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Music

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2007

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Articles 721 - 744 of 744

Full-Text Articles in Arts and Humanities

Inside Story: An Arts-Based Exploration Of The Creative Process Of The Storyteller As Leader, Heather Forest Jan 2007

Inside Story: An Arts-Based Exploration Of The Creative Process Of The Storyteller As Leader, Heather Forest

Antioch University Dissertations & Theses

Storytelling is one of humanity's oldest art forms and an enduring educational method. Stories can spark social change. Although storytelling is tacitly recognized in diverse social science domains as a communication medium used to powerfully transmit leadership vision and ideas, little empirical research has been reported about how a teller constructs and tells a story. Through qualitative, arts-based methods, this heuristic study examines and describes the lived experience of a storyteller composing and performing a tale on issues of peace, justice, and social change. It reflects on the teller as leader and identifies a palette of arts-based skills for change …

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Edward Said And The Study Of Music, Kofi Agawu Jan 2007

Edward Said And The Study Of Music, Kofi Agawu

Publications and Research

My first encounter with Edward Said’s work was in the 1980s with the book, Beginnings: Intention and Method (1975). I was exploring a semiotic approach to late 18th-century music, specifically, a beginning-middle-ending paradigm (an Aristotelian paradigm) that seemed to me to capture the rhetorical intentions of Classic composers. Said’s wide-ranging reflections and ruminations on beginnings – as inaugural moments, as sites for the establishment of difference, as authorially privileged moments, and as "first steps in the intentional production of meaning" – proved inspiring. My enduring impression of him at the time was that he was a very good …

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Quintet For Two Violins, Viola, Cello And Piano, And String Quartet No. 1 By Lazar Nikolov, Alexandra Dotcheva Jan 2007

Quintet For Two Violins, Viola, Cello And Piano, And String Quartet No. 1 By Lazar Nikolov, Alexandra Dotcheva

LSU Doctoral Dissertations

Lazar Nikolov (1922-2005) was a representative of the so-called third generation of Bulgarian composers. Together with his closest friend, composer and conductor Konstantin Iliev, Nikolov founded the postwar avant garde in Bulgaria. He was among the first composers in Eastern Europe to abandon the influence of musical folklore and employ non-tonal techniques. Shortly before graduating from the State Academy of Music in 1946, Nikolov felt that the masters from the previous two generations had already used all the successful means to incorporate neo-Romantic features and Bulgarian folk material into art music. He was perceptive enough to recognize the danger of …

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Brahms's Ein Deutsches Requiem: Dialectic And The Chromatic Middleground, Patrick Tuck Jan 2007

Brahms's Ein Deutsches Requiem: Dialectic And The Chromatic Middleground, Patrick Tuck

LSU Doctoral Dissertations

Brahms’s Ein deutsches Requiem (1868) has been the focus of much scholarly research. The present study focuses specifically on the work’s dialectic: the presentation and resolution of a conflict between mortal suffering and eternal joy. It takes an Schenkerian approach to the tonal content of the piece, which provides a musical reflection of the human spiritual journey to the afterlife. It examines how Brahms brings his chosen texts to life with the aid of musical processes such as mixture, register transfer, coupling, covering lines, and contrasting textures. The present study will cite previous authors who have noted the opposing forces …

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The Formation Of A Style: Selected Early Works By Hugo Wolf, Jure Rozman Jan 2007

The Formation Of A Style: Selected Early Works By Hugo Wolf, Jure Rozman

LSU Doctoral Dissertations

Hugo Wolf’s (1860–1903) most pronounced talent was in marrying music and poetry in novel ways, which is clearly demonstrated by his more than 240 art songs. In his early years Wolf composed a series of works for piano solo, published for the first time in 1974 by the Musikwissenschaftlicher Verlag in Vienna. This paper explores these and other formative works in detail, focusing on music-theoretical issues, but also placing them in historical context by means of a brief biography which includes recent discoveries regarding Wolf’s Slovene lineage.

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Three Sonatas For Piano By Emma Lou Diemer, Chin-Ming Michelle Lin Jan 2007

Three Sonatas For Piano By Emma Lou Diemer, Chin-Ming Michelle Lin

LSU Doctoral Dissertations

Emma Lou Diemer (1927- ), an eclectic, still active American composer, has composed in many different musical genres for both professional and amateur groups. She is well-known for her vocal music Three Madrigals (1962) and her Concerto in One Movement for Piano (1991), which won Kennedy Center Friedheim Awards in 1992. Diemer’s piano music includes pedagogical works as well as concert pieces. Her piano sonatas are sophisticated compositions for piano which combine both advanced technical elements and musical complexities. Of her three piano sonatas, Piano Sonata No.3 is particularly accessible to listeners. The Sonata for Piano in One Movement was …

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A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley Jan 2007

A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley

LSU Master's Theses

In his book, Fantasy Pieces, Harald Krebs presents a taxonomy of metric dissonance that lays a foundation for further study. The system that Krebs presents leaves ample opportunity to answer the following questions: Do metric dissonances that are labeled the same way have the same function in their musical context? What is the role of listening in the categorization of metric dissonance? While many theorists, including Richard Cohn, Walter Frisch, and Yonatan Malin, have provided valuable insights to the realm of metric dissonance, their work focuses mainly on hypermeter, large-scale formal implications, or specific analyses. In light of the above …

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First Flute: The Pioneering Career Of Doriot Anthony Dywer, Kristen Elizabeth Kean Jan 2007

First Flute: The Pioneering Career Of Doriot Anthony Dywer, Kristen Elizabeth Kean

LSU Doctoral Dissertations

In 1952, Boston Symphony director Charles Munch hired flutist Doriot Anthony Dwyer making her the first woman to play in a principal chair in one of the top five symphony orchestras in the United States. The purpose of this monograph is to document Doriot Anthony Dwyer's studies and career prior to her milestone appointment with the Boston Symphony. A chapter on her teaching method includes observations from the Flute Workshop at the Boston University Tanglewood Institute and selected observations from former students of Dwyer's.

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An Original Composition, Galleria Armonica, Theme And Variations For Piano, Harpsichord, Harp And Orchestra And A Comparative Study Between The Pedagogical Methodologies Of Arnold Schoenberg And Nadia Boulanger Regarding Training The Composer, Barrett Ashley Johnson Jan 2007

An Original Composition, Galleria Armonica, Theme And Variations For Piano, Harpsichord, Harp And Orchestra And A Comparative Study Between The Pedagogical Methodologies Of Arnold Schoenberg And Nadia Boulanger Regarding Training The Composer, Barrett Ashley Johnson

LSU Doctoral Dissertations

Part one of this dissertation is an original music composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra in fantasia variation form. The orchestra is divided into four groups: Strings (8/8/6/6/4), Winds (2/2/2/2/), Brass (4/3/3/1), and Percussion (Percussion I: Celesta, Timpani, Vibraphone, & Snare Drum; Percussion II: Suspended Cymbal, Orchestra Bells, Tam-Tam; Percussion III: Bass Drum, Side Drum, Triangle, & Tam-Tam.) Each solo instrument (Piano, Harpsichord & Harp) is physically associated with a specified group: Piano with Brass; Harpsichord with Strings: Harp with Winds, thus three primary groups. The percussion is employed as a crossover, unifying ensemble. …

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John Mackey: The Composer, His Compositional Style And A Conductor's Analysis Of Redline Tango And Turbine, Rebecca L. Phillips Jan 2007

John Mackey: The Composer, His Compositional Style And A Conductor's Analysis Of Redline Tango And Turbine, Rebecca L. Phillips

LSU Doctoral Dissertations

The purpose of this monograph is to present the first formal analysis of John Mackey and his music. Through substantive firsthand interaction with the composer, this document details Mackey’s unique compositional development through computer-based learning and includes a conductor’s analysis of Redline Tango and Turbine. Mackey’s compositional style includes simplistic forms using melodies and harmonies that do not readily demonstrate the difficulties conductors and performers may find within his well-crafted compositions. Mackey’s work emphasizes the element of rhythm and his orchestration typically utilizes the conventional instrumentation for wind ensemble with prominence placed on percussion. Redline Tango has been awarded two …

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Liturgical Expressions Of A Classical Romantic: A Choral Conductor's Investigation Of Selected Sacred Trebel Chorus Compositions By Josef Rheinberger, Natasia Sexton Jan 2007

Liturgical Expressions Of A Classical Romantic: A Choral Conductor's Investigation Of Selected Sacred Trebel Chorus Compositions By Josef Rheinberger, Natasia Sexton

LSU Doctoral Dissertations

Abstract In his attention to the demands of the liturgy, ideals of musical reform in worship during the 19th century, and contemporary compositional practices, Rheinberger reflected his environment in the Marianische Hymnen, opus 171 and the Missa in g, opus 187. Although little documentation exists regarding the origins of these compositions, clearly they were intended for Catholic worship. Syllabic, homophonic settings of Latin texts feature graceful yet restrained organ accompaniments functioning to support the voices while revealing the liturgical practices of the period. Furthermore, diary entries by both Rheinberger and his wife reveal that the composer occasionally prepared works for …

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A Conductor's Theoretical And Performance Analysis Of Nicholas Maw's "American Games" For Symphonic Wind Ensemble, Adam Corey Spurlin Jan 2007

A Conductor's Theoretical And Performance Analysis Of Nicholas Maw's "American Games" For Symphonic Wind Ensemble, Adam Corey Spurlin

LSU Doctoral Dissertations

The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical …

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African Art Music For Flute: A Study Of Selected Works By African Composers, Wendy Kristin Hymes Onovwerosuoke Jan 2007

African Art Music For Flute: A Study Of Selected Works By African Composers, Wendy Kristin Hymes Onovwerosuoke

LSU Doctoral Dissertations

Recent years have witnessed an increase in the number of Western classical music performers actively programming works employing multi-cultural musical idioms. Though there exist many compositions by African composers, African art music is not often programmed by Western performers because of the lack of exposure these compositions have received, lack of commercially-available recordings, and the difficulties of obtaining information about African musical styles. The information presented in this research aims to aid performers in their preparation and approach to performing African art music compositions, specifically those for the western flute. This research includes biographical information and compositional philosophies of five …

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A Performer's Guide To The Songs For Soprano By The Austro-American Composer Eric Zeisl (1905-1959), Katharina Roessner Jan 2007

A Performer's Guide To The Songs For Soprano By The Austro-American Composer Eric Zeisl (1905-1959), Katharina Roessner

LSU Doctoral Dissertations

This written document presents an introduction to the soprano songs by the Austro-American composer Eric Zeisl. Songs chosen comprise published songs (Der Schäfer, Die Fünf Hühnerchen, Vergiss Mein Nicht, Vor Meinem Fenster) as well as unpublished songs (Der Briefmark, Der Tag Erwacht, Immer Leiser Wird Mein Schlummer, Kommst Du Nicht Herein, Reiterliedchen). The thesis begins with a brief biographical outline of the composer and a discussion of his song style and his musical influences. Subsequent chapters include a discussion of the poets used in the chosen songs, as well as an analysis of these songs. Appendices provide translations, IPA transcriptions, …

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Narratives In Music: Schelmo, Hebraic Rhapsody For Cello And Orchestra, Asu Perihan Karadut Jan 2007

Narratives In Music: Schelmo, Hebraic Rhapsody For Cello And Orchestra, Asu Perihan Karadut

LSU Doctoral Dissertations

Born in July 1880, in Geneva, Switzerland, Ernest Bloch became one of the leading composers of the 20th century. He wrote series of works, which he called “The Jewish Cycle.” They represented a new, distinctive musical language, in which Bloch combined eastern and western music traits. Schelomo, Hebraic Rhapsody for Cello and Orchestra (1915-16) was the last composition from the cycle. It showed mastery of a style Bloch had been developing since his earlier compositions. This project will show Schelomo’s place in “The Jewish Cycle” and its importance on Bloch’s departure from the popular trends of the early 20th century. …

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An Original Composition, Diamundo, And A Historical Survey Of Music Spatialization, Amaro Borges Moreira Filho Jan 2007

An Original Composition, Diamundo, And A Historical Survey Of Music Spatialization, Amaro Borges Moreira Filho

LSU Doctoral Dissertations

This dissertation is divided in two parts. Part one is an original composition, Diamundo, for percussion, winds, strings, and loudspeakers, based on the poem of the same name by the Brazilian poet Carlos Drummond de Andrade. It is scored for a chamber orchestra with a main ensemble formed by strings, piano, percussion, and guitar, plus electroacoustic sounds, and four solo wind instruments: flute, saxophone, trumpet, and trombone. The ensemble and the eight-channel loudspeakers are spatialized. The piece is divided in six movements without interruption. The first five movements are separated by 4 cadenzas for the solo instruments. Most of the …

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The Apologia Of Franchino Gafurio: A Critical Edition And Translation, Patrick Joseph Kaufman Jan 2007

The Apologia Of Franchino Gafurio: A Critical Edition And Translation, Patrick Joseph Kaufman

LSU Master's Theses

Franchino Gafurio’s Apologia (Turin, 1520) is one musical treatise in a series of works that constituted the famous “pamphlet war” between he and Giovanni Spataro. The dispute originated with the publication of Bartholomeo Ramis de Pareia’s Musica practica (Bologna, 1482). Unconventional and unapologetically critical, Ramis rejected venerated musical traditions in an attempt to align music theory with contemporary music practice. He opposed the Pythagorean division of the monochord and Guidonian solmization syllables, and instead proposed a division which produced pure thirds, and a solmization system based on the octave. His iconoclastic proposals and his highly sarcastic tone called forth a …

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Louis Achille Delaquerrière Album Index, Lisa Philpott Dec 2006

Louis Achille Delaquerrière Album Index, Lisa Philpott

Lisa Rae Philpott

Louis Achille Delaquerrière Album – INDEX (names, titles: musical scores & poetry) Dr. Liliane Delaquerrière Richardson has donated an album containing the career memorabilia of her grandfather, Louis Achille Delaquerrière, to the Music Library. Louis was a singer at the Opéra-Comique, Paris, a vocal arts teacher and a composer. As a sought-after singer and voice teacher, he was part of the cultural elite of his time (1870s to 1930s). Throughout his career he collected mementos and documents and included them in his album. The album contains correspondence from famous composers (Camille Saint-Saëns, Maurice Ravel) performers (Emma Calvé), literary figures (Guy …

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Hope In The Unified Language Of Music: Teaching Sacred Music In A Secular Context, Thomas Lloyd Dec 2006

Hope In The Unified Language Of Music: Teaching Sacred Music In A Secular Context, Thomas Lloyd

Thomas Lloyd

No abstract provided.

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Read Me (A Guide To The Delaquerriere Index), Lisa Rae Philpott Dec 2006

Read Me (A Guide To The Delaquerriere Index), Lisa Rae Philpott

Lisa Rae Philpott

No abstract provided.

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Now Let Every Man Learn His Duty - Men's Choir, Keith D. Rowley Dec 2006

Now Let Every Man Learn His Duty - Men's Choir, Keith D. Rowley

Keith D Rowley

An anthem for men's choir (TTBB) and piano with words from D&C 107:99-100.

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Statement Of Philosophy, Erik Unsworth Dec 2006

Statement Of Philosophy, Erik Unsworth

Erik Unsworth

No abstract provided.

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American Infants: Coping With Trauma And Becoming Historical In A Home At The End Of The World And American Pastoral., Vincent L. Stephens Dec 2006

American Infants: Coping With Trauma And Becoming Historical In A Home At The End Of The World And American Pastoral., Vincent L. Stephens

Vincent L Stephens

A literary analysis of the depiction of postwar child and child-like figures in the novels A Home at the End of the World and American Pastoral.

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Key Ingredients. New Equipment Puts Utep Music Lab In The Forefront, Oscar E. Macchioni Dec 2006

Key Ingredients. New Equipment Puts Utep Music Lab In The Forefront, Oscar E. Macchioni

Oscar Macchioni

Extensive article featuring UTEP state-of-the-art Digital Keyboard Lab.

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