Arts and Humanities Commons^™

The Biopolitical Elements In Yan Lianke's Fiction Worlds, Xiaoyu Gao

Masters Theses

No abstract provided.

Riemannian Reading: Using Manifolds To Calculate And Unfold Narrative, Heather Lamb

Masters Theses

The purpose of this study is to investigate the space where readers and texts interact. By applying non-Euclidean geometry to the modern subgenre of science fiction known as steampunk, we can see that narratives have no intrinsic geometry. Instead, what we can understand is that readers unflatten inherently flat narratives by applying their own metric of understanding to a narrative. Steampunk acts a primer to considering this mathematical process by explicitly flattening its settings and characters, as well as the historical accounts founding the narrative. Mark Hodder's novel, The Strange Affair of Spring-Heeled Jack, offers two characters that unsuccessfully …

Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown

Masters Theses

More definitive answers about the creation and form of the modern True Crime genre narrative can be found by exploring, not the creators of True Crime narratives, but by following reader expectations and examining the social situation from which True Crime narratives were able to arise. Theorists in the genre field such as Lloyd Bitzer Carolyn Miller and Amy Devitt have introduced and refined the view of genre as a social action. In this view, genre does not come about as a set of rules imposed upon types of literature to bring order, but as a societally accepted creation constructed …

Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain

Masters Theses

This thesis explores the correlations between characters' encounters with specific locations and their interior development as they adjust to their new environments in the novels Brick Lane (2003), White Teeth (2000), and Maps for Lost Lovers (2004). Monica Ali's Brick Lane focuses on Nazneen's (the protagonist) encounters with different places such as particular streets, pubs, restaurants, cafés, and train stations, which impact her personality to such an extent that, in the process of traversing London's physical terrain, she is transformed from a passive Bangladeshi rural woman into an active, independent agent in London. In With Teeth, Zadie Smith depicts …

Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato

Masters Theses

The anti-hero character has steadily become more popular in contemporary literature, film, and television. Part of this popularity is due to the character's appeal to the audience. This character type often commits acts that challenge the regulations of society. These acts, however, can become wish fulfillment for some audience members, making the acts of the character a vicarious experience as well as making the character more relatable because of the character's flawed nature.

This study will trace some of the evolution of the female anti-hero by discussing an ancestral character of the female anti-hero—Hester Prynne the protagonist of Nathanial Hawthorne's …

Comics For Children?, Elizabeth Surbeck

2012 Awards for Excellence in Student Research & Creative Activity - Documents

Graphic narratives around the world have found lhemselves today beirlg read by certain types of readers. Literature scholars focus on elements such as character and plot structure, occupying their minds with what makes literature great and what some graphic nurratives share with that great literature. With a similar attitude, art historians focus on style, composition, and other artistic elements in graphic narratives that connect them to the art history timeline that goes back to cave paintings. Another type of audience exists, one that does not consider what graphic narratives are and whether they belong to an existing formal area …

Image And Identity: Effects Of The Gaze In Colette's The Vagabond And Jean Rhys's Good Morning, Midnight, Janet A. Puzey

Masters Theses

Image and Identity: Effects of the Gaze in Colette's The Vagabond and Jean Rhys's Good Morning, Midnight explains the development of identity, within private and public spaces, of the novels' female protagonists, Renee Nere and Sasha Jensen. Understanding the history of Paris, used as setting in both novels as well as serving as home for both authors, and its historical relationship to the gaze is important.

Using John Berger's and Charles Baudelaire's observations of female presence and the gaze, the thesis analyzes the ways in which Renee and Sasha struggle to form their identities, not only while braving the critical …

Motherlands Of The Mind: A Study Of The Women Characters Of Attia Hosain's Sunlight On A Broken Column And Salman Rushdie's Midnight's Children, Umme Sadat Nazmun Nahar Al-Wazedi

Masters Theses

In my thesis I examine the portrayal of women characters by two post-colonial Indian writers, Attia Hosain and Salman Rushdie, respectively in Sunlight on a Broken Column (1961) and Midnight's Children (1980). I show how Hosain's and Rushdie's ideas of identity, nation and nationality influence their depiction of these women characters.

In the section analyzing Sunlight on a Broken Column, I argue that there is a spatial veil separating the feudal world of "Ashiana" from the outside world with its political disturbances, the life of a woman as an individual from the life of a woman as a part …

Women's Heart Of Sorrow: Versions Of The Truyen Kieu In The Works Of Duong Thu Huong And Le Ly Hayslip, Vi Tran

Masters Theses

Nguyen Du's Truyen Kieu or Tale of Kieu has arguably provided a life model for Vietnamese females. The poem's influence extends in important ways to contemporary Vietnamese writers as well, including those as politically and artistically diverse as Duong Thu Huong and Le Ly Hayslip. In Novel Without a Name, Paradise of the Blind and Memories of a Pure Spring, Duong Thu Huong transforms the terms of Nguyen Du's poem to those of Vietnam during its revolutionary period and today. As an overseas Vietnamese who had earlier experienced prostitution and the moral chaos of war, Le Ly Hayslip's …

The Voices From The Sanctuary: The Female Narrators Of J M Coetzee's In The Heart Of The Country And Doris Lessing's Memoirs Of A Survivor, James L. Forman

Masters Theses

In both In the Heart of the Country (1977) by J. M. Coetzee and The Memoirs of a Survivor (1974) by Doris Lessing, a female narrator fabricates a sanctuary—mental rather than physical—that enables each woman to challenge, deflect, or adapt to a conflict and that shelters her from a hostile, patriarchal society. For Coetzee's narrator (Magda) in In the Heart of the Country, writing, rewriting, and editing provide the necessary devices to establish her asylum in her quest for identity. For Lessing's narrator (the survivor) in The Memoirs of a Survivor, escaping behind the wall allows her to …

Garbage Picking With Salman Rushdie, Tara Hubschmitt

Masters Theses

Salman Rushdie's voice is one of the most powerful in postmodern and post-colonial literature. He stands as a primary spokesman for the displaced personality of those caught between the conflicting influences of traditional cultures and the contemporary west. In Midnight's Children (1980), The Satanic Verses (1989), and The Ground Beneath Her Feet (1999), Rushdie appears to reveal himself as a proponent of a garbage aesthetic. The garbage metaphor, as explained by Ella Shohat and Robert Stam in Unthinking Eurocentricism (1994), develops from Brazilian filmmakers of the 1960s and is generally used to highlight the omnipresent influence of western culture upon …

"The World Adrift In Emptiness": Crossing The Abyss Of Transition In Four Tragedies By Wole Soyinka, Michael H. Lake

Masters Theses

1986 Nobel Laureate, Wole Soyinka, Nigerian dramatist, poet, essayist and novelist, names the Yoruba god, Ogun, as his tragic muse for ritual theatre in "The Fourth Stage," his early artistic manifesto. In this essay Soyinka maintains that in contrast to Dionysus, Nietzsche's hero in The Birth of Tragedy from the Spirit of Music, Ogun balances within himself elements that could be described as Dionysian, Apollonian, and Promethean. Archetypally, Ogun thus constitutes a destructive-creative unity which overcomes the dyad of good-versus-evil of Europe's Christian civilization.

For this reason, Soyinka upholds Ogun not only as a natural patron of tragedy …

Growing Old And Growing Wise? Parenting And Maturation In Henry James' Selected Tales And Novels, Judit Magyar

Masters Theses

My thesis examines young people portrayed in Henry James' selected novels and tales, exploring the theme of the maturing process, with special emphasis on the influence of the adult world on the psychological development of the young. To this end, I focus on the following works: Daisy Miller, The Portrait of a Lady, “A London Life,” “The Pupil,” What Maisie Knew, “The Tum of the Screw” and The Awkward Age. James, through the experience of his young characters, explores not only the depths of moral corruption in society, but also the necessary steps to be taken …

"Time Is One": The Temporal Aspect Of The Hopi Language And Its Experimental Application In Postmodernist Novels, Peter Buru

Masters Theses

My thesis examines the relationship between the temporal aspects of the language of the Hopi Indians, based on Benjamin Lee Whorf’s linguistic analyses, and postmodernist narrative theory. Within postmodernism itself, the study focuses on the narratives' handling of time and space, as illustrated by the following novels: Sexing the Cherry by Jeanette Winterson; Time's Arrow by Martin Amis; Slaughterhouse-Five by Kurt Vonnegut, Jr.; and Almanac of the Dead by Leslie Marmon Silko.

The study investigates how these postmodernist novels experiment with the application of a timeless temporal scheme. This scheme originates from what I refer to as Benjamin Lee Whorf’s …

A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes

Masters Theses

No abstract provided.

Oedipal Identity And The Freudian Construction Of Orality In Okot P'Bitek's Song Of Lawino And Song Of Ocol, Paul Kent Oakley

Masters Theses

In Okot p’Bitek’s Song of Lawino and Song of Ocol, Ocol and Lawino, presenting themselves as a university-educated man and his non-literate village wife, argue the various merits and failings of traditional, Acholi village life and modern, Westernized life. Accompanying this sociopolitical argument is the personal, emotional conflict between the two: Ocol is rejecting Lawino in favor of a Westernized second-wife, but Lawino refuses to leave him, trying instead to coerce him into returning, body and soul, to her bed. The scenario seems straightforward. But below this superficial reading is a more complex one in which Lawino is Ocol’s …

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But when her …

Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis

Masters Theses

The epic world created by J.R.R. Tolkien in the Lord of the Rings trilogy is one in which secular and religious elements are intertwined and the relationship between the two is intentionally kept vague. Within this created world, known as Middle Earth, good and evil are apparent, but the standard by which they are determined remains undefined. The free creatures living in Tolkien's world appear to have an intuitive ability to discern between good and evil, and each being generally exercises its free will in pursuit of one or the other though some personalities do combine the qualities. This innate …

Like He Would Jump Me With A Book: Black Humor In Sanctuary And Oliver Twist, Deborah Leclaire

Masters Theses

Although many critics have compared William Faulkner and Charles Dickens, no one has fully developed the resemblance between their uses of black humor. Using several critics' definitions of black humor, I examine several aspects of black humor in Faulkner's Sanctuary and Dickens' Oliver Twist: the presence of the wasteland in society, the irreverent treatment of death and religion, the presence of grotesques and perverse sexuality.

Like the humour noir of the French surrealist movement, black humor in both of these books is very much involved in these authors' indictment of society. Both Faulkner and Dickens use black humor to …

Two Halves Into The Water, Michael Kuo

Masters Theses

In my introductory essay (“The Dying Star: Character in Contemporary Fiction”) I argue that the contemporary fiction writer views character in a new way, breaking with traditional fiction theory and its dependence on the Cartesian division of Self and Other. The contemporary writer “finds Descartes’ division of Self and Other impotent, turning instead to a vision of character in which there are no certainties; a character in contemporary fiction cannot necessarily come to ‘know herself’ or the world around her.” I trace the influence of Descartes in a wide variety of traditional fiction and theory, and then propose a new …

The Perception Of Coincidence: Artistic Symmetry In The "Wandering Rocks" Episode Of James Joyce's Ulysses, James A. Scruton

Masters Theses

James Joyce's Ulysses, the most influential novel of the twentieth century, has often been criticized for its fragmentation and complexity. Impenetrable to some readers, misunderstood by others, Ulysses bears within its eighteen episodes a symmetry of subject and form that at once clarifies and multiplies the meanings to be found there. Richard Ellmann calls Joyce's theory of art "the perception of coincidence," a theory best exemplified by "Wandering Rocks," the central episode of Ulysses. The use of "symmetrical coincidence" in ''Wandering Rocks" can be seen in two ways: 1)the internal structure of the episode, and 2)its location among …

The Family In Modern Northern Irish Drama, Ray Wallace

Masters Theses

The purpose of this thesis is to show the plight of the family in Northern Ireland. The four plays which are the subject of this study--Within Two Shadows by Wilson John Haire, The Flats By John Boyd, Nightfall to Belfast by Patrick Galvin, and The Death of Humpty Dumpty by J. Graham Reid--deal with this innocent faction and highlight three principal effects of the troubles on their family lives. First, the families suffer internal division. They are alienated by religious/political differences which are as inseparable in these dramas as they are in Northern Irish life. Socialist doctrine opposes Christian …

Charles Simic: Trends Toward An International Poetry, Denise Clark

Masters Theses

In his article "Wrong Turning in American Poetry," Robert Bly believes that American poetry has been lead astray by the likes of Eliot, Pound, Moore, and Williams. He feels that the main failing of American poetry is its lack of inward, spiritual life. It is the Spanish speaking poets that Bly looks to as the true path-finders of spiritual poetry. If Bly believes that poets like Eliot and Williams were responsible for steering American poetry down the wrong path, it is a foreigner, Charles Simic, who will give American poetry the right turn it needs.

What Simic has been able …

A Room Of One's Own: The Women's Room, Lou Ellen Crawford

Masters Theses

The recent resurgence of feminism has been accompanied by the development of feminist fiction. Identifying those characteristics by which feminist fiction adds to the American novel a new and valid perspective, feminist criticism has also flourished. Feminist critics agree that fiction with a new perspective demands critical evaluation from that same perspective; and Cheri Register provides a concise, thorough list of five elements which comprise effective feminist fiction. Of Register's five criteria, Carol Heilbrun stresses the equalizing, conciliatory influence of androgyny. Recent feminist authors have written many novels which perform one or more of the functions prescribed by Register. Three …

Infinite Intellectual Leap-Frog: Tracing Three Character Voices Through Four Of Tom Stoppard's Works--Lord Malquist And Mr. Moon, Albert's Bridge, Jumpers, And Dirty Linen, Judy Laurene Donaldson

Masters Theses

Tom Stoppard (1937- ), British playwright, creates in his Absurd novel Lord Malquist and Mr. Moon (1966) three character voices that begin a debate on man's reason for existence. Instead of resolving the debate at the end of his novel, Stoppard, using the same character voices in various combinations, continues the debate in three of his later works: the plays Albert's Bridge (1968), Jumpers (1972), and Dirty Linen (1976). The three character voices include the realist's, who ties to make some sense out of the disorder of the world and to find his place in it; the manipulator's, who ignores …

Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne

Masters Theses

Several critics have suggested that the plays of Harold Pinter are incomprehensible because the characters do not explicitly explain their actions and motivations. These comments come because the critics and audiences are conditioned to expect a playwright to in some way explain the motivations and personalities of his characters with a standard explanation given through explicit dialog, copious stage directions, or other means. But Pinter believes that it is dangerous for a playwright to design a play with one overall purpose in mind because the chances are that the purpose will be mistaken.

Pinter prefers to write in a realistic …

From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris

Masters Theses

Heaney's poetry has grown and changed since the publication of his first collection of poetry, Death of a Naturalist. This paper is an attempt to present the development of Heaney's exploratory poetic which was created through his use of language and image, allowing him metaphorical vehicles for the examination of oppositions.

Heaney began his poetic exploration, or "dig," with the collections Death of a Naturalist and Door Into the Dark. The poetry presents nature images which represent Heaney's search into the unknown, the dark places. These images symbolize a searching for the imagination and for the purpose of …

Saul Bellow's Henderson The Rain King: A Fusion Of The Comic And The Serious, George William Russo

Masters Theses

Bellow's comic vision points to a compromise between the romantic notion that self-perfection is attainable and the pessimistic notion that man is ultimately impotent and thus destined to fail. Through Henderson, Bellow shows that although man does not--and ultimately cannot--completely free himself of somatic demands and limitations, he is nevertheless not defeated by them and thus not left a victim of emotionless observations.

Bellow draws upon four sources in Henderson's nature to create the humor in the novel and highlights Eugene Henderson as a comic hero by dramatizing that Henderson proves to be his own ironist. These sources can be …

Functions Of Menace: A Comparison Of The Room And The Birthday Party, Lee R. Martin

Masters Theses

An atmosphere of menace surrounds the action of Harold Pinter's plays, The Room and The Birthday Party. Several critics seem to agree that the menace originates in the outer world and threatens to intrude upon the security of a room, where people attempt to hide. But the menace may also originate within the room--from the inner world and not the outer. The Room illustrates how a character deals with a menace that is within, while The Birthday Party deals with agents of menace from the outer world.

Rose Hudd, in The Room, is dissociated from the outer world …

Fitzgerald's Use Of The Four Elements In The Great Gatsby, John Philip Hawkins

Masters Theses

A great deal has been written about the conscientious effort that went into the design of F. Scott Fitzgerald's popular novel, The Great Gatsby, with its various allusions and numerous symbols. A careful reading of this novel will unveil the author's preoccupation with numerous metaphysical images, particularly the four elements--air, earth, water, and fire--which are considered to be the essential components of all matter.

Fitzgerald uses the four elements in The Great Gatsby to coordinate mood and physical settings, to give dimension to the settings, and to bring characters into sharper focus. The novel employs four settings, each one …