Arts and Humanities Commons^™

Mario Rufino Méndez Y La Caricatura Política En Nuestra Raza: Estudio Testimonial De Una Rica Producción Cultural De Los Afro-Uruguayos (1933-1948), María Cristina Burgueño

Modern Languages Faculty Research

This work is a one volume published by the National Library of Uruguay with a prologue by Dr. George Reid Andrews. It provides an in depth analysis of the corpus of caricatures made by Mario R. Mendez, an afro-Uruguayan artist, for the magazine “Our Race” during its second period 1933-1948. These editorial caricatures made a strong statement against the Fascism in Europe and the League of Nations’ attitude towards the invasion of Ethiopia ordered by Benito Mussolini. They also satirized the political and social reality in Uruguay. Both, the caricatures and the magazine provide a testimony of an extensive cultural …

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Cloudy Skies By Tao Yuanming, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

First Mill (Excerpts) By René Char, Nancy Naomi N. Carlson

Transference

Translated from the French with commentary by Nancy Naomi Carlson.

Love By Adnan Sadduk, Mirko M. Hall

Transference

Translated from the Arabic with commentary by Mirko M. Hall.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

A Bath And Always By Khaled Abdallah, Nicholas Swett

Transference

Translated from the Arabic with commentary by Nicholas Swett.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Just Above Silence By Anna Greki, Lynda Chouiten

Transference

Translated from the French with commentary by Lynda Chouiten.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.

Foreword, David Kutzko, Molly Lynde-Recchia

Transference

Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.

Transference Vol. 2, Fall 2014, Molly Lynde-Recchia

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Entre La Efervescencia Y La Ruptura De Un Espacio De Placer En Salón De Belleza De Mario Bellatin, Juan Carlos Rocha Osornio

Juan Carlos Rocha Osornio, Ph.D

Aligning Goals, Objectives, And Assessments: A Multiliteracies Perspective, Kate Paesani, Heather W. Allen

Heather Willis Allen

No abstract provided.

Constructing Abe No Seimei: Integrating Genre And Disparate Narratives In Yumemakura Baku's Onmyōji, Devin T. Recchio

Masters Theses

The Onmyōji series has had an incredible impact on Japanese fiction. It has created an entire genre of material called onmyōjimono and sold 5 million copies counting only the novel series. Despite this, it has been woefully understudied by both Japanese and English speaking scholars. The Japanese scholars that do acknowledge it use it as a springboard to launch a survey of Abe no Seimei in written and performed media throughout history, and the English speaking scholars have limited their analyses to the form that oni take in the narrative. My research has revealed that Yumemakura Baku utilizes a complex …

La Representación De La Masculinidad Y La Violencia De Género En La Novela Española De La Posguerra, Alfredo M. Pastor

FIU Electronic Theses and Dissertations

While it may be argued that aggression against women is part of a culture of violence deeply rooted in Spanish society, the gender-related violence that exists in today’s Spain is more specifically a legacy of Franco’s dictatorship (1939-1975). Franco’s Spain endorsed unequal gender relations, championed patriarchal dominance and power over women, and imposed models of hegemonic and authoritarian masculinities that internalized violence by rendering it a feature inseparable from manhood and virility.

This dissertation provides a comprehensive analysis of masculinity and gender violence in Franco’s Spain, by analyzing the novel as the primary cultural vehicle of social criticism and political …

La Tentación Del Abismo En Armonía Somers: Entre El Expresionismo De Vanguardia Y El Gótico Postmoderno, Anamaria Lopez-Abadia Laya

FIU Electronic Theses and Dissertations

Armonía Somers (Uruguay 1917 – 1994) ha sido clasificada dentro de la llamada Generación del 45 de Uruguay, sin embargo, muchos críticos aseguran que su obra difiere de la estética del período en que escribió. Mientras Ángel Rama sugiere que la narrativa de Somers pertenece a la tradición de los raros y malditos, que desciende del extraño linaje del Conde franco-uruguayo y poeta Lautréamont, otros la colocan en el ámbito de la narrativa imaginativa y de lo fantástico. La crítica contemporánea se aproxima a la obra de Somers a partir del concepto de lo extraño o “Unheimlich”, abordando las novelas …

La (Des) Pluralización Del Verbo Haber Existencial En El Español Salvadoreño: ¿Un Cambio En Progreso?, Alexander Quintanilla

Alex Quintanilla

This study analyzes the pluralization of the verb haber in Salvadoran Spanish. Spanish uses the verb haber ‘to have’ for existential sentences. According to traditional grammars, existential sentences with haber are impersonal, that is, they are conjugated only in the third-person singular. However, it is common in most Spanish varieties to conjugate haber in the plural when the nominal phrase is plural. Recent studies have suggested that the pluralization of haber is an innovation in modern Spanish and that it is advancing from lower to higher classes. My study shows that on the contrary there is little evidence indicating that …

Observaciones Sobre El Estado Del Sonido Fricativo Palatal Sordo En El Español Salvadoreño., Alexander Quintanilla

Alex Quintanilla

In this work I discuss the current situation in the Spanish of El Salvador of the voiceless fricative palatal sound. The presence of this sound in Pipil, an orginal language already spoken in El Salvador before the Spaniards arrived, favored its maintenance in Salvadoran Spanish. Since Pipil is a language in extinction, some authors believe that this sound is also disappearing in Salvadoran Spanish. However, Pipil is not the only language with this sound that influences Salvadoran Spanish. Thus, we examine the linguistic distribution of this sound in El Salvador, the possible reasons of its maintenance and its implications for …

Voyager En France, Valerie J. Spaeth

French Model Lesson Plans

In this lesson, students view a video that describes the most often used modes of transportation in France. Students then discuss the similarities and differences between travel in the US and travel in France.

En Dire Trop Sur Les Noirs? Contextualizing Genet’S Preface To Les Nègres, Brian Gordon Kennelly

World Languages and Cultures

What does the French playwright Jean Genet accomplish by rewriting the lengthy preface that he had prepared for his play Les Nègres? After discussing how the preface contextualizes the play, we consider for the first time the significance of the evolution of Genet’s authorial intentions both at the microtextual and macrotextual levels by comparing the full-length preface with its shortened, reordered version. We show that in rewriting his preface Genet endeavored to be more ambiguous as well as to counterbalance the cuts he had also made in rewriting the play for which it was written.

A Culture, A People, A Nation - Understanding Of A Culture Through Icons And Symbols., Adrienne J. Royo

Faculty Works

Addresses the global issues of icons and symbols as a tool for the definition that society ascribes to a particular culture, people, or nation, followed by a specific focus on Spain and Spanish culture.

The icons and symbols include such figures as Don Quijote, Reina Sofía, and Andrés Segovia, as well as, the Roman Acqueduct of Segovia, the Moorish fortress of Granada. The heritage of Toledo.

Let's Get These Works Into Print! Translating German Women Writers As Engagement And Restorative Practice, Amy Kepple Strawser

Modern Languages & Cultures Faculty Scholarship

This presentation focuses upon the importance of translating the works of unknown, little-known, and lesser-known German women authors. Translation of these women's previously non-translated works will make them more widely available for study by English speaking researchers, faculty, and students.

On The Origin And Future Of Poetry: Notes Towards An Investigation, Carlos Aguasaco

Publications and Research

An exploration on the historical and material conditions that allowed the emergence of metaphors and poetry alongside language. This article analyzes the historical relation between poetry and technology across history. It discusses the so-called ontological crisis of poetry and opens the conversation on its future.

Confucius Institute Fall 2014 Publication (Report), Dr. Wei-Ping Pan Director

The Confucius Institute Publications

No abstract provided.

Mil Y Una Muertes De Sergio Ramírez Y Los Fantasmas De La Construcción Nacional Nicaragüense, Alberto Ribas-Casasayas

Modern Languages & Literature

Este artículo analiza la novela Mil y una muertes del nicaragüense Sergio Ramírez con un énfasis en los temas de lo fantasmal, fotografía e identidad nacional. Partiendo de un cuestionamiento de la “internacionalización”de la temática novelística de Ramírez, este artículo describe cómo el personaje principal de la novela, el fotógrafo Castellón, evoca fracasos personales y estéticos que por otra parte alumbran condiciones de i n f aciudadanía de cuerpos sujetos a la merced del estado y situados al borde de la catástrofe. A l mismo tiempo, la frustración vital de Castellón es eco de una frustración simbólica más amplia, la …

Voltaire's Victims And Us, Andrew J. Mckenna

Modern Languages and Literatures: Faculty Publications and Other Works

No abstract provided.