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Faculty Recital, October 11, 2015, Lawrence University Oct 2015

Faculty Recital, October 11, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Kaleidoscope 5, October 10, 2015, Lawrence University Oct 2015

Kaleidoscope 5, October 10, 2015, Lawrence University

Conservatory of Music Concert Programs

Fox Cities Performing Arts Center


Let Peace Then Still The Strife, Lawrence University Choirs, October 9, 2015, Lawrence University Oct 2015

Let Peace Then Still The Strife, Lawrence University Choirs, October 9, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015, Lawrence University Oct 2015

World Music Series, Karin Loberg Code, Harding Fiddle, October 5, 2015, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


Faculty Recital, Lawrence Faculty Chamber Ensemble, October 4, 2015, Lawrence University Oct 2015

Faculty Recital, Lawrence Faculty Chamber Ensemble, October 4, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Guest Recital, October 4, 2015, Lawrence University Oct 2015

Guest Recital, October 4, 2015, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


Faculty / Guest Recital, September 26, 2015, Lawrence University Sep 2015

Faculty / Guest Recital, September 26, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Faculty Recital, Vocal Works Of Samuel Barber, September 20, 2015, Lawrence University Sep 2015

Faculty Recital, Vocal Works Of Samuel Barber, September 20, 2015, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Faculty Recital, Kind Of Blue Concert, September 16, 2015, Lawrence University Sep 2015

Faculty Recital, Kind Of Blue Concert, September 16, 2015, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe May 2013

A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe

Lawrence University Honors Projects

Interactive video game music is a relatively new and quickly expanding art form, incorporating elements of music history, cinema, and video game theory. This study explores how music functions, reveals meaning, and defines player experience within the interactive world of the video games Portal and Portal 2—and how the paradoxical, twisting essence of the Portal world is created and shaped musically. Ultimately, this is a study of the continued existence and relevance of classical music and traditional music history in the futuristic world of video games.


Developing Depth And Dimension: Instructional Tools And Practices To Facilitate And Encourage The Growth Of Young Jazz Musicians, Shauna E. Mcfaul May 2013

Developing Depth And Dimension: Instructional Tools And Practices To Facilitate And Encourage The Growth Of Young Jazz Musicians, Shauna E. Mcfaul

Lawrence University Honors Projects

Developing Depth and Dimension: A step-by-step, comprehensive introduction to the world of jazz for young musicians. This work begins with a philosophical discussion of the educational methods that are incorporated into the following games, lesson plans and writings. The project is directed toward students who have little to no experience playing jazz or improvising. It is meant to provide a foundation for continued success and development throughout their musical lives.


Lawrence Pianist Michael Mizrahi Earns “Best Of 2012″ Honors For His Album “The Bright Motion”, Lawrence University Jan 2013

Lawrence Pianist Michael Mizrahi Earns “Best Of 2012″ Honors For His Album “The Bright Motion”, Lawrence University

Press Releases

Lawrence University Assistant Professor of Music Michael Mizrahi ended the year in style. His album, “The Bright Motion”, was cited by both Time Out New York and Time Out Chicago on their annual list of best albums of 2012.

Released last May on New Amsterdam Records, “The Bright Motion” was listed eighth on Time Out New York’s 2012 list of the best opera and classical music of the past year, while Time Out Chicago included it on its year-end, non-numerical top-10 list of the year’s best opera and classical music albums.

The Bright Motion” features 10-tracks of newly composed works …


Rebekah & Aliya, Mark Hirsch Jan 2012

Rebekah & Aliya, Mark Hirsch

Lawrence University Honors Projects

Rebekah & Aliya is a multimedia ballet for two dancers, ten musicians, and film based on a story of love, timelessness, and transcendence. Drawing inspiration from literary themes of Jorge Luis Borges as well as composers of the Renaissance and Avant-garde alike, this collaboration with choreographer Madeline Bunke is a four-scene work, alternating between film and live dance, with live music throughout.


Lawrence Brass, "Americana," November 9, 2011, Lawrence University Nov 2011

Lawrence Brass, "Americana," November 9, 2011, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon Jan 2011

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …


War Songs, Evan Michael Williams Jan 2011

War Songs, Evan Michael Williams

Lawrence University Honors Projects

War Songs is a song cycle of poetry by Walt Whitman, Paul Laurence Dunbar, and Iraq War veterans Andrew Borene, and Brian Turner, written in the summer of 2010. It also includes an arrangement of the popular wartime song “Over There” by George M. Cohan. In writing this cycle, I researched the Iraq War, especially the justifications for invading the country. I also researched previous musical works about war. This research informed the composition of the cycle. While I wanted to illustrate the issues of the current wars in Iraq and Afghanistan, I also wanted the cycle to be universal …