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It Can't Be! Faked Functionality And Ambiguity In Brahms's F Minor, Kyle Kostenko
It Can't Be! Faked Functionality And Ambiguity In Brahms's F Minor, Kyle Kostenko
Honors Projects
A performance of any piece of music is not complete if the performer has not looked at the piece from historical and analytical perspectives. Having decided to perform the first movement of Johannes Brahms’s Sonata in F Minor, Op. 120 No.1 on my senior recital, I wanted to analyze the piece so that I had an understanding of how it was composed, hoping that this knowledge would influence my performance. Knowing that Brahms is considered a formalist composer writing in the Romantic era, I hoped to discern how Brahms was able to create a piece that was both Romantic and …