Arts and Humanities Commons^™

Harriet Jacobs And Toni Morrison: A Tradition Of Narrative Resistance, Allyson L. Molloy

Theses and Dissertations

This article considers historical constructions of power and the narrative as a mode of resistance. Working in different centuries, under extremely disparate circumstances, Harriet Jacobs in Incidents in the Life of a Slave Girl and Toni Morrison in her novel The Bluest Eye, utilize specific narrative strategies to challenge and question institutionalized power which is evidenced through their deliberate employment of narrative strategies not only to challenge the institution of slavery or the hegemonic ideal, but also to question the racial and gender oppression systemic to those institutions of power.

Who Tells Our Story: Intersectional Temporalities In Hamilton, An American Musical, Andie Silva, Shereen Inayatulla

Publications and Research

This article examines the ways in which Hamilton: An American Musical can be read less as a historical account and more as a prediction of a future immigrant, who is called upon to (re)define US nationhood. Keeping with the tempo of the musical as well as the broader issues of time, space, and identity it attempts to address, this article is presented as a dialogical rap. The co-authors’ discussion frames Hamilton as an example of the power of unplottable, time-arresting immigrant bodies, to whom the colonial imposition of linear history does not apply. From this framework, the authors’ conversation shifts …

The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel

Dissertations, Theses, and Capstone Projects

Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …

Black Models Matter: Challenging The Racism Of Aesthetics And The Facade Of Inclusion In The Fashion Industry, Scarlett L. Newman

Dissertations, Theses, and Capstone Projects

The global fashion market is expanding every day, but often, the global fashion runways do not reflect that reality. On average, black models make up for six percent of models used on the runway during the fashion month calendar. This small percentage is also mirrored in advertisements and editorials featured in popular fashion magazines. In the 1970s, black models were met with great opportunities, and that success trickled down into the 1980s and the 1990s. As the 90s came to a close, top designers opted for an aesthetic that ultimately excluded models of color, but black models beared the brunt …

Toward The Anthropology Of White Nationalist Postracialism: Comments Inspired By Hall, Goldstein, And Ingram’S “The Hands Of Donald Trump”, Jeff Maskovsky

Publications and Research

This article explains Donald Trump’s brutal political effectiveness in terms of his white nationalist appeal. It locates the intellectual, popular, and policy imperatives of Trumpism in a new form of racial politics that I am calling white nationalist postracialism. This is a paradoxical politics of twenty-first-century white racial resentment whose proponents seek to do two contradictory things: to reclaim the nation for white Americans while also denying an ideological investment in white supremacy. The article shows how Trump’s excoriation of political correctness, his nostalgia for the post–WWII industrial economy, his use of hand gestures, and his public speaking about race …

The Blurred Lines Of Cultural Appropriation, Jaja Grays

Capstones

For centuries, fashion designers, music artists and other celebrities alike have borrowed elements or styles from other cultures for personal gain. In my piece, "The Blurred Lines of Cultural Appropriation," I demonstrate the countless ways celebrities have appropriated different cultures whether at high-end fashion shows or live music performances. Cultural appropriation refers to a privileged culture borrowing or stealing from a marginalized culture-- striping elements of the culture to use it as a prop or for profit. I also discuss how to avoid cultural appropriation and engage in respectful cultural appreciation.

What The Tides May Bring: Political "Tigueraje" Disposession And Popular Dissent In Samaná, Dominican Republic, Ryan A. Mann-Hamilton

Dissertations, Theses, and Capstone Projects

My dissertation is a historical and ethnographic project that delves into the conflictive relationship between the development of the Dominican state and the formation of the community of the port city of Samaná. The African diasporic community of Samaná has actively constructed the local space throughout shifting political projects, while sustaining their collective voices against the waves of dispossession crashing on their shores. Using a combination of archival research, participant observation, oral history and ethnography, I document multiple instances of state intervention to understand how the Samaná community has been coerced over time to consent to these processes. I juxtapose …

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García

Dissertations, Theses, and Capstone Projects

My dissertation analyzes Dominican racial and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) opposition to the Haitian nation and to Haitian racial identity. I argue that although Dominicans have not developed an explicit verbal discourse of black affirmation, blackness (albeit a contextually contingent articulation) is embedded in popular conceptions of dominicanidad ("Dominicanness") and is enacted through music. My dissertation explores ways in which popular notions of …

Impact Of Ethnic Conflict On Development: A Case Study Of Guyana, Visnoonand Bisram

Dissertations, Theses, and Capstone Projects

The study presents an alternative framework, from the dominant political and economic theories, for explaining the feeble and relatively slow pace of development of an ethnically divided, resource rich country.

The study, using primary and secondary sources, empirical evidence, and interpretive analysis, examines the emergence and role of racial conflict and its stifling impact on national development in Guyana, which represents an extreme case of a society plagued by racial division. Organizations including labor unions and political parties, as well as occupations and aspects of the economy, among other social constructs, are all racially divided. Utilizing an inter-disciplinary (sociology, political …

Reconstructing The Nation: African American Political Thought And America's Struggle For Racial Justice, Alex Zamalin

Dissertations, Theses, and Capstone Projects

This dissertation examines how twentieth-century African American intellectuals engaged American political cultural beliefs central to American identity. A prominent argument of American political thinkers has been that the liberal-democratic ideals of freedom, equality, representative government, the rule of law, tolerance and civic obligation are what make Americans a unique people. From the immediate aftermath of the Second World War to the late twentieth-century such an argument provided American politicians, social movements and intellectuals a strong justification for divergent political claims, from Cold War warriors calling for the containment of Soviet Communism, to Civil Rights activists calling for racial integration to …

Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim

Publications and Research

"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …

Creole Carnival: Unwrapping The Pleasures And Paradoxes Of The Gift Of Creolization, Kevin Frank

Publications and Research

In this essay Kevin Frank goes against the current in questioning the social and intellectual embrace of the poetics of creolization, in terms of its the efficacy in subverting biases that underpinned colonial subordination and exploitation.