Arts and Humanities Commons^™

False Eidetic, Zach Sockol

Student Projects

Do memories still exist if they are forgotten?

Memories define the soul. They are created to outlast the experience, but what is left behind? A moment in time captured with the lens of the mind, it is intangible. These memories shape our worldview, our thoughts, our reality. It is the culmination of these experiences that makes us who we are, yet through reminiscence, those moments are viewed so clearly in your mind that to you it is the truth, only to hear someone else remember it completely differently. Does this mean our memories aren’t real? Will we ever be able …

Generations, Jayla Watkins

Student Projects

Understanding your family can be the starting point of understanding your personal identity. Coming of age, you begin to view your family members as individuals as opposed to their titles of “Mother” or “Grandmother” names that once seemed to elude that she possessed some sort of supernatural power. As Jayla Watkins looks across 3 generations of her family, she sees different versions of the same person affected by life experiences, environments, and choices. Some oddly similar and some worlds apart. Understanding the generations of woman before her helps inform the woman she is becoming.

With influences such as Deana Lawson …

Reclamation: The Towns Of The Virginia Coalfields, Craig Owens

Electronic Theses and Dissertations

The photographer discusses his work in Reclamation: The Towns of the Virginia Coalfields, a Master of Fine Arts thesis exhibit held at the Tipton Gallery from February 12th through February 23, 2024. The exhibition focuses on coal towns located in the southwestern part of Virginia. The exhibition consists of 20 framed, archival inkjet prints. Each framed work is 36” x 24” and is representative of the artist’s exploration of the towns. A catalog of the exhibit is included at the end of this thesis.

Owens examines formal and conceptual artistic influences, both historical and contemporary. Historic and contemporary photographic …

Makeher, Maeve R. Wallace

Student Projects

Makeher is a multi-media work that grapples with the existential dilemma of creation within the context of our increasingly unreliable world. Anchored by a concern for the implications of childbirth, my art studies themes of life's genesis and the world we leave behind.

My subject matter, an amalgamation of mirrors, planets, silver, body parts, hair, and tights, are tools with which I explore these themes. Using silver fabric, I abstract the human form. By integrating disassembled body parts with mirrors, I reflect on the fragmented and multifaceted nature of the human existence. This process is not just about the creation …

Double Exposed Perspectives, Michael J. Leeson

Student Projects

Humans have always stumbled through time, whether each person lived or not is another question. Connecting, experiencing, and feeling dissolve existence into living. Inspired by artists Richard Mosse and Cara Romero who use alternative methods to present perspectives, Michael Leeson uses 35mm film in collaboration with friends from around the United States to do the same.

Leeson ships a variety of black and white film types and a film camera if they do not have one to his collaborators (some who have never shot film before) giving them a wide direction of “shoot your everyday life and vulnerability”. Leeson refuses …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

Images in the Charles Clarke Circus Photographs Collection document the Ringling Bros. and Barnum & Bailey Circus in the 1920s. Clarke, a leaper in the world-renowned aerial act, The Clarkonians, would have been in a relatively unique position to capture views of the circus from the vantage point of an insider. The resulting images carry the weight of that perspective. The photographs document important aspects of the circus, showing performers like Lillian Leitzel and May Wirth, spectacle wardrobe, practices and performances in the ring, and quieter moments behind the big top.

The images document a particular point in time, freezing …

"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Translating Heimat In Multilingual Dortmund, Kristin Dickinson

Studies in 20th & 21st Century Literature

Named for the people of 132 different nationalities photojournalist Peyman Azhari encountered in northern Dortmund over the course of a year, the photo collection Heimat 132 (2014) stands as testament to the many ethnicities, religions, and languages this neighborhood is home to. In my paper, I read Azhari’s photographs as sites of translation capable of reclaiming a critical understanding of Heimat (home or homeland) that is fundamentally multilingual. I do so by first exploring the link between racially and ethnically exclusionary definitions of Heimat and the all-too-common assertion that Heimat is an untranslatable word. Each approach, I argue, rests on …

Archaeological Photography: The United Kingdom, Madeline Scholten

WWU Honors College Senior Projects

Archaeological photography is an interdisciplinary aspect of archaeological endeavors that is key in allowing archaeological finds to be accessible to a general audience. This facet is key in data collection and distribution within the field as it is to the general public.

Photography is something that people are exposed to, possibly even partaking in, on a daily basis, but photography goes a lot deeper than simply capturing a still image. The history of photography, and the ways photography has improved so many disciplines are things that are just as important as the camera itself, and yet not necessarily needed to …

North Florida Trees, Joshua M. Kuss

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

I began exploring manipulation and fabrication in the darkroom after a workshop in Alexander Diaz’s Introduction to Photography course. I have always had an affinity for nature, especially trees. I was especially moved by the barren trees seen during a cold North Florida winter. Growing up in Florida, I’m used to seeing the vast greenery brought by these trees, but there was just something about their emptiness during winter that really struck me. I wanted to capture and print them in a way that emphasized these qualities. Black and white film paired with splattering in the darkroom was …

Older Women’S Stories Of Covid-19 Loss: Communicated Narrative Sense-Making Through Photography, Anne Walker

Electronic Theses and Dissertations

The diverse array of challenges associated with the COVID-19 pandemic make it difficult to assess the full impact of this global health crisis. More than 300,000 older Americans died, leaving a nation of grieving survivors in their absence. This profound loss of life will undoubtedly inform the field’s understanding of grief and grieving for many years to come. Pre-pandemic, older women in the United States understood grief to be part of their life stage; COVID-19 amplified the grief experience through both cumulative losses and the isolation particular to the novel coronavirus response. However, few qualitative studies explore older women’s grief, …

After Little Women, To Amy March, Alex Aradas

The Echo

No abstract provided.

Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

No abstract provided.

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

No abstract provided.

My Sister, Caroline Prewitt

The Echo

No abstract provided.

Winter Begin-Ter, Kayla Burrell

The Echo

No abstract provided.

Good Girls, Bad Girls, Macy Petty

The Echo

No abstract provided.

Catch, Gabriella Williams

The Echo

No abstract provided.

Pocket Change, Emily Clancey

The Echo

No abstract provided.

Cries From The Tall Grass, Gabriella Williams

The Echo

No abstract provided.

Cloudfall, Gabriella Williams

The Echo

No abstract provided.

For The Girl Who Had A Snake In Her Apartment Last Night, Alice Tyszka

The Echo

No abstract provided.

Motherhood, Laura Dame

The Echo

No abstract provided.

Setae, Gabriella Williams

The Echo

No abstract provided.

Trees That Burn At Night, Kayla Burrell

The Echo

No abstract provided.

Linear Reflections, Anna Timbes

The Echo

No abstract provided.

Making A Picture, Ciaran Francis

The Echo

No abstract provided.

When You're Old Enough To Drive, Alice Tyszka

The Echo

No abstract provided.