Arts and Humanities Commons^™

Sounds Of The Reich: Nazi Party Radio And Speeches, Katelyn Hanners

Undergraduate Research Symposium

Radio broadcasts and speeches were key aspects of Nazi regime propaganda. From March 1927 to when the Nazi party won power in March 1933, Hitler made 455 public appearances, reaching close to 4.5 million people. Radio was the leading medium during the Great Depression and during all of WWII. Nazi propaganda focused on the effectiveness of the message, not the means through which it was relayed. Nazis liked simplistic and straightforward ideas with no underlying interpretations. Studies have shown that campaigns do not change the opinions of the masses. Rather, they confirm what the people already believe. In the case …

تَغْطِيَةُ قَضَايَا الطِّفْلِ فِي الصُّحُفِ الفِلَسْطِينِيَّةِ اليَوْمِيَّةِ: دِرَاسَةٌ تَحْلِيلِيَّةٌ مُقَارَنَةٌ, أيمن أبو نقيرة استاذ مساعد, أبرار الأغا

Journal of Al-Azhar University – Gaza (Humanities)

الملخص:

هدفت الدراسة التعرف إلى دور الصحف الفلسطينية اليومية في تغطية قضايا الطفل المحلية والعربية والعالمية، برصد محتواها وشكلها، والوقوف على أوجه الاتفاق والاختلاف بينها. وهي دراسة وصفية، استخدمت منهج المسح، وفي إطاره تمّ استخدام أسلوب تحليل المضمون، كما واستخدمت الدراسة منهج دراسة العلاقات المتبادلة، وفي إطاره تمّ استخدام أسلوب المقارنة المنهجية، وكانت استمارة تحليل المضمون أداة الدراسة.

وأجريت الدراسة على جميع الصحف الفلسطينية اليومية، باستخدام أسلوب الحصر الشامل، وباختيار عينة زمنية منتظمة مدتها (16) يومًا، من1-1-2015م حتّى 31-12-2015م، واعتمدت الدراسة على نظرية ترتيب الأولويات.

وأظهرت نتائج الدراسة؛ تركيز الصحف الفلسطينية اليومية على قضايا اعتداءات الاحتلال الإسرائيلي على الأطفال بالمركز …

Music Video Review: "O Superman" - Laurie Anderson, Jacob Thomas (Kiko) F. Yago

Backstage Pass

Laurie Anderson's "O Superman" music video is a commentary about the progression of technology. https://www.youtube.com/watch?v=Vkfpi2H8tOE

A Line In The Sand Album Review, Robert N. Moore

Backstage Pass

On July 3rd, 2020, American Arson released their first full-length album. A Line In The Sand has a tight and powerful sound while still feeling raw and untamed, thanks to the help of high production standards. The lyrics somehow find a balance between bold, catchy, and beautiful. Their message mainly revolves around the current American socio-political sphere, challenging their listeners to seek compassion and unity instead of giving into apathy and ignorance.

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Ishmael Album Review, Robert N. Moore

Backstage Pass

This is an extensive review of the metal album Ishmael, written, performed, mixed, mastered, and released all by Jared Smith. The album combines religion, intricate guitar riffs, and metal to create an avant-garde piece of art.

Copyright And Copywrong, Noah Granard

Backstage Pass

This paper attempts to offer a critique of the music industry and modern copyright law via analysis/individual case study in order to provide suggestions for possible reform. Topics include: background information and commentary on the status of the public domain, why the current laws/statures hamper creativity, and what steps should be taken next to remedy these issues. In order to both promote new music, while also respecting the intellectual property of artists and groups with existing content, there must be genuine reform at the highest levels; copyright and music industry laws must stem from the basis of supporting artists and …

A Guide To Digital Marketing For New Creators, Lexi Gerbino

Backstage Pass

This is a guidebook and primer in the use of social media for marketing music, arts or any product or service using freely available online resources. The author explains the basic approaches to building up an online audience and following, emphasizing do-it-yourself (DIY) organic, cost-effective outreach tactics. Paid strategies are also discussed. The author has been involved in various grass roots social media marketing campaigns and draws on their own experience, as well as that of other marketing practitioners who were interviewed as part of the project to inform the recommendations found in this guidebook.

Producer Interview: Teak Underdue, Kris Jones

Backstage Pass

This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.

Industry Profile: Tour Manager, Lisa Policaro, Elizabeth Shearrow

Backstage Pass

Lisa Policaro is a Tour Manager from Long Island, New York with over 20 years of experience in the music business. She has worked in all areas of the industry from Interning for Columbia Records to working her way up to being Tour Manager. In this interview, Lisa talks with Elizabeth Shearrow (‘23) about how she got her start in the industry, what qualities students need to have to become a Tour Manager, and how COVID-19 has impacted her career.

Letter From The Editor-In-Chief, Keith Hatschek

Backstage Pass

Outgoing Editor-in-Chief, Keith Hatschek, relates what accomplishments the editors of the journal have achieved, as well as previewing the content from this issue.

A Feminist History Of The Roland Mc-505, Cameron Davis

Seaver College Research And Scholarly Achievement Symposium

A Feminist History of the Roland MC-505

Abstract

Roland’s MC 505 is a small portable music production instrument also known as agroovebox that functions as a programmable sixty-four note polyphonic synthesizer and drummachine with twenty-six interchangeable drum kits to use in various combinations. (1) The groovebox is equipped for both audio recording and live performance, both of which are analyzed in this research. The machine has many innovative elements that have carried over into modern music technology as well as some limitations that have since been left behind. This study acts as a historical evaluation of the growth and improvements …

The View From Somewhere: A Review, Robert S. Boynton

RadioDoc Review

Lewis Raven Wallace was fired from Marketplace for questioning the mainstream media's conception of journalistic neutrality. He developed his critique in his 2019 book, The View From Somewhere: Undoing the Myth of Journalistic Objectivity, a podcast of the same name, and in several ancillary products. Wallace concludes that “objectivity is a false ideal that upholds the status quo”, and news judgement has less to do with objective criteria than with “who controls the narrative, whose narratives matter, and how the appearance of mattering is created in a society rife with entrenched inequality”.

Mf024 Maine Public Broadcasting Network, Special Collections, Raymond H. Fogler Library, University Of Maine

Northeast Archives of Folklore and Oral History Finding Aids

Collection of various recordings by Maine Public Broadcasting Network. Copyright belongs to original broadcaster. For reference and educational use only. May not be copied.

NA1346 Esther Wood, interviewed by Virgil Bisset, Maine Public Broadcasting Network, 1980, Blue Hill, Maine. 29 pp. Tape: 2 hrs. w/ cat. Two radio interviews with Wood, Prof. Emeritus, Gorham State Teachers College, about her memories of rural life; Maine schools; spring house cleaning; spring signs; Memorial Day.

NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, …

How Interesting Is This To You: Rating The Interestingness Of Auditory Clips, Hanna Zakharenko, James R. Unverricht, Yusuke Yamani

Psychology Faculty Publications

Modern technological environments integrate multiple devices, competing for limited attentional resources of users. This study aimed to validate the auditory stimuli used in Horrey et al. (2017) with a college student population and examine the psychological structure of task engagement. Thirty-nine students listened to thirty-nine auditory stimuli used in Horrey et al. (2017) for their level of engagement. Participants rated how interesting they found the material on a slider from -7 (boring) to 7 (interesting) while listening to each clip. Participants also rated levels of difficulty, entertainment, and likelihood to attend to each clip. Participants who rated high on difficulty, …

Narrative Justice: Somebody Delivers The Answers That Police Will Not, Neroli Price

RadioDoc Review

By investigating Courtney Copeland’s 2016 murder, the podcast series Somebody (2020) does the work that should be done by police. Narrated by Courtney’s mom, Shapearl Wells, the series not only decentres the official police narrative, but also opens up alternative paths towards seeking justice. Situated within the Black Lives Matter movement, calls to defund the police and questions about the usefulness of “objectivity” in journalism, Somebody attempts to put systemic violence on trial and hold those in power to account. Challenging extractive forms of journalism, Somebody moves towards a model of shared authority between producers and their sources. This review …

Tools Of Rescue: A Review Of Silencio Para Rescatar: Documental Sonoro, Sonia Robles

RadioDoc Review

In this audio documentary, Mexican cultural promoter and sound artist Abraham Chavelas recounts rescue activities in which he took part after a 7.1 magnitude earthquake rattled Mexico on 19 September 2017. Answering a call for help, Chavelas was assigned to a collapsed factory where an unknown number of undocumented Asian and Central American women working as seamstresses were trapped under the rubble. For two days, he aided rescue efforts by using a high-tech microphone to help determine whether or not there was life under piles of concrete, glass and debris. Chavelas used the audio he gathered before the Mexican Marines …

Mysteries Solved And Unsolved In The Search For The Missing Cryptoqueen, Claudia Calhoun

RadioDoc Review

The Missing Cryptoqueen, produced for BBC Sounds by Jamie Bartlett and Georgia Catt, investigates the cryptocurrency scam fronted by Dr. Ruja Ignatova, self-described “cryptoqueen.” The series benefits from the engrossing complexity of a sprawling conspiracy: The podcasters travel across continents to find both the scammers and their victims, making important stops in the U.K., Germany, Bulgaria, the Netherlands, and Uganda. The series also benefits from its own breathless narration, which keeps listeners in the present-tense of the storytelling. This was an especially compelling series for the large audience who listened as the weekly episodes were released, as the series integrated …

Pirate Radio Proves Invaluable To Immigrant Communities During The Pandemic — But The Fcc Isn’T Having It, May Olvera

Capstones

In January 2020, congress passed the PIRATE Act into law, expanding the legal consequences for operating pirate radio tenfold. Although the FCC claims that the reason they are cracking down on pirate stations — that is, stations broadcasting on regulated airwaves without an FCC license — is that they could interfere with emergency messaging, the pandemic has proven otherwise; there is no evidence of pirates interfering with official safety warnings. In fact, most pirate stations are run by immigrants speaking in their native tongue and they have been able to provide vulnerable and underserved communities with the information they need …

Koam Collection, 1936, Special Collections, Leonard H. Axe Library

Finding Aids

Court proceedings in Washington, D.C. on March 9 and 10 of 1936 on the application for a construction permit, frequency request, and power request for a radio station in Pittsburg, Kansas by the Pittsburg Broadcasting Co. The proceedings discuss the logistics of building a station and tower, the range and possible interference from other stations, positions and duties of the people involved, and the broadcasting situation.

Quincy: A Documentary Review, Analy Cruz

Backstage Pass

This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.

Amy: A Film Review, Lucas Dehner

Backstage Pass

A review of the 2015 documentary film, Amy.

Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino

Backstage Pass

No abstract provided.

Bohemian Rhapsody: A Film Review, Ailey Butler

Backstage Pass

This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.

Metallica: Some Kind Of Monster Film Review, Ceara J. Costa

Backstage Pass

This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.

A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton

Backstage Pass

The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.

Rock Of Ages Film Review, Sarah Werth

Backstage Pass

This is a critique of the 2012 musical film, Rock of Ages.

Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield

Backstage Pass

This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.

Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal

Backstage Pass

This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.

The Big Payback Book Analysis, Isaiah Smith

Backstage Pass

This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.

The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr

Backstage Pass

This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!