Arts and Humanities Commons^™

Shelby Sutton In An Interactive Musical Worship Experience, Shelby Sutton

Student Concert Performances, Programs, and Posters

This is the program for Shelby Sutton's Interactive Worship Experience held at Park Hill Baptist Church on November 20, 2016.

Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz

Selected Faculty Publications

The choice of music, an essential element of worship and church life, must be addressed in cross-cultural church planting contexts. As cultures evolve, church planters are faced with choices about musical styles that may lead to interpersonal conflicts within the church. The purpose of this study is to empirically examine factors that may enable cross-cultural church planters to constructively manage music-related conflicts when they arise. Members of church plants, like all people, have various goals when entering into such conflicts. They are concerned about the content of the conflict (i.e., the musical style) and thus have content goals. They are …

Jewish Liturgy In Music, Rachel A. Brown

Chancellor’s Honors Program Projects

No abstract provided.

From Sin To Sensation: The Progression Of Dance Music From The Medieval Period Through The Renaissance, Jillissa A. Brummel

The Research and Scholarship Symposium (2013-2019)

This research paper explores how dance music has been part of the foundation for musical art in world history and the key to unlocking information concerning societal atmospheres throughout history. With each age and progression of music came new genres, instruments and social beliefs that were woven through religious and secular culture, each of which impacted the production of dance throughout the centuries. As dance music infiltrated the social and religious scenes of the medieval period, the sacred value of dancing was questioned which are presented through historical sources on pagan culture in the medieval period. Further research on improvements …

From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons

The Research and Scholarship Symposium (2013-2019)

The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ increased in …

Musical Contextualization In The Local Church: A Pragmatic Exploration Concerning The Philosophy And Methodology Of Assimilating Sacred Music Into The Worship Vocabulary Of A Congregation, Kaleb Gooden

Senior Honors Theses

God’s mandate for all worship pastors is that they minister to their local body of believers in an effective way. This directive necessitates the use of scripturally and culturally appropriate music that clearly communicates the Gospel to the church congregation. This creative thesis further investigates musical contextualization in the local church.

Five philosophical pillars represent the most basic structure on which the entire process of local church contextualization stands. The minister must be rooted in scripture, led by the Spirit, present-minded, future-driven, and committed to service. After evaluating these philosophical concepts, this thesis will then explore the methodological contextualization process …

Sing The Peaceful Kingdom, Adam M. L. Tice

Symposium on Worship Archive

No abstract provided.

21 Spirituals For The 21st Century, Raymond Wise Phd

Symposium on Worship Archive

The Negro Spiritual has been hailed as American’s first authentic folk music. Spirituals have served as a primary musical source from which many sacred and secular musical genres have stemmed. The “Spiritual” itself has evolved into many forms. There are oral, concert, art song, congregational, and gospel spirituals, and each has its own unique musical characteristics that have helped to preserve the Spiritual as a musical form. Come learn more about Spirituals, hear and sing some traditional spirituals and experience contemporary spiritual arrangements from Raymond Wise’s collection of 21 Spirituals for the 21st Century.

Singing The Great Fifty Days, Zebulon M. Highben

Symposium on Worship Archive

Easter Sunday is the beginning of the church’s longest festival: the Great Fifty Days of Easter. Yet it can be a musical challenge to connect the exuberance of Easter Sunday with the season’s culmination at Pentecost. This workshop presents ideas for musically and liturgically unifying the Easter season while highlighting each Sunday’s individual lessons and themes. Hymns, canticles, and choral repertoire from several publishers will be featured.

Singing With Martin Luther And The Lutherans, Worship Symposium 2016, Mark Noll

Symposium on Worship Archive

This workshop is designed to explore the riches of Lutheran hymnody for those, like Professor Noll, who are not themselves Lutherans. We will take a quick historical journey to note important landmarks. The rest of the session will take advantage of one of the recently published American Lutheran hymnals to explore the contours of contemporary Lutheran song. The hope is to help those outside the Lutheran tradition appreciate its historical richness and think about exploiting those riches to enliven worship in all traditions.

A New Song. A Skillful Song., Sandra Mccracken, Greg Scheer, Adam M. L. Tice

Symposium on Worship Archive

Those of us who feel Psalm 33’s call to write new songs must remember that the Psalm also tells us to play skillfully. In this seminar we will focus on the skills of songwriting for congregations, digging into what it means to balance inspiration and perspiration. Join critically-acclaimed singer-songwriter Sandra McCracken and widely-published hymn writer Adam Tice as they speak with Greg Scheer about their approaches to creating new texts, new tunes, and the combining of texts and tunes. The afternoon will be spent discussing participants’ song submissions. Attendees of all levels and musical styles will benefit from this seminar.

Do You Know Where You're Going To? A Glimpse Of The Next Generation Of Congregational Song, Swee Hong Lim

Symposium on Worship Archive

This workshop will explore the next generation of congregational song. This emerging genre occupies a soundscape of music-making where its character is postmodern in the West and postcolonial in the Global South. It seeks to revitalize local, cultural traditions in a myriad of communities’ efforts of meaning-making in the 21st century. This is a guided conversation time where participants are encouraged to share their perspectives and observations. Musical examples will be shared.