblomov”, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

Nikolai Dobroliubov’s and Dmitrii Pisarev’s reviews of Ivan Goncharov’s novel Oblomov have gone into history as exemplars of Russian civic criticism. Their main argument centers on the eponymous protagonist’s seeming inability to exit his lethargic condition, which they interpret as a symptom of the Russian status quo at the time of the Great Reforms. In the present article, I argue that the case of Oblomov demonstrates the limits of the civics’ mimetic criticism. The dominant chronotope of the novel, namely the idyll, indicates that Oblomov is not in essence a novel about the hero’s inability to change (which would presuppose …

Mark Twain On The Soviet Silver Screen: Stalinist Laughter And Anti-Racism In Tom Soier, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

This article is an analysis of the Soviet film Tom Soier, an adaptation of Mark Twain’s Tom Sawyer and Huckleberry Finn released in 1936, at the height of the Stalinist period. In the article, the author places the film in the context of the Soviet support of the Black struggle against racial segregation in America by showing how Tom Soier creatively combines the plots of Twain’s novels in order to propagate an antiracist message. Furthermore, by casting African American actors in the roles of Black enslaved characters, the film also engages with what Steven Lee has called the ethnic …

Raising The Iron Curtain: Healing Collective Oppression Through Literature, Alisa Chirkova-Holland

Student Works

One Day in the Life of Ivan Denisovich, by former gulag prisoner Alexander Solzhenitsyn, is a short novel that entails an ordinary day for a prisoner, Shukhov, in a Siberian gulag. Although the work is a typical skaz, a traditional Russian narrative form, the novel was well-received by Russians at the time of publishing in 1962. This paper will explore the reason for such acclamation, understanding how Solzhenitsyn’s innovations to the skaz allowed readers to connect with their past. The paper also mentions theories such as Traumatic Realism to comprehend how such a bleak novel positively impacted post-Stalinist readers. …

Review Of The Art And Science Of Making The New Soviet Man In Early 20th-Century Russia By Yvonne Howell, Nikolai Krementsov, Tim Harte

Russian Faculty Research and Scholarship

No abstract provided.

Writing Outside The Soviet Canon: Aleksandr Kozachinskii's "The Green Wagon" As Roman A Clef And Odesa Memoir, Cassio F. De Oliveira

World Languages and Literatures Faculty Publications and Presentations

This essay analyzes Aleksandr Kozachinskii’s 1938 Russian-language novella “The Green Wagon” as a roman à clef and exemplar of the Odesa Myth that has been unjustly neglected in literary scholarship. Reasons for the neglect of “The Green Wagon” include the historical context of its publication, between the Great Purges of 1936–1938 and the outbreak of World War II; Kozachinskii’s untimely death; and the conventional interpretation of the novella that reduces it to a fictionalized account of Kozachinskii’s friendship with Evgenii Petrov in Odesa during the early Soviet period. Against such a reductionist reading, and on the basis of recent archival-based …

The Illustrated Ivan: Ivan Iv In The Illustrated Chronicle Compilation, Charles J. Halperin, Ann M. Kleimola

Russian Language and Literature Papers

The surviving segments of the incomplete Illustrated Chronicle Compilation (LLS), in both text and miniatures, present a consistently positive image of Ivan IV as pious, just and competent, although the portrayal of individual events could vary. Nevertheless they also sometimes portray him as not in control of his elite, his subjects or events. If Ivan had to restore order by punishing those who had acted unjustly without his permission, then he had obviously failed to prevent such misdeeds. The miniatures in LLS present a cohesive image of the Public Ivan, despite the various stages of completion of individual segments, efforts …

Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine

Faculty Journal Articles

This article discusses the Russian precursor to Humbert’s explicit “kingdom by the sea”: Pushkin’s mock-epic Ruslan and Liudmila (RL). An amalgam of Slavic and Western folklore that scandalized the reading public in its day, Pushkin’s work underpins Nabokov’s own transnational position as a writer whose splash onto the Anglophone scene was accompanied by similar outcries of smut and pornography. In addition to a multitude of fairy-tale sources already documented in the scholarship, Lolita’s cluster of mermaids, sleeping beauties, dark magic, invisibility, pursuit and captivity, physical topography, and “brothers”-rivals finds in Pushkin’s RL a synthesizing subtext. Moreover, Pushkin’s play …

A Russian Gil Blas, Or The Adventures Of Prince Gavrilo Simonovich Chistyakov, Vasily Trofimovich Narezhny, Ronald D. Leblanc (Translator)

Faculty Publications

Although Vasily Trofimovich Narezhny (1780-1825) is generally considered to be one of the pioneers of the modern novel in Russia, his works have yet to be sufficiently recognized for their many artistic merits. He receives little critical attention in most histories of the rise of the novel in early nineteenth-century Russia. Born in Ukraine, but educated in Moscow, Narezhny wrote lengthy satirical novels imbued with a sardonic tone and an earthy brand of realism that tended to offend the refined aesthetic sensibilities of many contemporary followers of Nikolai Karamzin and his dominant school of literary Sentimentalism during the early years …

I Return My Ticket, Caroline Caldwell

Honors Scholars Collaborative Projects

This project serves to open up an accessible way to introduce people to Fyodor Dostoevsky’s masterpiece novel, The Brothers Karamazov. Questions around human nature and the problem of evil are enduring and I have found more peace in the works of Dostoevsky than anywhere else. I know, however, that Russian literature and long novels in general are incredibly intimidating, so I chose to follow in the footsteps of Dave Malloy and his work Natasha, Pierre, and the Great Comet of 1812 to create an approachable and engaging avenue to consume Dostoevsky in a more palatable fashion. Knowledge of other cultures …

This Land Is Your Land: Andrei Bitov Travels Through The Caucasus, José Vergara

Russian Faculty Research and Scholarship

The present article examines Andrei Bitov’s Lessons of Armenia (Uroki Аrmenii) and A Georgian Album (Gruzinskii al’bom) as examples of subversive late-Soviet travel writing. While some scholars have noted imperialist tendencies in the two travelogues, I argue that Bitov effectively challenges the colonial perspective. Besides considering the Soviet state’s push for travel writing and tourism while Bitov was writing his texts, the article uses Mary Louise Pratt’s deconstruction of colonialist travel writing as a theoretical framework. Adapting and extending her work, I examine how Bitov consistently deploys and subverts three key devices: mastery of the seen/scene, …

Review Of 'Nabokov In Motion: Modernity And Movement' By Yuri Leving, Tim Harte

Russian Faculty Research and Scholarship

No abstract provided.

Starry-Eyed: Elena Shvarts As "The Girl With One Hundred Forty-Eight Birthmarks, Laura Little

Slavic Studies Faculty Publications

No abstract provided.

Becoming An Andegraund Poet: Elena Shvarts And The Literary Environment Of The Late Soviet Era, Laura Little

Slavic Studies Faculty Publications

My dissertation focuses on Elena Shvarts (1948-2010), a Russian-language poet of the “unofficial” culture that flourished alongside state-sponsored arts in the post-war USSR. I ask how Shvarts became a leading talent of her generation in 1960s-1970s Leningrad, producing a substantial and sophisticated body of work without access to traditional print audiences. Studying Shvarts’s strategies for self-realization enhances our understanding of the forces that shaped late Soviet literature and the cultural field of dissidence from within and without. I trace her formation and rise to recognition, interweaving discussions of the political, literary, and social environment of her youth and early adulthood …

Flap Your Wings For Goodbye: Avian Imagery In Sasha Sokolov’S Between Dog And Wolf, José Vergara

Russian Faculty Research and Scholarship

The present article explicates a selection of bird imagery in Sasha Sokolov’s second novel, Between Dog and Wolf (1980). It analyzes the author’s use of certain birds and their folkloric and mythological subtexts for symbolic purposes. In particular, he pairs his protagonists with key birds (hoopoe, lapwing, goose, magpie, albatross) to underscore aspects of their personalities, behaviors, relationships, and experiences. This ornithic imagery emphasizes how the characters cannot overcome their temptations and other base feelings to attain higher meaning and ultimately remain bound to the physical, natural world. (For a plot synopsis of Between Dog and Wolf, please consult …

Mayakovsky On The Land, Ludmila Lavine

Faculty Journal Articles

It is surprising that the poet whose self-proclaimed mission was to give city streets a language turned to publicizing farming collectives. No less noteworthy is the poet of internationalism working on the ethnocentric Crimea project of advertising Jewish agrarian communities. This paper addresses Mayakovsky’s collaboration on the film Evrei na zemle (Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that in these works the poet reshuffles the svoi-chuzhoi dichotomy. While using the Moses story of exile and liberation, the poet both domesticates the Jew …

Review Of La Bella España: El Teatro De Lope De Vega En La Rusia Soviética Y Postsoviética By Veronika Ryjik, Slav N. Gratchev

Modern Languages Faculty Research

There are certain writers whose importance only grows with time, and the longer the distance that separates us from them, the more facets of their genius they demonstrate to us, the readers of the twenty-first century. One of these authors is Lope de Vega. The new book of Veronika Ryjik now makes another major contribution to the scholarship of a great master who was well known and admired in Soviet Russia. It is indeed a serious study and one that fermented in the mind of the scholar for more than ten years – the true symbol of a truly remarkable …

“Le Soleil De France”: Warm Translations Of Guy De Maupassant In Works By Isaak Babel’ And Ivan Bunin, Cassio De Oliveira

World Languages and Literatures Faculty Publications and Presentations

In the wake of Lev Tolstoi’s appraisals of his work, Guy de Maupassant was embraced by Russian twentieth-century authors who admired his mastery of the short story. The Soviet writer Isaak Babel’ and the émigré writer Ivan Bunin reference stories and other texts by Maupassant in their stories ‘Guy de Maupassant’ and ‘Bernard’. To these authors, Maupassant constitutes a means of expressing their own outlook on the craft of literature. Mediated by the act of translation from French into Russian, Maupassant’s writing enables the Russian authors to articulate distinct identities regarding their national literature: as Soviet and émigré.

Intertextuality, Aesthetics, And The Digital: Rediscovering Chekhov In Early British Modernism, Sam Jacob

Modernist Short Story Project

Mark Halliday’s poem, “Chekhov,” published in 1992, raises a simple yet profound question regarding the Russian playwright and author, Anton Chekhov: What do we get from Chekhov? Considering the present article’s particular focus, Halliday’s query may be used to ask how Chekhov influenced early modernist writers (circa 1900-1930) from the British literary context. However, when considering the amount of scholarly work devoted to this question, the initial simplicity of Halliday’s inquiry evaporates, giving way to a breadth of complexity, nuance, and ambiguity. Such ambiguity has led scholars attempting to trace the intertextual convergence between Chekhov and the early modernist writers …

Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine

Faculty Journal Articles

Images of Jewishness as ethnic, cultural, and biblical categories in Vladimir Mayakovsky’s works are both plentiful and understudied. The present article attempts to bridge this gap while exploring the mechanisms that guide the poet’s responses to anti-Semitism. I begin by focusing on the function of the Exodus story in Stikhi ob Amerike(Verses about America), and then move to Mayakovsky’s “agitational” works: his collaboration on the film Evrei na zemle(Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that, while Mayakovsky continues the established …

Introduction. Dialogues With Shklovsky: The Duvakin Interviews 1967-1968., Slav N. Gratchev, Irina Evdokimova

Modern Languages Faculty Research

Dialogues with Shklovsky: The Duvakin Interviews 1967–1968 reflects the spirit of times—when the most dramatic events of the twentieth century were happening in Russia and the USSR. The first English translation of the 1967–1968 interviews with the founder of the Formalist School of literary theory, Viktor Shklovsky, this volume offers a slice of Russian micro-history that relies on the living voice of that history. Through the transcription of a six-hour phono-document, the readers will hear the voice of a real participant in events that for the longest time in the USSR were forbidden to be discussed or written about.

The Embodied Language Of Sasha Sokolov’S A School For Fools, José Vergara

Russian Faculty Research and Scholarship

No abstract provided.

Don Quixote In Russia In The 1920s-1930s: The Problem Of Perception And Interpretation, Slav N. Gratchev

Modern Languages Faculty Research

This study logically continues my previous examination of the perception of Don Quixote in Russia throughout the early twentieth century and how this perception changed over time. In this new article, which will be the third in a sequence of five, I will again use a number of materials inaccessible to English-speaking scholars to demonstrate how the perception of Don Quixote by Russian intelligentsia shifted from being skeptical to complete admiration and even glorification of the hero. Don Quixote was increasingly compared with Prometheus, the most powerful and most romanticized personage of Greek methodology. Indeed, “. . . начав юмористический …

Syllabus: “Until It Was No More:” The Cold War And The Fall Of The Ussr In Literature And Film (Russian 221), Anna Aydinyan

Russian 225: “Until It Was No More” The Cold War and the Fall of the USSR in Literature and Film

No abstract provided.

Mikhail Bakhtin’S Heritage In Literature, Arts, And Psychology. Introduction, Slav N. Gratchev, Howard Mancing

Modern Languages Faculty Research

This volume celebrates hundred years of Bakhtin’s heritage: in September 13 of 1919 in the literary journal Den Iskusstva (The Day of the Art) was published the first work of Mikhail Bakhtin, Art and Answerability, the work that became his literary manifesto.

This book aims to examine the heritage of Mikhail Bakhtin in a variety of disciplines. To achieve this end, we drew upon colleagues from eight different countries across the world--United States, Canada, Spain, Great Britain, France, Russia, Chile, and Japan--in order to bring the widest variety of points of view on the subject. But we also wanted …

The Centrality Of Human Freedom In Dostoevsky And Huxley, Evelyn J. Hylton

Masters Theses

Fyodor Dostoevsky learned the hard way that human beings need to be free. In a Siberian prison camp, a four-year period which would later inspire his semi-autobiographical prison memoir Notes from a Dead House, he was forced to come to terms with the realities of life under severe constraint and without the freedom for self-actualization, which convicted him of the dangers of the Westernized liberalism he once embraced. Dostoevsky’s transformed understanding of humanity and its need for individual freedom eventually matured to form the moral and philosophical foundations of his final novel, The Brothers Karamazov, whose support of the centrality …

The Distorted Images And Realities Of Andrei Bitov’S Literary Photographs., José Vergara

Russian Faculty Research and Scholarship

Although Andrei Bitov’s best-known exploration of photography remains “Pushkin’s Photograph (1799–2099),” in which a young Pushkinist travels into the past to capture the poet’s image on film, this motif in fact appears throughout many of the author’s major works. This study addresses the two conflicting stances regarding photography that Bitov develops across a variety of genres. On the one hand, the manner in which a photo attempts to freeze or distort reality according to a particular worldview deeply disturbs his narrators, both fictional and semi-autobiographical. It becomes a tool for manipulation in texts such as “View of the Trojan Sky” …

Depictions Of Fear In Lev Tolstoy's Sevastopol Sketches And Stephen Crane's The Red Badge Of Courage, Ralph Willard Schusler Jr

FIU Electronic Theses and Dissertations

The purpose of this thesis was to examine and compare two iconoclastic works dealing with war as experienced by combatants. So much of modern war fiction takes this perspective that one is hard pressed to imagine a time when such was not the case; the watershed was marked in the above named works by the aforementioned writers, which, and who, were first in putting readers inside the heads of common soldiers facing mortal danger. These pioneering authors opened the door to modernist writing about boundary situations involving existential threat, as well as the psychological reactions they evoke – especially fear. …

The Genetics Of Morality: Policing Science In Dudintsev’S White Robes, Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

The Men and women in White Robes (Belye odezhdv), Vladimir Dudinstev's fictional account of the banning of genetics in the Soviet Union, are acutely aware that in the 20th century, the study of the fruit fly is the study of man. The key to unraveling the mystery of human nature lies in the easily observed chromosomes of the forbidden fly (drosophila melanogaster). Under Stalin, the banned geneticists were branded “Morganists” after their hero Thomas Hunt Morgan, the Columbia University researcher who pioneered the technique of mapping locations on drosophila chromosomes to specific traits in the flies. To …

An Unusual State Of Matter (Russian Translation), Victor Fet

Biological Sciences Faculty Research

A selection of science poems by Roald Hoffmann (Cornell University). Translated into Russian by Victor Fet. Dedicated to the 80th birthday of this famous chemist.