Arts and Humanities Commons^™

Injury Prevention Exercise Guidelines For Flutists, Ziqing Guan

Theses and Dissertations

Playing-related musculoskeletal disorders (PRMDs) have long been a common topic among performing musicians. There are studies of PRMDs specific to flutists, but not much detailed guidance of playing-related injury prevention has been provided. As increasing numbers of students have taken up the flute in recent years, PRMDs in flutists have become more of a concern. However, large numbers of flutists are still lacking education on prevention of PRMDs. The purpose of this document is to help flutists better understand the major muscle groups that we use in playing the flute, how these muscles are affected by flute-playing, and to introduce …

Comprehensive Method For Clarinet Latin American Music Heritage Case Study – Venezuela, Carmen Teresa Borregales

Theses and Dissertations

Latin American music and music-making have much to offer in their performance traditions and richness of genres, which demand technical proficiency and musicianship. In particular, some contemporary new music for clarinet carries traditional elements, including rhythmic patterns, accentuation, articulation, harmonic progressions, and instrumentation, among others. This study proposes an innovative approach to technical practice and skill development for clarinet, based on twelve etudes for clarinet, commissioned from twelve outstanding Venezuelan composers who explore Venezuelan traditional music genres. The results represent a comprehensive method for clarinet, appropriate for advanced-level players, and its application to pedagogical and performance practices.

A Holistic Approach For Neurodivergent Learners In The High School Choral Classroom, Peter Allen Haley

Theses and Dissertations

There is a wealth of literature in the fields of music education, music therapy, and psychology regarding neurodivergent people, but next to no pedagogical material relating to large-group practices, particularly within the choral rehearsal. Many, if not most high school choir directors will encounter neurodivergent students in their programs at some point and will likely not know which strategies effectively include their neurodivergent learners in their classrooms. This paper includes a survey of existing research and literature related to music education (particularly secondary choral music education) and Universal Design for Learning, and offers rehearsal techniques, classroom management strategies, and repertoire …

How Do They Do It: A Narrative Of Disabled Public School Instrumental Ensemble Conductors And Their Positive Working Relationships With Their Administrators, Lia Alexandria Patterson Snead

Theses and Dissertations

As the leader of the instrumental ensemble, the conductor’s role is important on and off the stage. Public school conductors have especially demanding jobs because they must act as a conduit between composer and ensemble as well as handle all administrative duties pertaining to running a music program. Subsequently, this results in a heavier workload than the average teacher. The demanding workload can add to any preexisting issues for disabled ensemble conductors who struggle at work due to insufficient support from their administrators. The lack of strong administrative support for disabled or impaired faculty and staff may be due to …

Appalachian Dreams: Traditional Folk Songs In Concert Literature For Classical Guitar, Jackson Douglas Roberson

Theses and Dissertations

Transcriptions and arrangements of works for other instruments make up a substantial portion of the concert literature for the classical guitar. Additionally, the classical guitar’s connections with folk music traditions from around the world are undeniable. While much of the folk-inspired repertoire for guitar engages with the musical traditions of Spain and Latin America, this document will examine a work for solo guitar that uses traditional Appalachian folk music as source material: John Duarte’s Appalachian Dreams.

Appalachian folk music is a primarily oral tradition, and documentation of the music did not appear until the late nineteenth century. This project …

Symphony No. V: Elements (Julie Giroux, 2018); An Overview Of Programmatic Elements And Performance Devices, Zackery Augustus Deininger

Theses and Dissertations

Julie Giroux is a multi-faceted composer who has been writing for the wind band since the 1980s. Having composed and arranged over 125 works for wind band, Giroux has dedicated her compositional career to furthering the development of the wind band repertoire while simultaneously working to establish the wind band genre as an area of serious artistic merit. Giroux is in constant demand as a commissioned composer. Her projects are often commissioned by distinguished ensembles, both in the United States and around the world, and many of her pieces receive performances at significant events such as The Midwest Clinic Band …

A Conductor’S Guide To Lucrecia Roces Kasilag’S Misang Pilipino (1965), Denise Ysabel Ellis

Theses and Dissertations

Composer Lucrecia Roces Kasilag (1918-2008) is a National Artist for the Philippines and a UNESCO International Artist of the World. Though she has many more accolades and triumphs to note, both national and international, Kasilag is not well known outside of her native Philippines. One factor that obscures this composer from the world is that much of her work is unpublished, as are other historical Filipino composers’ works.

Kasilag composed her first Misang Pilipino in 1965 to commemorate the 400^th year of Christianization in the Philippines, but multiple editions of the work were written and used for different occasions. …

The Film Score Music Of John Williams: A Guide To Selected Works For The Principal Percussionist, Andrew Charles Crozier Patzig

Theses and Dissertations

John Williams is an American composer, conductor, and pianist. As one of the most well-known, awarded, and financially successful composers in US history, Williams has scored some of the most iconic films of all time. Of note, he has scored more than one hundred films, many of which were directed by Steven Spielberg.

This study explores Williams’ writing for pitched and non-pitched percussion, particularly in his scores for E.T the Extra-Terrestrial, Star Wars, Indiana Jones, Hook, The Cowboys Overture, and Harry Potter and the Sorcerer’s Stone.

John Williams’ film music is often scored for an extensive inventory of percussion …

A Comparative Analysis Of Samuel Barber’S Third Essay For Orchestra, Op. 47, David Abrams Gordon

Theses and Dissertations

Samuel Barber (1910–1981) was an American composer who lived and worked during the twentieth-century. His list of works includes forty-eight published pieces that span virtually every major genre of western art music. One of Barber’s most unique contributions is the invention of a new orchestral genre: the essay for orchestra. Borrowing the term from literature, Barber is credited with composing the first musical essays. Today, musical essays are understood to be single-movement instrumental works that are non-programmatic in nature.

Barber composed three essays for orchestra during his lifetime. His First Essay, Op. 12, was composed in 1937; his Second …

An Analysis Of Selected Vocal Works By George Walker, Ginger Sharnell Jones-Robinson

Theses and Dissertations

George Theophilus Walker (1922–2018), a prolific composer, pianist, and educator, was born on June 27, 1922, in Washington, D.C. He received degrees in music from Oberlin College, Curtis Institute of Music, and Eastman School of Music. His faculty appointments included Dillard University, Smith College, the University of Colorado, the Peabody Institute of Johns Hopkins University, and Rutgers University.

In 1998, Walker received a Letter of Distinction from the American Music Center for his significant contributions to the field of contemporary American music, and in 1999 he was elected to the Academy of Arts and Letters. Perhaps most significantly, Walker holds …

A Pedagogical And Analytical Study Of The Carnatic Saxophone Performance Tradition Of Kadri Gopalnath, Caleb James Carpenter

Theses and Dissertations

Kadri Gopalnath is a musician who achieved an exceptional level of mastery in the Carnatic musical tradition of South India, and he accomplished this playing the saxophone, a uniquely Western instrument. He was the first person to fully integrate the saxophone to the Carnatic style and was held in high esteem as a classical Indian musician. This document examines the Carnatic tradition, Kadri Gopalnath’s life and work, and the modifications he made to the saxophone. Selected analyses of his performances are reviewed in the context of Carnatic pedagogy, and the significance of learning this tradition for the musicianship of a …

New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack

Theses and Dissertations

Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.

From Silence To Forte: Developing An Inclusive Space For Persian Musicians To Flourish, Sholeh Salimi

Theses and Dissertations

Music serves as a reflection of culture and conveys various emotional and intellectual states, such as a nation's perspective, social attitudes, and historical background. However, the Iranian revolution in 1979 led to the ban of music by the new regime, limiting the output and audience for Iranian music. In addition, the emergence of Western music accessibility through technology posed challenges for traditional Persian music, and the government's restrictions on music further compounded the problem. To support and advance the preservation and dissemination of Iranian music, this study aims to explore how an interior designer can create a space that enables …

Timeless Light: A Singer’S Compendium Of Art Songs For Tenor By Black Composers, Johnnie J. Felder

Theses and Dissertations

This compendium of Black art songs is intended to serve as both a resource and reference for teachers of singing and performers who desire to assign or program reputable, contemporary art song literature by lesser-known, marginalized composers of the African Diaspora. The American academic structure needs a compendium of African American Art Songs, specifically for the tenor fach, that will provide biographical information, composers’ names, publishing details, and exact locations as to where to retrieve these worthy gems that are still too often excluded from the academic and classical canon. Comprised of more than 331 songs, this document is sure …

Analysis Of Selected Pieces Influenced By Taiwanese Aboriginal Music For Solo Violin And String Quartet, Isabel Hsin-Yi Ong

Theses and Dissertations

This is an analysis of three pieces that contribute to solo violin and string quartet repertoire through the lens of intervallic relationships, rhythmic and gestural motifs, and instrumental technique. Briefly delving into the Aboriginal history of Taiwan and illuminating aural concepts inherent within each tribe, the research blends musicological research, theoretical analysis, and intuitive performance-based interpretations to meld and expand the technical and musical possibilities of the violin with the essence and impact of these songs.

An Analysis Of The Compositional Technique And Structures Of Nikolai Kapustin’S Piano Sonata No. 6, Opus 62, Hyun Jung Im

Theses and Dissertations

The subject of this study is the Russian composer and pianist Nikolai Kapustin and an analysis of his Piano Sonata No. 6, Opus 62. Kapustin’s musical output includes 161 opus numbers, and the works are mainly in a hybrid style combining jazz and traditional Western music. The composition style of Kapustin is to take a jazz approach to harmony and rhythm within traditional forms. The uniqueness and creativity of Kapustin’s music led to its growing popularity, and this has been evident in several ways, including increased performances, recordings, and publications. Based on this fusion of jazz and traditional Western music, …

A Performance Guide To “Four Piano Pieces, Opus 1” By Evgeny Kissin, Andrew Choi

Theses and Dissertations

This document provides a performance guide to Evgeny Kissin’s Four Piano Pieces, Opus 1. Although more musicians are becoming familiar with his compositions, there are no comprehensive scholarly resources available about this work. This document aims to provide that needed resource.

Evgeny Igorevich Kissin (b.1971) is a Russian-born internationally acclaimed pianist. He achieved stardom with a performance featuring the two piano concerti by Frederic Chopin in 1984. The event was recorded live and released as an album by RCA Victor. Since then, he has been in constant demand all over the world. Although he mainly performs, he occasionally composes as …

A Performance Guide To Hyo-Geun Kim’S Art Pop For Korean Art Songs, Taeyoung Seon

Theses and Dissertations

This document contains information about instructions regarding singing with Korean diction for Korean Art songs by a gifted Korean composer, Kyo-geun Kim. He is now a Professor of Business at Ewha Women’s University in the Republic of Korea. The writer offers a brief biography of Kim as a composer and a scholar of music and business. This document will help anyone who would like to learn Korean diction for singing Korean Art Song, particularly, Hyo-geun’s Art Pop Art Songs such as Snow, A Thousand Winds, and What Though Life Conspires to Cheat You. The works are termed ART POP, it …

Adapting North American Fiddle Bow Technique To The Double Bass, Spencer Jensen

Theses and Dissertations

Because of the pioneering work of Edgar Meyer in expanding the role of the double bass in American folk music, many bassists are inspired to engage with fiddle music in the way fiddlers do. Thus, bassists who perform in fiddle and string band traditions may seek greater artistic freedom and expression by shifting between a variety of accompanying textures to playing melody and improvised bowed solos.

In seeking to discover how bassists successfully adapt fiddle bowing techniques to the double bass, I have interviewed two bassists who are deeply involved in Americana music traditions, Paul Kowert and Ethan Jodziewicz. From …

Margaret Rowell: Pedagogical Approach And Teaching Style, Robert-Christian Sanchez

Theses and Dissertations

While there are numerous biographical details about Margaret Avery Rowell’s life, few details exist about her pedagogy. The current researcher interviewed and subsequently analyzed transcripts from eight of Rowell’s former students to reconstruct her pedagogical approach and teaching style. The researcher’s questions were: 1) How did Rowell structure individual lessons and student development? 2) What were the recurring concepts within Rowell’s principles? 3) What exercises did Rowell use to teach her principles? 4) What personal and pedagogical qualities made Rowell an effective teacher and influence on her students?

Based on the interviews, Rowell tailored her approach to each student without …

An Annotated Bibliography Of Flute Repertoire By Iranian Female Composers, Roya Farzaneh

Theses and Dissertations

Compositions by Iranian female composers have rarely been explored or documented. The purpose of this research is to create an annotated bibliography of works by Iranian female composers written for flute. This document will serve as a reference of flute literature for scholars, teachers, and performers to encourage the performance of music composed by Iranian women. Through this research, I hope to increase the exposure of these compositions and amplify interest in performing works written by underrepresented composers.

The annotated bibliography lists information about the repertoire including instrumentation, compositional year, length of piece, publishing, available recordings, commission information, a pedagogical …

Adele Aus Der Ohe: Pioneering Through Recital Programming At Carnegie Hall, 1895, Grace Shepard

Theses and Dissertations

The goal of this investigation is to focus on the career and times of Adele aus der Ohe and piano performance in the Gilded Age United States. Carnegie Hall, founded in 1891, was one of the first major halls that witnessed and documented solo piano recital programming. Through analysis of Adele aus der Ohe’s programs intended for Carnegie Hall, it is possible to understand some of the complexities surrounding the solo recital, piano performance, and audience culture at the turn of the 20^th century.

Focus on Adele aus der Ohe allows further understanding of her legacy and contribution to …

Composers And Publishers Of Parlor Songs And Spirituals From Civil War Richmond: 1861 – 1867, Michael Gray

Theses and Dissertations

This document is an historical compendium of how Richmond, Virginia contributed to a significant shift in early American music during and after the American Civil War. Firstly, we will explore the music industry practices of the 1850’s and 1860’s in Richmond, and how they were a reflection of the rest of the American South at that time. Secondly, we will explore the height of parlor song repertoire in the South, its technical simplicity, and use as a tool for music education, artistic expression, but perhaps most notably as a means of informal propaganda for the Confederate cause. Finally, we will …

Transcribing Baroque Lute To Marimba: Viability, Techniques, And Pedagogical Possibilities, Cory James High

Theses and Dissertations

Transcriptions and adaptations of works originally composed for other instruments are commonplace within the current marimba repertoire. Marimbists have been borrowing repertoire from other instruments and transcribing or arranging them for performance on the marimba due to the relative youth of the instrument. These adaptations began as a necessity, but they are still often programmed due to their popularity, and because many academic institutions require the performance of era-specific works or works by certain composers such as Johann Sebastian Bach, and no literature was composed for the marimba during those times.

Source instruments for these marimba adaptations have varied some, …

A Conductor’S Guide To J. N. Hummel’S Forgotten Oratorio: Der Durchzug Durchs Rote Meer, Rebecca J. Ostermann

Theses and Dissertations

Johann Nepomuk Hummel’s only oratorio, Der Durchzug durchs rote Meer, was lost to the musical world until around 2004. Hummel (1778–1837) was greatly esteemed during his life as a concert pianist and as a composer, and several of his choral works were among those highly regarded by his contemporaries. Interest in his works, along with Hummel scholarship, has increased in the twentieth and twenty-first centuries.

Hummel’s oratorio is for Classical orchestra plus guitar, harp, and bass drum, four to ten vocal soli, and chorus. Its thirteen numbers run about 51 minutes, recounting the biblical story of Moses and Pharaoh, the …

Quantitative Data Collection On The Fundamental Components Of Saxophone Tone Production, Matthew Troy Castner

Theses and Dissertations

Wind instrument pedagogy has historically been limited by the inability to collect quantitative data on the relationships and impact of different elements of tone production. This study collected and analyzed data on three of the fundamental components of saxophone tone production: embouchure pressure, air velocity, and air direction. The results help build a better understanding of the inner workings of producing a characteristic saxophone sound.

Six classical alto saxophone players completed a variety of exercises to isolate and measure each of these components. The data was collected using a force-sensitive resistor and a pitot tube, each connected to an Arduino …

Disparities In Programming African American Solo Vocal Music On College Campuses Across The United States, Ramelle Brooks

Theses and Dissertations

This study investigates the representation of African American composers within the solo vocal literature genre of classical music. Literature suggests the music of African American composers is seldom taught in classical musical studies. The study explored one publicly available college recital database from each U.S. geographical region (Northeast, Midwest, South, West), which included listings of songs performed at each recital. The researcher recorded the number of recitals including African American composers and provided a numerical breakdown of song genres associated with African American Americans that included African American arts songs, Spirituals, Blues, Gospel, Jazz, and operatic arias. The number of …

A Pedagogical Analysis Of Henglu Yao’S Microkosmos From Chinese Nationalities, Yanting Wang

Theses and Dissertations

Microkosmos from Chinese Nationalities (2017) is a collection of twenty-four piano solo pieces composed by Henglu Yao (b. 1951), a composer who combines ideas of cultural awareness and comprehensive musicianship in this set. This collection’s unique language, musical design, and Chinese music elements provide learners with a multicultural experience. In addition, pianists are able to explore and apply various music theory knowledge and improve technical and musical skills through this collection.

This study analyzed each piece from a pedagogical perspective to provide a guide for pianists to learn and perform this collection, to present value and potential for teaching and …

The Apprenticeship Structure And The Applied Pedagogical Methods Of The Holy Roman Empire Imperial Trumpeters’ Guild During The 17Th And 18Th Centuries, Noa Miller

Theses and Dissertations

The Imperial Trumpeters’ Guild of the 17th and 18th centuries Holy Roman Empire implemented a remarkable and effective training program for its apprentices: an expedited two-year apprenticeship structure with a seven-year journeyman period when the training was applied. Studying the structure of the apprenticeship and how the expedited system was implemented gives a new insight into an effective and efficient teaching model. This training regimen was made possible because apprentices received the necessary musical foundation and pedagogical methods through attending the Latin school. This is evidenced through analysis and comparison of the Latin school primers (textbooks) and the trumpet treatises, …

A Practical Approach For The Applied Voice Instructor Utilizing Limited Piano Skills In The Studio Setting, Lee Whittington Ousley

Theses and Dissertations

Providing a process for reducing accompaniments to commonly assigned undergraduate vocal repertoire could aid instructors with limited piano skills in the applied studio setting. Through the use of questionnaires and an online survey, it was determined that there is a population of undergraduate instructors of voice that do not have an accompanist present to play during student lessons. Without an accompanist, many teachers are unable to play the pieces as written, which warrants the creation of reduced scores as useful alternatives to pre-recorded tracks.

An online survey was distributed to determine if the population of teachers was significant enough to …