Arts and Humanities Commons^™

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Textual Variants In Eudora Welty’S "A Piece Of News”, Brooke Derrington, Abby Choe

Seaver College Research And Scholarly Achievement Symposium

Eudora Welty’s “A Piece of News” presents the question, how does one achieve self-actualization? For the protagonist Ruby Fisher, the answer is language, although that answer is not clear in the original 1937 published version of the story. That story’s focal point is Ruby’s tumultuous and complicated relationship with her husband, Clyde. In contrast, the revised 1941 version from Welty’s collection A Curtain of Green shifts the focus from Ruby’s abusive marriage to her interiority. The subsequent increase in word count, shifts in narration, and emphasis on Ruby claiming her name when she reads it in a newspaper elevates the …

More Than Fiction: Representations Of Youth In Young Adult Dystopian Fantasy Fiction And Its Importance, Daman Mcconnell

University Honors Theses

This article takes on a comparative analysis between Young Adult Dystopian literature like Leigh Bardugo's Six of Crows and Suzanne Collins's The Hunger Games, focusing on how adolescents are represented in the discussion of Dystopian Fiction. Though mainly focusing on Six of Crows, these novels can be considered places where society and the world these characters live in are unforgiving and restrictive, forcing the growth of these adolescents to accelerate toward adulthood. Within Six of Crows lies the representations of antagonists going against the youth as adults with twisted senses of morality. In addition, this article also discusses …

Bodies Of Silence And Space: Victimhood, Complicity, And Resistance In Margaret Atwood's The Handmaid's Tale, Sana H. Mufti

Electronic Thesis and Dissertation Repository

This thesis examines the complexity of resistance and the conditions of power for women in The Handmaid’s Tale by Margaret Atwood. Using feminist theory, theories of neoliberalism, and Dominionism, this thesis works to understand the ways in which victimhood and complicity influence resistance in totalitarian regimes. I argue that neoliberal ideologies skew understandings of freedom, agency, and power in a way that ensures individuals, specifically women, remain trapped in the system. Focusing on reproduction, I examine how Gilead controls women’s bodies and reproductive abilities to ensure a future for itself. The Eve-Complex is one way that the state integrates itself …

Samozvanets (The Pretender), Matthew Garrell, Alikzandr Malakov

Dartmouth College Master’s Theses

he Russian word Samozvanets most directly translates to Imposter in English. However, for this thesis, I have selected the alternative interpretation of Pretender. Imposter implies the taking or assuming of another’s position. Pretender, more personally, carries the meaning of presenting self as something one is not. It is through the lens of the Pretender that I examine the idea of what it means to be a member of a particular ethnicity, and to engage with one’s cultural heritage. I do this through a collection of fictional stories, investigating various lives within the Russian diaspora following the dissolution of the Soviet …

Give Me Liberty Or Give Me (Double) Consciousness: Literacy, Orality, Print, And The Cultural Formation Of Black American Identity In Harriet Jacobs’S Incidents In The Life Of A Slave Girl And Octavia Butler’S Kindred, Aisha Matthews

Third Stone

While literacy may have signified the humanity of male slaves in the antebellum South (at least in their own view), the English language and American print culture did not similarly empower female slaves towards positive subject-formation through discourse. This article will examine the tension between oral culture and print culture in Harriet Jacobs’s Incidents in the Life of a Slave Girl and Octavia Butler’s Kindred. Ultimately, an analysis of Jacobs’s work through the lens of book history and its power to shape cultural formation will suggest a critical imperative for the contemporary neo-slave narrative genre.

Accordingly, the agency of contemporary …

The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright

Undergraduate Research Awards

Near the close of Breaking Dawn, the final installment of Stephenie Meyer's Twilight saga, Edward asks his new wife Bella a question. “When will you ever see yourself clearly?” (Dawn 744). Bella has no answer for him. Edward's question and, more importantly, Bella's apparent inability to answer is symptomatic of a broader issue throughout Breaking Dawn, in which, even as Bella obtains all that she has desired, her sense of self begins to fracture. Breaking Dawn formalizes Bella’s union with Edward through a series of increasingly binding steps: first through legal marriage, then sexual intimacy and pregnancy, then through vampiric …

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …

The Dancing Policeman And Other Stories, Satyaki Kanjilal

FIU Electronic Theses and Dissertations

The Dancing Policeman and Other Stories, a collection of short stories set in India and the United States, looks at ordinary people facing challenges in societies undergoing economic and social change.

Some have historical settings. In “Faithful Naren,” a young man learns the complex political realities of British rule in early 20^th century Natihati, West Bengal, while in the same town in the 1960s, a teenager deals with injustice in “Sabotage.”

Others take place in a present where past practices persist. "Shit Gibbon" centers on a store clerk driven to gambling rather than sacrifice his son's future. In “Road …

Reflecting Identity Through Glass Windows In Charles Dickens’S Tom Tiddler’S Ground, Ryder Seamons

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Seeing Whiteness: The Progression And Regression Of White Identity In Four Post-Civil War Literary Generations, Sara N. Stone

Dissertations and Theses

This thesis explores the concept of white identity as seen in literary works in four time periods: Reconstruction, the Great Depression, the Civil Rights Movement and the 21st century. It examines the work of Mark Twain, William Faulkner, Kurt Vonnegut and contemporary writers George Saunders, J.D. Vance, and Jonathan Franzen. It seeks to understand patterns in racism, white nationalism, and white supremacy as part of the fundamental construct of the literary white man, and follows the evolution of that construct over time.

Projecting Culture Through Literary Exportation: How Imitation In Scandinavian Crime Fiction Reveals Regional Mores, Bradley Hartsell

Electronic Theses and Dissertations

This thesis reexamines the beginnings of Swedish hardboiled crime literature, in part tracking its lineage to American culture and unpacking Swedish identity. Following the introduction, the second chapter asserts how this genre began as a form of escapism, specifically in Maj Sjöwall and Per Wahlöö’s Roseanna. The third chapter compares predecessor Raymond Chandler’s The Big Sleep with Roseanna, and how Sweden’s greater gender tolerance significantly outshining America’s is reflected in literature. The fourth chapter examines how Henning Mankell’s novels fail to fully accept Sweden’s complicity in neo-Nazism as an active component of Swedish identity. The final chapter reveals …

Andy's Inner Society: Warhol's Philosophy And Sense Of Self, Amyjoy V. Sedberry

The Catalyst

Andy Warhol’s The Philosophy of Andy Warhol is an intimate look at the internal world of the painter and graphic artist. The general public often assumes that Warhol’s life was little more than a whirlwind of success and partying. His Philosophy conflicts with the general presuppositions about who Andy Warhol was. It reads like a diary and is rich with disclosures of his beliefs about love, beauty, success and underwear. Despite the intimate nature of these subjects and the apparently candid delivery of Warhol’s philosophies and life experiences, he maintains a cagey and detached voice throughout. I argue that his …

The Identity In-Between: A Historical Close Reading Of Sylvia Plath's "Morning Song", Allison Barrett

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

The Terror Of The Political: Community, Identity, And Apocalypse In Don Delillo's Falling Man, Dillon Rockrohr

Department of English: Dissertations, Theses, and Student Research

Falling Man by Don DeLillo casts the event of 9/11 and its aftermath in such a way that the novel itself enacts an aesthetic terror aimed at explicating the ubiquitous social-atmospheric elements of community- and identity-formation out of which terror precipitates. As DeLillo figures terrorism in the novel as apocalyptic in that it is a violence that reveals the violence constitutive of political community, including the political community of liberal democracy, which ostensibly relegates violence to domains not considered legitimately political. DeLillo’s novel, as an act of aesthetic terrorism, not only thematizes the instantiation of terror that precipitates out of …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Splitting The Avocado: Short Fiction On Themes Of Power, Gender, And The Hope Of Change, Abigail Mcbride

Honors Projects and Presentations: Undergraduate

Being a woman who writes about life then, whatever that might mean, is what this project is about, because in that way this male seeing of the world is not silenced but rather transformed by the other side of a conversation that has always been one-sided. I read that and thought, wow, I’m doing something political, something revolutionary, something that’s part of a bigger legacy of women completely revolutionizing traditional discourse!But as I look over the stories I’ve written, I find something very different. I find something intensely personal, even private, in my own relation to gender. I thought I …

The Struggle To Re-Establish Anglo Superiority In American Modernism And Its Collapse Into American Tragedy, Jeff Brelvi

Dissertations and Theses

A study of the impact Anglo race assertion had on American Modernism through the work of Fitzgerald, Hemingway, and T.S. Eliot shaping the discourse on American cultural identity. Arthur Miller and his "Tragedy and the Common Man" put an end to Modernism's Anglo stronghold and brought about the next period of American literature, ushering it into the era of American tragedy.

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Real Or Not Real: Fragmentation, Fabrication, And Composite Identity In The Hunger Games And The Mass Effect Trilogy, Tessanna Curtis

Masters Theses

As one glance at box office ratings from the past decade can attest to, twenty-first century Western society seems particularly fixated on coming-of-age stories. These stories reflect the quintessential search for identity, as explained by developmental psychologist Erik Erikson. As Erikson argues throughout his works, the fundamental task of the individual on his journey to becoming a healthy, mature adult is the formation of a personal identity and sense of self that is both unified and whole. What seems particularly ironic, however, is that these coming-of-age stories are released into a culture that is largely dismissive of Erikson’s theory of …

“The World Broke In Two”: The Gendered Experience Of Trauma And Fractured Civilian Identity In Post-World War I Literature, Erin Cheatham

Department of English: Dissertations, Theses, and Student Research

This thesis examines the complexities of civilian identity and the crisis of gender in twentieth century fiction produced after World War I. Of central concern are four novels written by prominent women authors, novels that deal with themes of trauma, violence, and shifting gender roles in a post-war society: Rebecca West’s The Return of the Soldier, Willa Cather’s The Professor’s House, and Virginia Woolf’s Mrs. Dalloway and Jacob’s Room. Although these novels do not directly portray the battlefield experiences of war, I argue that, at their core, they are “war novels” in the fullest sense, concerned with the …

A Passage From Brooklyn To Ithaca: The Sea, The City And The Body In The Poetics Of Walt Whitman And C. P. Cavafy, Michael P. Skafidas

Dissertations, Theses, and Capstone Projects

This treatise is the first extensive comparative study of Walt Whitman and C. P. Cavafy. Despite the abundant scholarship dealing with the work and life of each, until now no critic has put the two poets together. Whitman’s poetry celebrates birth, youth, the self and the world as seen for the first time, while Cavafy’s diverts from the active present to resurrect a world whose key, in Eliot’s terms, is memory. Yet, I see the two poets conversing in the crossroads of the fin de siècle; the American Whitman and the Greek Cavafy embody the antithesis of hope and dislocation …

“You Can't Ever Find A Place That's Nice And Peaceful”: The Adolescent Identity In J. D. Salinger’S The Catcher In The Rye, Whitney Thacker

Masters Theses

Many consider The Catcher in the Rye the most poignant and popular story of adolescence in American literature, challenged only perhaps by Mark Twain’s The Adventures of Huckleberry Finn. Reading reviews, examining the public reception, and uncovering depths of research would evidence this well. However, the value of the novel rests not in its popularity—a simple sign of its inherent value—but in its ability to resonate truth. More than merely telling a story, Salinger creates a life, or at the very least a glimpse of a life, through the actions and attitude of his ornery adolescent character Holden Caulfield. This …

The (Dis)Ability Of Color; Or, That Middle World: Toward A New Understanding Of 19th And 20th Century Passing Narratives, Julia S. Charles

Doctoral Dissertations

This dissertation mines the intersection of racial performance and the history of the so-called “tragic mulatto” figure in American fiction. I propose that while many white writers depicted the “mulatto” character as inherently flawed because of some tainted “black blood,” many black writers’ depictions of mixed-race characters imagine solutions to the race problem. Many black writers critiqued some of America’s most egregious sins by demonstrating linkages between major shifts in American history and the mixed-race figure. Landmark legislation such as, Fugitive Slave Act 1850 and Plessy v. Ferguson (1896) are often plotlines in African American passing literature, thus demonstrating the …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

"I Know You!": The Implications Of Knowing In Joyce Carol Oates's Marya: A Life, Josephene T.M. Kealey

Bearing Witness: Joyce Carol Oates Studies

Joyce Carol Oates’s Preface to the Franklin Library 1^st Edition of her 1986 novel Marya: A Life is a theoretical reading guide. In her explanations for the possible autobiographical components discernible in her book, Oates challenges readers to question their ability to know a character, to know an author’s intentions, even to know the self. Oates’s ideas about the fluidity of identity and the dangers of claiming “to know” an other or the self are explored in this story.

Shifting Identity/Shifting Discourse: Re‐Naming In Contemporary Literature By Zadie Smith, Jeffrey Eugenides, And Salman Rushdie, Jennifer Krengel

Dissertations, Masters Theses, Capstones, and Culminating Projects

Re­‐naming one’s self is an empowering act of self­‐definition; re­‐naming others is an attempt to codify, contain and censure identity. Re­‐naming emerges as a compelling theme in contemporary transnational literature, appearing in three notable texts: Zadie Smith's White Teeth (2000), Jeffrey Eugenides' Middlesex (2002) and Salman Rushdie's memoir Joseph Anton (2012). These texts depict stories of diaspora, the forced migration or dispersal away from a homeland. Communities of diaspora negotiate between two cultures: an originary culture and the culture of the new geographic location. From these negotiations emerge a third, hybridized identity that reimagines the majority culture and challenges structural …

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …