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Music

University of Richmond

Bach

Publication Year

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Johann Christian Bach's Influence On Mozart's Developing Style, Austin Bourdon Apr 2010

Johann Christian Bach's Influence On Mozart's Developing Style, Austin Bourdon

Honors Theses

The methods by which great composers create their masterpieces often remain a mystery to modern scholars. There are essentially two approaches to determining what these methods might be: investigating a composer’s surviving drafts, sketches, and letters and analyzing their musical influences. The first approach can be very limiting, especially when applied to a composer such as Wolfgang Amadeus Mozart, who did not leave behind many musical sketches. Therefore, when studying Mozart’s compositional process, it is more useful to rely on the second method in which one traces his stylistic development to key musical figures. From these major influences, one can …


Parody And Transcription In The B-Minor Mass, David Woolard Dec 1976

Parody And Transcription In The B-Minor Mass, David Woolard

Honors Theses

Johann Sebastian Bach's Mass in B Minor is not entirely an original work. Eleven of the twenty-five moments were either borrowed from Bach's earlier cantatas or were transcribed from the Mass into later choral works. In the process of borrowing, Bach often made significant changes in the original composition. In the preparation of this paper, each parody movement in the Mass was compared with the work from which it was drawn or, in four cases, the work drawn from it. Variants between the model and the parody were written down and classified. The resulting categories suggest insights into Bach's reasons …


A Senior Honors Recital, Lynn Hoffman May 1968

A Senior Honors Recital, Lynn Hoffman

Honors Theses

This paper is an examination of the pieces performed in a senior recital. A good performance cannot be given without a thorough understanding of the works being performed. Behind a finished recital lies not only hours of practice, but also hours of research and analysis.

In analyzing the Scarlatti sonata, I have used Kirkpatrick's terminology in referring to the form of the pieces. William S. Newman, author of The Sonata in the Baroque Era and The Sonata in the Classical Era also refers to Kirkpatrick's terminology.

In referring to specific measures and beats in a piece, I have used two …