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Articles 1 - 30 of 53
Full-Text Articles in Arts and Humanities
Photo Essay: The Other Las Vegas, Ronald F. Reynolds
Photo Essay: The Other Las Vegas, Ronald F. Reynolds
Bridgewater Review
No abstract provided.
Sunset Beach, Nc Photograph, Joe Hiltabidel
Sunset Beach, Nc Photograph, Joe Hiltabidel
Joe Hiltabidel
This photograph was taken on Sunset Beach in the town of Sunset Beach, NC, in 2014. Tonemapping was used to adjust colors.
Paris Mountain @ Sunset, Joe Hiltabidel
Paris Mountain @ Sunset, Joe Hiltabidel
Joe Hiltabidel
This photograph was taken atop Paris Mountain in Greenville, SC, in 2014.
The Lake View Cemetery: Photographs From Cleveland's Historic Landmark, Barney Taxel, Laura Taxel
The Lake View Cemetery: Photographs From Cleveland's Historic Landmark, Barney Taxel, Laura Taxel
University of Akron Press Publications
The Lake View Cemetery, founded in 1869, was modeled after the great garden cemeteries of Victorian England and France. Over 107,000 individuals are interred on the sprawling 285 acre expanse that is located four and one-half miles from Cleveland's Public Square. According to a Plain Dealer report in 1870, the cemetery was designed to combine all the attractive features that "nature and true art can produce" to harmonize nature's alphabet-"stone, earth, wood and water." The landscape was laid out with broad avenues and shady walks "near the fountains in view of many a rustic pile [edifice] and quiet grave and …
Turning To See Otherwise, Jennifer L. Martin
Turning To See Otherwise, Jennifer L. Martin
Electronic Thesis and Dissertation Repository
This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …
A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
Electronic Thesis and Dissertation Repository
What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …
Anatomies Of Melancholy, Lindsy Caitlin Barquist
Anatomies Of Melancholy, Lindsy Caitlin Barquist
Graduate Theses and Dissertations
The works presented in "Anatomies of Melancholy" explore the residual affects of pain and trauma through photography. By combining personal stories with documentary photography this body of work conveys a tension between the (in)visibility of pain and the need to speak*. Through the process of spending time with individuals and discussing their personal trauma while making photographs, I hope to acknowledge and even conserve the pain of others. Though the images do not include a narrative of the subjects' pain, they are able to communicate and begin a visual discourse. The raw and emotive images become a platform for the …
Observance: A Record Of Experiments, Olivia L. Mosley
Observance: A Record Of Experiments, Olivia L. Mosley
Undergraduate Theses—Unrestricted
Thesis writing on the work of Olivia Mosley, Bachelor of Fine Arts candidate in Printmaking at Washington University in St. Louis. Engaging with a diverse history of photography and observation through the theoretical writings of Barthes, Berger, Didi-Huberman and others, Mosley conducts a series of visual experiments as part of her art practice in an attempt to expand her visual knowledge. Exploring the concepts of visualization, observation and the role technology plays in both of the aforementioned activities, Mosley’s work is discussed alongside the visual contributions of scientists, artists and hobbyists experimenting with the photographic medium throughout history, including, Wilhelm …
Shtetl, Franklin I. Lieberman
Shtetl, Franklin I. Lieberman
Lawrence University Honors Projects
Shtetl looks at the Jewish community as a whole by focusing on the individuals within it. Jews are an incredibly diverse people. They come from all walks of life and racial backgrounds. Contrary to popular belief, there is no stereotypical Jewish person. Not all Jews are rich, nor do they all have curly dark hair and big noses. By being forced to look at the individuals within the community together, it becomes clear that while all of these individuals are Jewish, and therefore bound to each other because of it, they are all different and break this stereotypical mold.
The Value Of Everything Is Nothing, Jason Dawes
The Value Of Everything Is Nothing, Jason Dawes
Electronic Theses, Projects, and Dissertations
Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity …
The Camera Marches To War, Thomas J. Luck
The Camera Marches To War, Thomas J. Luck
Manuscripts
"Since the United States is engaged in a deadly struggle for its very exsistence, every industry and every man, woman, and child must alter their peace-time operations so as to fit into the war program," declared Paul V. McNutt, Federal man-power commissioner, in a recent speech. Nowhere is the will for readjustments to fit the war program any greater than in industry. The photographic profession has especially made a large contribution to the geared-up production, and the results of these changes may bring about new types of endeavor for the profession.
Lonely Sunflower, Aubrey E. Gedeon
Balloon, Abigail A. Campbell
Hadzabee Mother And Child, Aubrey E. Gedeon
Zebra Longwing, Madeline A. Price
Winter, Abigail A. Campbell
Floating By, Megan E. Zagorski
African Sunset, Aubrey E. Gedeon
Wind, Abigail A. Campbell
Hadzabe Smoker, Aubrey E. Gedeon
Under The Mangroves, Madeline A. Price
Artistic Fungus, Madeline A. Price
Cape Cod Sunset, Madeline A. Price
Hadzabe Feast, Aubrey E. Gedeon
Gravity, Abigail A. Campbell
Photo Essay: Glacial Waters, Ivana George
Familial Dialects, Amanda King
Familial Dialects, Amanda King
MFA in Photography and Integrated Media Theses
Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …
Isolation Nation: Representations Of The United States In The Photographs Of Rémi Noël, Pascal Aimar, Yves Marchand And Romain Meffre, Mary Elizabeth Downing
Isolation Nation: Representations Of The United States In The Photographs Of Rémi Noël, Pascal Aimar, Yves Marchand And Romain Meffre, Mary Elizabeth Downing
Masters Theses
Visions of America vary greatly. There is an extensive variety found in foreign and domestic portrayals of the United States and these representations are affected by both pro and anti-American ideologies. Such juxtapositions can be found in contemporary French photography. In analyzing the works of photographers, Rémi Noël, Pascal Aimar, as well as the collaborative works of Yves Marchand and Romain Meffre, I will argue that their vision of America is influenced by their own perceptions and their viewpoint as French artists. These photographers seek to picture their versions of Texas, Detroit, and New York in ways that reveal aspects …
Awful/Awful: An Archive Of Light Embarrassments, Teysha Vinson
Awful/Awful: An Archive Of Light Embarrassments, Teysha Vinson
Boise State University Theses and Dissertations
The difficulty of representing intangible religious ideas is at the core of Awful/Awful: An Archive of Light Embarrassments. Through an interest in how light is discussed in the Bible as a symbol for God and his fellowship, I make imagery that both repulses me and intrigues me but never do I get to the point where I feel the work encapsulates any answers. Instead, the photographs are questions, archived, unable to represent this light of God on their own without being trite or obtuse. The arranged work on the walls consists of these photographs plus a few ephemera from my …
The Clearly Fuzzy Line: The Aesthetics Of Photo Documentation, Schuyler Miller
The Clearly Fuzzy Line: The Aesthetics Of Photo Documentation, Schuyler Miller
Honors Projects and Presentations: Undergraduate
From its conception, the purpose of photography has been to record. At first, only the most stationary objects could be photographed, even walking pedestrians would appear invisible!on film, but technology would quickly catch up to imagination with faster shutters, more sensitive film and smaller cameras. Now, recording a moving world and all the things that move in it is possible and from this potential the profession of the documentary photographer was created. While the advancement in technology made photographic reporting possible, there was the debate on photography’s consideration as art.